I’ve been debating how to describe this one for a while. Pinned in Place aren’t exactly happy campers, but compared to most of what I’ve been reviewing lately their music feels downright optimistic with the sunny guitar lines and harmonies that define their sound. That said, the record is named Rubbernecking at the Gates of Hell for a reason.The opening guitars in “Codependence Day” set the tone on this one quickly. The music itself is upbeat and bright, then Sean Arenas’ vocals kick in with a more cynical take. While I call it cynical, it’s not downer 1990s overkill at all. His singing fits the musical tone well, but with a feel of longing and uncertainty that goes up and down in conjunction with the melody. There are punk power chords and soft tinkering emo-indie moments. The record itself moves seamlessly between aggressive notes and more introspective jaunts while using punk song structure and an impressive ability to turn on a dime without any awkward rhythmic shifts. The record itself is a metaphorical search for clarity, working its way through an anxious world and trying to keep positive amid the muck. There’s also, of course (note the album title), a … Read more
There’s something oddly humbling and comforting about listening to the Smith Street Band, it’s like they’re that hometown band you … Read more
Just look at the name of this band. Any associations? Mine was: ah, Mount Fuji Doomjazz Corporation, Killimanjaro Darkjazz Ensemble, … Read more
Feed The Cat is skatepunk band from Toulouse, France. Never Press Rewind, Except… is their second release after the EP … Read more
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Let's face it; if you're a hardcore kid and you DON'T like Sick of it All, there's something really and truly wrong with you. For over twenty years, Sick of it All have been consistently releasing albums and 7"s of unwavering quality, and touring the world relentlessly. With the band's somewhat recent signing to Abacus Recordings, the label decided to compile the efforts of some of today's most recognizable hardcore and metal bands paying tribute to New York's finest. The thing about tribute compilations is they're always so hit and miss. It all comes down to personal taste. If you love Sick of it All, and you hate Sepultura, odds are Sepultura aren't going to win you over with their cover song. Since this is my review, and it's my … Read more
Chicago natives Maps & Atlases first new release in six years shows them down a member and finding that their tightly constructed guitar and rhythm pieces turning up to something a little brighter and buoyant with synths taking more of a larger role in their sound. First single “Fall Apart” sounds just as slick and rubbery as singer/guitarist Dave Davison’s … Read more
Loads of bands that I follow or followed start out pretty heavy and during their career start to get (a bit more) mellow. Sometimes this evolution is only marginal, sometimes a band is almost unrecognisable after a few albums. Abstracter evolved as well over the course of their albums. Instead of mellowing down their sound, they have evolved in another … Read more
Wye Oak have never made the same record twice, and on The Louder I Call, the Faster It Runs, it’s not about to change. Jenn Wasner and Andy Stack grow by leaps and bounds on each release, and this, their first proper studio album since 2014’s Shriek has them taking the synth heavy sounds of that record and Wasner’s excellent … Read more
Let’s get it out of the way: Believe the hype. All of Kacey Musgraves’s records are the real deal – slices of contemporary country that don’t sound like shit and hint at something greater and more progressive. Hint no more. Golden Hour is Musgraves best and most fully realized record, one that transcends country, or any genre really, with the … Read more
Hendrix takes the stage with his band—right-handed guitar upside down, LSD stashed in his headband, visions of blue baize fields and purple skies are immanent. The experience is underway. "Voodoo Child" ends, bongos rip, drums roll, Jimi feedbacks and chaos continues behind him. “Oh say can you see, by the dawn’s early light” Jimi’s acid wash jeans match his acid … Read more
Every once and a while there will be an album that pretty much levels the musical plane, one that becomes an earworm in the most serious of ways, rendering everything else kind of secondary. For me, right now, that is Cocoa Sugar by Young Fathers.It’s hard to classify exactly what genre the Edinburgh, Scotland-based group are, because they encompass so … Read more
Hop Along have been on a tear since the release of their 2012 debut, Get Disowned and came to proper prominence with 2015’s Painted Shut, a showcase of a young band coming into their own, and placing the extraordinary voice of singer/guitarist Frances Quinlan center stage. It’s a low-key classic in it’s own right, so the release of Bark Off … Read more
Canadian hardcore is a weirdly veiled style. Like Canadian politics, it is highly deferential, often distinctly so. This means it both blends in with previous hardcore styles at the same time it writes original sounding songs, and it sounds highly derivative and mediocre despite the musician’s individual skill. Split in so many contradictory directions, Baptists newest release, Beacon of Faith, … Read more
For Dimmu Borgir, who haven’t released a full length album in over seven years, Eonian marks a shift for a band that have kind of been the butt of many black metal jokes for the best part of a decade. Dimmu Borgir make no apologies for their bombastic sound and on Eonian they fully embrace their theatrical side. Still, the … Read more
The excitement of We Are the Champions of the Word (Retrospectus) is supposed to be the five new songs at the end of the 29-song collection. It probably is, but given how bands often release a Best Of before they breakup, this record feels more worrisome than celebratory. That’s just a personal feeling that views this as some kind of … Read more
This what pop-punk used to mean. On the record it’s clean and melodic, while the live show feels more aggressive and forceful. Think of those Ramones studio records and compare them to the live experience. Then throw in the pedigree of the band members here, splitting time in The Dopamines, The Slow Death, and The Queers. Two of those three … Read more
Geld’s Perfect Texture is 11 tracks, 23 minutes, 41 seconds: walloping wallaby! I feel like I’m back in my initial stomping grounds of Lethbridge, Alberta, a place that must exist in Geld's stomping grounds of Melbourne, Australia. Back in Canada’s Loyal Order of the Moose community hall, standing in an awkward half circle, ceiling too high, among their powerful nasty … Read more
Do you like to be challenged every now and then? Just so that you are forced out of your comfort zone? Some say the best things in life happen just there: outside of your comfort zone. Although there is reason I like to stay inside that zone (it is quite comfortable there, after all) I enjoy the musical challenge of … Read more
Some bands need a couple of albums to find their sound, their niche if you like. Other bands seem to have stumbled upon their sound from their very first rehearsal. Their career is not defined by a grand steps from album to album, but rather by refining their craft on each album. Small changes to better their music a little … Read more
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