Shortly after releasing their debut full length I had the opportunity to have a chat with Barren Womb. They then told me they liked playing in a two-man band as it gave them the opportunity to work really fast. The decision making process is so much easier without a lot of different opinions around. These words seemed to be true as one year later the band had not only released a split, but also had a new full length out. However much I enjoyed those records, the band disappeared of my radar shortly after. That was three years ago. When I picked Old Money/New Lows out of the promo bin I assumed I had a lot to catch up to. Fortunately for me that was not necessary. The band took their time for this record: Old Money/New Lows is album number three. I enjoy keeping track of bands to see how they develop over time. Barren Womb is a band that keeps you on the edge of your seat. Things change a lot with them over time. They also know they have a core identity they have to keep their. There's no doubt that this is Barren Womb album, no … Read more
The world feels like it’s coming apart at the seams, some new scandal or piece of terrible news hits daily, … Read more
Jeff Gutt has a thankless task before him. Some might say impossible, even. He's replacing Scott Weiland, one of the … Read more
The Great Divide came to my attention four years ago when they released their second release White Bird. At that … Read more
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I'll be honest. I hadn't really listened to Pelican all that much since City of Echoes was released in 2007. In fact, I think I gave that album two or three plays total; since then their discography has seen limited plays. I really have no logical explanation for my lack of listening. I think the "post-metal" craze got overblown and I fizzled out on the whole sound. Two years removed, Pelican returns with a brand new EP for Southern Lord Records, their first release since departing from longtime home Hydra Head. Ephemeral is just a three-song EP but Pelican accomplish a lot. Since their untitled EP release, Pelican has slowly been infusing their sludgy metal-driven rock approach with more accessible explorations. With "Ephemeral" and "Embedding the Moss" we find the … Read more
Aaron Turner and Daniel Menche, two prominent figures of experimental music, meet again after the Mamiffer collaboration with Menche back in 2015. Both have been active recently, with Turner participating in the Thalassa project releasing Bonds of Prosperity with William Fowler Collins, while Menche released his long, immersive Sleeper record earlier this year. With NOX the duo presents a 31-minute … Read more
Royal Brat follow an intriguing trend I see in a lot of queer punk: taking direct and heavy subject matter and addressing it with vitriol, then flipping a switch from anger to singsong and back. It’s fascinating that the two emotions, so different, can jump back and forth without feeling more jarring.Eyesore is the first full-length from Royal Brat, out … Read more
I’ll admit to coming into this one with a clean slate. I don’t know Feral Trash, who predate Chiller and share members Ilisha and Eric. The duo recruited Erin (Black Tower) and Tim (Mother’s Children) and, as the press release says, so began “what has rightly been deemed as a continuation of Feral Trash.”So that’s the history lesson. Because I … Read more
How do you tell a fairy tale using only sound? That's a question seemingly answered by Japanese artist Mokumedori's self-titled album. Utilizing an eclectic variety of instruments, many of the toy variety, this album appeals directly to the imagination of its listener, almost daring you to come up with a story to accompany the music. While some might be tempted … Read more
Wake is a Canadian grindcore act. One of those grindcore-acts that have taken care of me not growing tired of the genre. The unrelenting speed and anger are good fun, but can get a bit samey fast. This is where the great bands differentiate themselves from the mediocre ones: they know how to keep things interesting. Wake is one of … Read more
You know, I’ve never knowingly listened to Miley Cyrus, but I’m pretty sure this record is named tongue-in-cheek and doesn’t include a cover. Full disclosure, I looked up her “Party in the USA” song a couple hours after my first draft of this review. I wish I hadn’t, though it was certainly a learning experience about different lifestyles.For some reason … Read more
After a couple of years of reviewing I’ve got a love-hate relation with genre definitions. I love ‘em because it makes my job so much easier. Just should a genre name and you, my dear reader, should have an idea about the sound of the record in question and if this review is worth your time. It makes my job … Read more
Spain’s Balcanes tread a glorious path through noisy rock with a sound that is as filthy as it is consuming. Although minimally done, Balcanes still force through masses of power by using painful feedback and deep, rumbling bass to create strong textures in their work. Carne Nueva is only a taste of what the band are capable of and on … Read more
While I’ve always enjoyed Mind Spiders, they’ve kind of felt like a side project, an idea that hadn’t really grown into a full-fledged band yet. On each of their releases so far, I listen and think, “I like this, but it’s not really my thing.” Then the next album comes along, I give it a spin, and think, “This keeps … Read more
Though the thought of pairing a shoegazey indie pop band with an anything-goes punk group on a split record may seem odd, in the case of this effort from South Korea's Say Sue Me and Japan's Otoboke Beaver, the results are magical. Say Sue Me's contribution is the sunny “Good For Some Reason,” which finds gorgeously hazy vocals soaring over … Read more
There is no easy starting point with a record such as Ion. It’s an album that’s dense, almost to the point of being utterly impenetrable, with vocals from The Curator that swirl with crawling chaos and drums that march to an inhuman beat. Portal are not an easy band to digest and their music is a claustrophobic head-trip into the … Read more
Given their name, it's appropriate that San Francisco's Spiritual Cramp have a sound rooted in the punk rock of 40-ish years ago. I don't think debut EP Mass Hysteria would have the same punch had it featured a more aggressive approach. Alienation figures prominently in the lyrics of opener “All MY Friends Are Out Tonight (Alright),” and the somewhat vulnerable, … Read more
Erstwhile Kaiser Chief Nick Hodgson has spent the past five years penning songs for the likes of Mark Ronson and Shirley Bassey, basking in being out of the limelight and no longer having to endure a punishing touring schedule as part of one of the UK’s most successful indie bands. The 40-year-old spent much of his 20s and 30s perched … Read more
Music with a message has long been a starting point for many bands but for Orphaned Land that message is of the most extreme importance. Spreading the missive of peace and understanding has been at the root of the Israeli band and their output since the very beginning and over the last twenty six years. Addressing the turmoil that has … Read more
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