Considering VNV Nation have been around for most of my life and are one of my favourite bands both on record and live, it’s weird to say that this is the first time I am writing some kind of review about them. Being more versed in the metal side of the musical sphere probably has something to do with it, and not being sure if I’m gonna get some technical aspects right is another reason. But, I am feeling brave this weekend and I feel like people need to know just how good this album is, and VNV (Victory Not Vengeance) in general. While founder and sole recording member Ronan Harris grew up in Ireland, he moved around before settling in Germany and continuing the project with music and live shows establishing the band as one of the biggest within the electronic/EBM scene. At some point VNV Nation termed themselves “future-pop,” and lemme tell you, that is the perfect name for what they are doing. If you’re looking for a band to get you moving, to induce euphoria without having to pound espressos (or whatever your poison is), or a band to make the hairs stand up on your arms … Read more
I’m not biased. Not really. I just don’t like it. It, being pop-punk. I’m just young enough that the initial … Read more
Take equal parts The Gaslight Anthem, Menzingers and blue-collar arena rock like Tom Petty or Springsteen, with a dash of … Read more
It’s probably been 30 years since I heard my first tribute album and I’m not sure my opinion has changed. … Read more
Bloodletter are a four piece thrash metal outfit from Chicago, Illinois and are here to assault your ears in the … Read more
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The term "pop-punk" has been tarnished and dragged through the mud quite a bit thanks to the surge of boy bands disguising themselves as pop-punk bands: All Time Low, Forever the Sickest Kids, Mayday Parade, etc. These bands parade around giving a bad name to any band that draws any influence from the New Found Glory/Saves the Day school of thought. In opposition to these atrocities against music are a number of artists (Valencia and Fireworks also come to mind) offering up a genuine take on the pop-punk sound; This Time Next Year is another such group and bring forth their debut full-length. "Rise & Fall, Curtain Call" launches the album off in perfect fashion: fast and melodic guitar driven pop-punk. Dennis Cohen and Brad Wiseman's playful guitars are teamed … Read more
When it comes to horrorpunk I am rather conservative. I usually appreciate bands more if they stay close to the template the Misfits created. My favorite bands in the genre took that template and made it their own, but stayed close to the original. This requires great skill: don’t stray to far from the path to loose me, but also … Read more
I like poppy punk: melodies, singalongs, all that predictable stuff. But I also like it rough around the edges, not the super clean production style of Ramonescore or whatever that garbage from the early 2000s that’s on the nostalgia train right now is. So I choose my words carefully because it seems pop-punk means different things to different people. And … Read more
Other write-ups I see of Tomorrow Never Comes are basically calling this Rancid V, Part 2. The cover art looks a bit like the back of that album, actually. And while there is some merit to the comparison, I think that description is misleading. This record absolutely shares that style of short, repetitive, and angry punk songs but it has … Read more
This four track EP is a collaboration of New Jersey's finest as seasoned punk/metal artistes Voice Of Doom and youngblood Robby Bloodshed battle it out to cover classic Misfits songs and then each others songs. Let the horrorpunk battle of the year so far, commence!! Starting off with a sample from the 1938 radio adaptation of H.G Wells's War Of … Read more
“Long is the way and hard, that out of Hell leads up to light.” Since the decayed hands of time turned the page into a promising new decade, a whole lot has happened in this world. It’s been a harder road traveled for some of us than others. There’s been love and loss. Sickness and wellness. Dark and light. Like … Read more
I won’t condescend. I won’t explain to you what ugly means. You know what ugly means. The sale rack at Marshall’s, usually. The concrete apartment complex built in 1992 and never updated. The cake your seven-year-old niece decorated for you. Okay, that one might’ve been a little mean, but the point still stands. Ugly, ugly, ugly. You don’t need it … Read more
This self-titled record is the debut by miniaturized. While it’s their first record, the musicians have also played with the likes of Pinback, Rocket From the Crypt, No Knife, and more. You’ll pick up on hints and patterns from some of those groups here, but this record is an exploration of new styles and territories. While the band formed for … Read more
Atmosphere has always felt like rapper Slug pouring his soul into the mic. It feels authentic and refreshing to hear his humble self-reflection. But after a few albums, it also kind of feels like overload. There’s such a thing as too much emotion and strife. That’s not a knock on Atmosphere’s art, but Atmosphere took a break from each other. … Read more
Divine Punishment was originally released in 1986.. Throughout her storied career, she has pushed boundaries, stayed true to her vision and accomplished an output of never replicated and truly original artistic beauty. Her vocal styling can be something of an acquired taste but once you understand and accept the unique styling you begin to understand how powerful her emotive wailing … Read more
Atlanta, Georgia three piece horrorbilly rocksters The Tomb Tones released their debut album "Pumpkin Guts" in 2020 and are now following up with this brand new spooky foodie fable Ghost of Toast! This album tells the gruesome tale of Bill Higgins, a mill worker for the Miracle Bread Company back in the 60s. It was reported that Bill fell into … Read more
From the first taster of Phantomime... a cover of "Jesus He Knows Me", released in early May, I had a feeling that good things were to come with this new covers EP! This five track EP was released a few weeks after the Genesis cover on May 19th and follows after last years Impera as a between album aperitif which … Read more
When we talk about pop-punk I, and I suspect you do this too, think about bands like Green Day and may drift off to Sum 41 and more bands like that had their prime in the late nineties and the early noughties. Spanish band Lisasinson play something that can only be described as pop-punk, but their sound has little in … Read more
What’s the difference between overabundance and starvation? Between drowning and dehydration? Between far too much and not enough? What’s the difference, then, between everyone else and Night Court? A lo-fi punk trio out of Vancouver, Night Court released their third album, Humans!, June 9th on Snappy Little Numbers and Debt Offensive Records. While their sound may have slightly changed since … Read more
Brand Managers of the Mid-Atlantic is a lot to digest. And not just because of its lengthy title. The album itself has 23 tracks and was recorded over many years (2015-2022). The final six tracks are covers, and it’s more a discography feel than a standalone album, at least to me. The main sound of the record is post-hardcore with … Read more
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