Summoning have been at the forefront of Tolkien inspired metal for the twenty five years they’ve been a band. Formed in Austria in 1993, the duo take from the world of The Lord of the Rings – and its extended universe – to create music that is extraordinarily cinematic in scope while feeling rich and earthy at its core. Summoning may not be the most prolific of bands but their passion for their source material is always evident and instead of raking over old ground and narratives, the band would rather take their time and make an album that fits their aesthetic well than make something bland and rote.Evidently, much of With Doom We Come was raised from the ashes of songs leftover from 2013s Old Mornings Dawn, and while the style doesn’t differ too greatly from that blueprint, Summoning still play a neat line of folky, black metal embellished with keyboards and grand textures. With Doom We Come follows their usual path in that fantasy is the primary focus and on their eighth full length we are exposed to climbing stories of heroism, battles, windswept landscapes and death. “Tar-Calion” begins the record and sets the scene with huge swathes … Read more
The Great Divide came to my attention four years ago when they released their second release White Bird. At that … Read more
Aaron Turner and Daniel Menche, two prominent figures of experimental music, meet again after the Mamiffer collaboration with Menche back … Read more
Royal Brat follow an intriguing trend I see in a lot of queer punk: taking direct and heavy subject matter … Read more
How do you tell a fairy tale using only sound? That's a question seemingly answered by Japanese artist Mokumedori's self-titled … Read more
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Ides Of Gemini probably seem to have come out nowhere to most. Looking at their members there isn't a long ex members of list or any long time battling it out with a ton of releases either. The band seemingly came from nowhere last year by self releasing an EP or demo. Said EP The Disruption Writ was a brief but clear introduction to this band. Combining shoegaze and almost a fixation with gothic touches within their songs. While the band may have slight touches of metal and a clear relationship to the metal scene there is little that is obvious about their style to make them fit there. Opener "The Vessel & The Stake" works as a great introduction to the band for the unfamiliar. Militaristic drums and slow … Read more
Wake is a Canadian grindcore act. One of those grindcore-acts that have taken care of me not growing tired of the genre. The unrelenting speed and anger are good fun, but can get a bit samey fast. This is where the great bands differentiate themselves from the mediocre ones: they know how to keep things interesting. Wake is one of … Read more
You know, I’ve never knowingly listened to Miley Cyrus, but I’m pretty sure this record is named tongue-in-cheek and doesn’t include a cover. Full disclosure, I looked up her “Party in the USA” song a couple hours after my first draft of this review. I wish I hadn’t, though it was certainly a learning experience about different lifestyles.For some reason … Read more
After a couple of years of reviewing I’ve got a love-hate relation with genre definitions. I love ‘em because it makes my job so much easier. Just should a genre name and you, my dear reader, should have an idea about the sound of the record in question and if this review is worth your time. It makes my job … Read more
Spain’s Balcanes tread a glorious path through noisy rock with a sound that is as filthy as it is consuming. Although minimally done, Balcanes still force through masses of power by using painful feedback and deep, rumbling bass to create strong textures in their work. Carne Nueva is only a taste of what the band are capable of and on … Read more
While I’ve always enjoyed Mind Spiders, they’ve kind of felt like a side project, an idea that hadn’t really grown into a full-fledged band yet. On each of their releases so far, I listen and think, “I like this, but it’s not really my thing.” Then the next album comes along, I give it a spin, and think, “This keeps … Read more
Though the thought of pairing a shoegazey indie pop band with an anything-goes punk group on a split record may seem odd, in the case of this effort from South Korea's Say Sue Me and Japan's Otoboke Beaver, the results are magical. Say Sue Me's contribution is the sunny “Good For Some Reason,” which finds gorgeously hazy vocals soaring over … Read more
There is no easy starting point with a record such as Ion. It’s an album that’s dense, almost to the point of being utterly impenetrable, with vocals from The Curator that swirl with crawling chaos and drums that march to an inhuman beat. Portal are not an easy band to digest and their music is a claustrophobic head-trip into the … Read more
Given their name, it's appropriate that San Francisco's Spiritual Cramp have a sound rooted in the punk rock of 40-ish years ago. I don't think debut EP Mass Hysteria would have the same punch had it featured a more aggressive approach. Alienation figures prominently in the lyrics of opener “All MY Friends Are Out Tonight (Alright),” and the somewhat vulnerable, … Read more
Erstwhile Kaiser Chief Nick Hodgson has spent the past five years penning songs for the likes of Mark Ronson and Shirley Bassey, basking in being out of the limelight and no longer having to endure a punishing touring schedule as part of one of the UK’s most successful indie bands. The 40-year-old spent much of his 20s and 30s perched … Read more
Music with a message has long been a starting point for many bands but for Orphaned Land that message is of the most extreme importance. Spreading the missive of peace and understanding has been at the root of the Israeli band and their output since the very beginning and over the last twenty six years. Addressing the turmoil that has … Read more
Take Back The Night isn’t one of those experiment Dwarves records, like the industrio-tinge of Come Clean. On their latest offering, the long-running band alternates styles consistently between their unique and twisted take on bubblegum pop-punk and screaming, single-vocalist hardcore. For the most part, the hardcore songs are fronted by Rex Everything (Nick Oliveri), with occasional SPB guest contributor Blag … Read more
Every now and then I find it entertaining to randomly pick something out of the promo-bin without overthinking what to review. Sometimes this way I discover brilliant stuff, sometimes I question my choices. Baronen & Satan’s short and snappy promo chatter sounds promising enough. This quartet is from Gothenburg, Sweden. There’s more than enough quality music coming from Sweden. That … Read more
Contemplative and calming, “Delacorta” kicks off Damon Eliza Palermo's Beacon of Maracaibo release with flowing piano and bubbling electronic tones playing under a pleasant, naturalistic bed of chirping birds. Slightly glitchy but undeniably relaxing even when it introduces a cymbal-heavy beat late in the going, the opener transitions into a lengthy title track awash in sweeping synths, seesawing vocal tones … Read more
The Fest is a pretty cool event. The first time or two I went, I went to see the headliners on the big stages, packing a day of well known (by punk standards) into one action-packed 12-hour period. Over time, I’ve come to seek out the newer bands on the smaller stages. The atmosphere is more my vibe, but it’s … Read more
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