Even though 21-year-old Brooke Bentham is firmly entrenched in the burgeoning South London music scene, her music sounds as though it has been dusted with sand from a Californian desert. With a sound that recalls Angel Olsen and First Aid Kit, her music soars and dips though the ravages of a shattered relationship with arresting lyrics and fluid guitars.These affairs of the heart plague Bentham on This Rapture, her second EP following last summer's The Room Swayed. Staggered drumming is slumped over the shoulder of Bentham's winding and impassioned vocals on this EP, where she desperately tries to make a relationship work on "Have to Be Around You", ending in a blitz of shimmering synths, before accepting resignation on the dejected "Why We Fall". Just when you feel like you've figured out Bentham's sound, closing track "Solo" throws a curve ball. Bathed in fuzzy, distorted guitars, this icy track sees Bentham declaring, "Take me out, and I won't talk to you", with the intense, grunge-inflected guitars marking the jagged edges of the the point of a break-up where everything ultimately becomes futile. This Rapture is an unflinching exploration of a failing relationship, that doesn't come up for air and bypasses … Read more
Would you have told me 20 years ago I would enjoy music like Trachimbrod I would have stared at you … Read more
This is a sweet and short three track 7’’ released by two befriended bands. This EP had me interested when … Read more
Ah, Sid Vicious.The sung hero of my formative years and fashion sense of the time (including pad lock necklace and … Read more
Sciatic Nerve is a band that doesn’t care what you think. They don’t have “band sound,” or so the press … Read more
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I'll be completely honest with you I am a bit of an amateur when it comes to black and death metal. I am only really familiar with the more well known bands of the genre; Mayhem, Burzum, Darkthrone, Carcass, Entombed and so on. I'm slightly embarrassed to admit to knowing almost nothing about Black Altar or Vulture Lord until choosing this to review but something about this split EP caught my attention and I thought I'd give it a go. The thing for me with black metal is that I find it can sound too samey, the songs blend into one another and the overuse of the double bass drum pedal has a white noise effect on my ears. The main thing I noticed with Deathiah Manifesto is that these … Read more
Even with a name like Capitalist Kids, the Austin band has always been more about love songs in the vein of Mr. T Experience and Lookout Records before hitting the political sauce. Well, the Drumpf era has hit us all in undeniable ways. Brand Damage is the band’s fourth full-length and here, relationships fall apart and the rivers of political … Read more
The other week a friend and I went to a jazz club - the Lilypad in Cambridge, MA. We didn’t know who was playing there that night - we were mostly looking for a way to kill time after stuffing ourselves with Indian food - but it turned out to be pianist Burton Greene. I hadn’t heard of Greene - … Read more
Chances are that if you are remotely into underground culture, you will have quite a few records, shirts or other things adorned with artwork by Raymond Pettibon.For nigh to thirty years, Raymond Pettibon has been creating art that not only comments but has become an integral part of American culture and its implications. With a view from a unique angle, … Read more
Beginning the dissection of a record is often the most difficult thing to do when it comes to writing a review. Knowing how to start, to draw in your reader and keep them interested is tough; you know what you want to say, how the record makes you feel and you may even have an insight into the intentions of … Read more
Established in 2014 as Cloak, this California-based extreme metal act produced an interesting hybrid take on black/death metal. Changing the name of the band in 2017, after their debut demo as Cloak, and bringing on board drummer Harry Cantwell, known from his work with Slough Feg and Bosse-de-Nage, the quartet left behind its black metal affinity in order to focus … Read more
Spinifex resin is a gum coating of some species of Spinifex grasses. The resin was traditionally used in tool making by Australian Aborigines. To produce the gum, the spinifex is threshed until the resin particles fall free. These particles are heated until they fuse together to form a moldable black tar, which is worked, while warm. When set, this gum … Read more
How do you keep up to date with new music? I have the luxury of being a reviewer. I’m informed on a constant basis (and get to cherry pick the releases I wish to review. Seriously, I love this job!), but next to that I keep an eye out for certain labels. There’s a couple of labels that are very … Read more
It seems like Worriers nailed down their sound on day one, when they rose from the ashes of The Measure S.A.. The Lauren Denitzio-fronted group plays a melodic and quirky style of indie-poppish-punk. On Survival Pop, that sound takes a stronger pop turn, with ear-pleasing hooks paired to politically-charged and empowering lyricism. In many ways, this record is a call … Read more
These past few weeks have been very busy weeks for me. My girlfriend moved in. Happy news for me and her of course. Moving her stuff, renovating my home, vivid discussions on what to keep and what to get rid off all took their time. Most of the work is done now and all the effort we put in it … Read more
Black Metal as a musical genre is not known for it's subtlety. The pendulum will usually swing between low-fi heavily distorted guitar and blast-beats or overwrought, overproduced operatic epics. But Black Anvil is a band of a different color. Hailing from NYC, they've managed to make a more accessible Black Metal sound without sacrificing any of the chief tenets that … Read more
Beady Eye was not a bad band. Au contraire. If you harbour a weak spot for Oasis, aim at an objective viewpoint and take a break from you loyalty to the Chief Noel, it proves to be difficult to not like their two albums, however, a lot of Oasis aficionados managed exactly that.As You Were is Liam Gallagher’s new album. … Read more
Sweden’s Monolord worship at the altar of the riff and on third effort Rust that riff comes downtuned, weighty and driven by bass. Vocals are hazy at best, which only adds to the ceremonial vibrations that Monolord deliver on a record that delves into darkness on its way to the end. Predecessor Vænir from 2015 was found to be lacking … Read more
Botanist belongs in this new generation of black metal bands, of acts attempting to reinvigorate the genre by expanding its scope. Post-rock influences and avantgarde notions find their way into Botanist's music, leading to a very successful series of releases, with 2014's VI: Flora standing out in particular. At the same time, stylistically the band departed from not only the … Read more
Trust No One, The Mons’ second album isn’t subtle. But what do you expect of a band using that name? This is aggressive, 1980s-inspired hardcore with a penchant for fast songs and straight shooting ‘tude. The opening ripper “This Is Why” is a declaration statement with a minute-long intro before it rages for a whopping 17 seconds. To pull a … Read more
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