The Bils are Bil and Michelle Bilson, a husband-wife duo that play laid back rock schooled by classic duets. Depending which paragraph of their press sheet you’re reading, they are either named “The Bils” or “The Bil’s.” For the sake of continuity, I’ll match the album art and call them The Bils.Bil is a veteran of The Sunnyboys and he and his wife have long enjoyed music together, though it took a long time to release an actual record, which is why they gave it a tongue-in-cheek title of Past Masters: Volume 1. It’s also a nod to The Beatles, and that reference gives a clue to the era that The Bils take influence from. The record is calm and tonal, drawing inspiration from the ethereal pop of yesterday and building songs off the interplay between Bil’s baritone voice and Michelle’s sultry, somewhat countrified match. The duet angle works best when they adopt darker, somber emotions as in “Deep in Blue” or “Summer Nights” with touching harmonies that explore the inner search for meaning, though they spend at least as much energy working on country-fueled ballads of relationships. Those have less impact, as stories of seduction like “Your Man” feel … Read more
Dinosaur Eyelids may have an bizarre moniker (where did they come up with it?) but their music is far from … Read more
I don’t know much about Chain Cult – and sometimes that’s a good thing coming into a band. Instead of … Read more
Orphanage Named Earth is Polish band that plays romantic crust. I'll explain later on what to expect, but let me … Read more
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In all likelihood you're fully aware of the Smashing Pumpkins history and 90's legacy; if you somehow don't, I recommend Wikipedia. But in short, this is the first album in seven years from Billy Corgan and Jimmy Chamberlin under the Smashing Pumpkins moniker. Both were in Zwan, and both performed on the other's respective solo disc. But since 2000, neither has recorded under the Smashing Pumpkins name, and evidently, had no intentions of this being a true reunion. Because Corgan and Chamberlin are self-described "brothers in music," this isn't really a reunion; it's an attempt to regain some mainstream glory following Zwan's quick implosion and Corgan's ghastly solo disc in the only way they know how: as the Smashing Pumpkins. While the move to reignite the Pumpkins without James Iha … Read more
Courtney Barnett’s output is usually a sure thing – which is why it’s strange her latest, Tell Me How You Really Feel is weirdly disappointing. It’s not bad, it just lacks the punch found on 2015’s Sometimes I Sit And Think, And Sometimes I Just Sit. “Hopefulessness” is a strange, dissonant opener that casts a bit of a pall over … Read more
Concept albums are hardly a new thing but for French band Monolithe and their seventh record, the conceptual aspect has been taken to the next level. Seven songs, exactly seven minutes long, each beginning with the first seven letters of the alphabet in sequence with each letter signalling the tonality of the track that is playing......it all sounds like a … Read more
Many have commented about loving the idea behind Teenage Bottlerocket's all-covers record Stealing The Covers, and even though cover albums usually have everyone sending the puke emoji as a review, I have to agree with the majority on this one. Bottlerocket aren’t a parody band and they aren’t as disillusioned as people think; this record was a super clever idea … Read more
Powerful, bottom heavy, but good headlamps. She loves to look good, but also can build an engine; loves fancy dress, yet plays in the mud. She’s drive-able in the city, and capable of off-road adventures. As much as country music loves the Daisy Duke, and the General Lee, symbols stereotypically good, The Outsider locks into enough country to forgive its … Read more
John Prine's first album of new material in 13 years is a great place to start with the legend’s career, as it kind of covers the ground of the sometimes funny, sometimes terribly sad songs he’s known for. Working with Dave Cobb (known for producing both Jason Isbell and Chris Stapleton) Prine focuses on the mundanities of everyday life, and … Read more
I’ve been debating how to describe this one for a while. Pinned in Place aren’t exactly happy campers, but compared to most of what I’ve been reviewing lately their music feels downright optimistic with the sunny guitar lines and harmonies that define their sound. That said, the record is named Rubbernecking at the Gates of Hell for a reason.The opening … Read more
There’s something oddly humbling and comforting about listening to the Smith Street Band, it’s like they’re that hometown band you watched put on shows in garages and living rooms growing up. It just feels like you know them—their lyrics are very real and they as people are very much real, which overall creates this very humbling, raw effect to their … Read more
Just look at the name of this band. Any associations? Mine was: ah, Mount Fuji Doomjazz Corporation, Killimanjaro Darkjazz Ensemble, must be working along the same lines. And in a way it is. This band delivers exactly what they promise: a blend of ska and jazz. And in doing so sounds nothing like the other two bands, so you can … Read more
Here we go, something horribly maniacal approaches. An out of focus haunt looking like a Goya sketch funnels all the screaming souls from hell at the threat of a Gatling gun and an itchy trigger finger. In their place we as Listener fall into the gap. Each song features a compendium of heavy drum beats, variations of style and groove, … Read more
DeeCracks don’t reinvent anything, but they don’t regurgitate it either. There’s a lot of Ramones behind the experienced Austrian band, but they utilize familiar techniques like harmonies, solos, and even a surf instrumental to mix it up. It’s the kind of music that many bands try to pull off, but fail. It doesn’t sound like they’re aping their predecessors, but … Read more
Feed The Cat is skatepunk band from Toulouse, France. Never Press Rewind, Except… is their second release after the EP Kick The Fat. Their sound is undeniably skatepunk. For some reason I'm reminded of Smartbomb. Not the most well known of all skatepunk bands, but Feed The Cat has the same vibe. Musically it's slightly different though. Skatepunk in my … Read more
Chicago natives Maps & Atlases first new release in six years shows them down a member and finding that their tightly constructed guitar and rhythm pieces turning up to something a little brighter and buoyant with synths taking more of a larger role in their sound. First single “Fall Apart” sounds just as slick and rubbery as singer/guitarist Dave Davison’s … Read more
Loads of bands that I follow or followed start out pretty heavy and during their career start to get (a bit more) mellow. Sometimes this evolution is only marginal, sometimes a band is almost unrecognisable after a few albums. Abstracter evolved as well over the course of their albums. Instead of mellowing down their sound, they have evolved in another … Read more
Wye Oak have never made the same record twice, and on The Louder I Call, the Faster It Runs, it’s not about to change. Jenn Wasner and Andy Stack grow by leaps and bounds on each release, and this, their first proper studio album since 2014’s Shriek has them taking the synth heavy sounds of that record and Wasner’s excellent … Read more
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