There’s something oddly humbling and comforting about listening to the Smith Street Band, it’s like they’re that hometown band you watched put on shows in garages and living rooms growing up. It just feels like you know them—their lyrics are very real and they as people are very much real, which overall creates this very humbling, raw effect to their music. I first became obsessed with Smith Street band after falling in love with their EP Don’t Fuck with Our Dreams. The five songs on that EP just bleed and synchronize into each other so well that I find myself coming back to that EP as a musical landmark for the Smith Street Band. I realize it’s unfair to hold a band to standards from a seemingly raw and angry five year old EP, but I can’t help but feel like just the smallest inkling is missing from More Scared of You Than You Are of Me. Lets take the opener “Forrest”—it’s a decent enough song, but it doesn’t hit as hard as the rest of the record. Even though I find myself wanting more, I will say the song’s content sets the stage for the entire record. The chorus … Read more
Just look at the name of this band. Any associations? Mine was: ah, Mount Fuji Doomjazz Corporation, Killimanjaro Darkjazz Ensemble, … Read more
Feed The Cat is skatepunk band from Toulouse, France. Never Press Rewind, Except… is their second release after the EP … Read more
Chicago natives Maps & Atlases first new release in six years shows them down a member and finding that their … Read more
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It seems almost an old story now. Ailing musician hooks up with a contemporary producer and covers a mixture of contemporary songs. Tom Jones tried it. Rod Stewart tried it. It's an old story that so often ends up looking pathetic. A contrived attempt to mine the last fragments of dying fame, more often than it is a serious artistic venture. So, what is it about Johnny Cash that has allowed such an old story to take such original beauty? The honesty with which each one of these songs, almost handpicked for their dealings with death, destruction, God and eternal love, is sang? The frayed and despoiled, yet somehow, perennially distinctive voice? The fact that, with each break in that, once so strong, voice, one can almost hear the tears … Read more
Loads of bands that I follow or followed start out pretty heavy and during their career start to get (a bit more) mellow. Sometimes this evolution is only marginal, sometimes a band is almost unrecognisable after a few albums. Abstracter evolved as well over the course of their albums. Instead of mellowing down their sound, they have evolved in another … Read more
Wye Oak have never made the same record twice, and on The Louder I Call, the Faster It Runs, it’s not about to change. Jenn Wasner and Andy Stack grow by leaps and bounds on each release, and this, their first proper studio album since 2014’s Shriek has them taking the synth heavy sounds of that record and Wasner’s excellent … Read more
Let’s get it out of the way: Believe the hype. All of Kacey Musgraves’s records are the real deal – slices of contemporary country that don’t sound like shit and hint at something greater and more progressive. Hint no more. Golden Hour is Musgraves best and most fully realized record, one that transcends country, or any genre really, with the … Read more
Hendrix takes the stage with his band—right-handed guitar upside down, LSD stashed in his headband, visions of blue baize fields and purple skies are immanent. The experience is underway. "Voodoo Child" ends, bongos rip, drums roll, Jimi feedbacks and chaos continues behind him. “Oh say can you see, by the dawn’s early light” Jimi’s acid wash jeans match his acid … Read more
Every once and a while there will be an album that pretty much levels the musical plane, one that becomes an earworm in the most serious of ways, rendering everything else kind of secondary. For me, right now, that is Cocoa Sugar by Young Fathers.It’s hard to classify exactly what genre the Edinburgh, Scotland-based group are, because they encompass so … Read more
Hop Along have been on a tear since the release of their 2012 debut, Get Disowned and came to proper prominence with 2015’s Painted Shut, a showcase of a young band coming into their own, and placing the extraordinary voice of singer/guitarist Frances Quinlan center stage. It’s a low-key classic in it’s own right, so the release of Bark Off … Read more
Canadian hardcore is a weirdly veiled style. Like Canadian politics, it is highly deferential, often distinctly so. This means it both blends in with previous hardcore styles at the same time it writes original sounding songs, and it sounds highly derivative and mediocre despite the musician’s individual skill. Split in so many contradictory directions, Baptists newest release, Beacon of Faith, … Read more
For Dimmu Borgir, who haven’t released a full length album in over seven years, Eonian marks a shift for a band that have kind of been the butt of many black metal jokes for the best part of a decade. Dimmu Borgir make no apologies for their bombastic sound and on Eonian they fully embrace their theatrical side. Still, the … Read more
The excitement of We Are the Champions of the Word (Retrospectus) is supposed to be the five new songs at the end of the 29-song collection. It probably is, but given how bands often release a Best Of before they breakup, this record feels more worrisome than celebratory. That’s just a personal feeling that views this as some kind of … Read more
This what pop-punk used to mean. On the record it’s clean and melodic, while the live show feels more aggressive and forceful. Think of those Ramones studio records and compare them to the live experience. Then throw in the pedigree of the band members here, splitting time in The Dopamines, The Slow Death, and The Queers. Two of those three … Read more
Geld’s Perfect Texture is 11 tracks, 23 minutes, 41 seconds: walloping wallaby! I feel like I’m back in my initial stomping grounds of Lethbridge, Alberta, a place that must exist in Geld's stomping grounds of Melbourne, Australia. Back in Canada’s Loyal Order of the Moose community hall, standing in an awkward half circle, ceiling too high, among their powerful nasty … Read more
Do you like to be challenged every now and then? Just so that you are forced out of your comfort zone? Some say the best things in life happen just there: outside of your comfort zone. Although there is reason I like to stay inside that zone (it is quite comfortable there, after all) I enjoy the musical challenge of … Read more
Some bands need a couple of albums to find their sound, their niche if you like. Other bands seem to have stumbled upon their sound from their very first rehearsal. Their career is not defined by a grand steps from album to album, but rather by refining their craft on each album. Small changes to better their music a little … Read more
Whimsical/ˈhwɪm·zɪ·kəl, ˈwɪm-/adjectiveUnusual and alluring. Using imagination in a playful manner.This is admittedly, not a word that would typically be used to describe an album written around final moments before death, but somehow, in the hands of John Erik Kaada, it becomes more apropos with each listen. Closing Statements is about those final words, breaths and thoughts but remarkably eschews the … Read more
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