I spent a good part of the late ‘90s annoyed at the abundance of Ramonescore. I’ll stand by my word: many of the bands of that era were carbon copies that didn’t bring anything new to the format. But time has passed and what was overdone is now a refreshing change of pace. For whatever reason, when I hear a new band in this style today I tend to dig it way more. Maybe it’s me. Maybe I just have an aversion to what’s popular. Maybe I’ve learned to embrace The Power Of Positive Thinking, which is the title of the second LP in a year from The Phrase Problem. First, I have to discuss the band members’ previous groups because they set a foundation for the style even further: the band is fronted by Flav Giorgini (Squirtgun), and also features members/former members of Haiver, Piss Bath, PAWS, Murderburgers, Roach Squad, and more -- and a couple of guest musicians too. It’s an all-star lineup and, given their own catalogs, the record hits just where you’d expect. Giorgini was the main songwriter in Squirtgun, and those comparisons will dominate as this record is built on Ramones punk, but with a … Read more
I find Totally Slow a hard band to categorize. Their brand of melodic, hard punk is familiar and comforting -- … Read more
City Of Death is the third album from Polish noise makers Steamachine. Having dabbled in a few metal styles over … Read more
The opening track on Somehow, We Are Here is a statement. Yes, Faulty Cognitions is a punk band with members … Read more
Choose a year to view reviews of albums released in that year.
748 reviews
42 reviews
25 reviews
300 reviews
4852 reviews
19 reviews
There are a lot of skeletons out there. Stuffed in closets. Hanging on metal hooks in medical school classrooms. There is a skeleton in me writing this. And there is a skeleton in you reading it. If you think about all of those sharp, calcified rods and lobes, shifting below tender, malleable flesh, it might unsettle you somewhat. There has been one hiding behind the skin and hair of every human face you’ve ever encounter. Waiting to be released from their fatty, fatefully sentient enclosures. It’s best not to think about how every time you spend time with your friends and family, you’re literally surrounded by skeletons; hollow-eyed, toothy, visions of terror, biding their time until they are liberated from their meat manacles. They will only know freedom in your … Read more
The first song on this album is named “Nirvana.” It’s a fitting nod to an obvious influence, though a Mudhoney reference might honestly be more apt. Going into this record, based solely on the lead single (“Nuff Said), I was expecting more of a brash, garage-punk sound with Dog Date. My first impressions weren’t totally off base, but add a … Read more
Some bands are visual, yeah? You need to see them live, in person, to truly experience them. You need to see the costumes, the theatrics, the flashing lights and, yes, the sweat running down their faces. Spiritual Cramp are like this, but, uh, not? Not the costumes, not the theatrics, not the flashing lights (I’ll stay mum about the sweat). … Read more
Justin Pearson. The only person who you could hear Mike Patton say “Goddamn, that guy’s in a lot of bands”. And it’s true. The list of groups Pearson has been a part of reads longer than his lyric sheets. But within the myriad of music the man has released, Planet B is somewhat of an anomaly. There are synths. There … Read more
They’re calling Vial indie-punk on the press releases I’m seeing. That’s probably as fair a description as any, as the DIY punk band covers a lot of sonic ground. What’s impressive is that on burnout, their second record, that varied sound all feels unified. The 10 songs here go from indie rock to angry punk to grungy to bouncy but, … Read more
What I enjoy most about the Jesus and Mary Chain is arguably also their biggest flaw. The band’s slacker energy meets wall of feedback with a surprisingly melodic twist has always worked for me, but it kind of blurs together after a while. It’s kind of rainy day music – hence the classic “Happy When It Rains” off 1987’s Darklands. … Read more
Since the demise of Sonic Youth in 2011, Kim Gordon has stayed active through multiple outlets, through all of which she has rejuvenated her experimental outlook. Alongside Bill Nace in Body / Head, they have explored the no-wave aesthetic in its full glory, through minimalism and noise. But, it is also her solo project that has found Gordon at her … Read more
Somehow I never reviewed Viva Belgrado before, even though I have followed them since their debut album Flores, Carne. Somehow I was always a bit late to the show and thought: ok, this time I am too late, but next time I will catch this release on time! Well, the band just released their fourth full length and guess what? … Read more
DWNKILL are a band born of the monotony of the Covid pandemic which gave the band plenty of time to write, rehearse and perfect their sound. Hailing from Houston, Texas, DWNKILL are the brain child of identical twin brothers, Jesse (vocals) and Josh (drums) Rodriguez. Recruiting childhood friends Connor Clements (guitar) and Dylan McEwan (bass) their line up was complete … Read more
Since the 2010 release of her debut album, The Grime and The Glow, Chelsea Wolfe has steadily become one of the prominent figures in the dark intersection between gothic, doom, and folk. Not only has she amassed a discography without any true blemishes, but she has also transcended to other genres (in her collaboration with Converge in Bloodmoon: I) but … Read more
Sweat hit the ground running with their debut, working up a lather on Gotta Give It Up. Two years later, the California trio is back and they still seem plenty angry. Their second LP, Love Child may have a charming title but it has just as much fire as their debut. It follows a similar style while showing more nuance … Read more
With the billion or so punk subgenres and comeback cycles, it’s interesting to me that more bands aren’t playing this style of Crimpshrine-inspired East Bay punk. Popstar by Bad Idols is crunchy yet melodic. It’s generally pop-structured but with gruff and deeply personal lyrics. Let’s just say the word “I” is prevalent throughout this 12-song record. I’ll also add that … Read more
You know how most records start out with an absolute banger? It sets a mood, for sure, but it often feels like the band doesn’t top it as the full album plays out. I’m definitely not saying that The Sleeveens deliver a dud with the first song here, “Give My Regards To The Dancing Girls,” but I am saying that … Read more
Slumberland is one of those labels I note, but haven’t really dove into. The Umbrellas fit my expectations of the label’s sound though. It’s distinctly modern songwriting, but with a wave of sounds from yesterday. I’ll call this power-pop washed in the folk and psyche rock of the ‘60s, with a bit of twee and British invasion and dreamy indie … Read more
Rage meets dance-punk on Dublin four piece, SPRINTS’, first full length release. After a smattering of well received singles and a trail of blazing live performances, the group released their album following the success of their previous EP, A Modern Job. The Irish punk band’s star continues to rise in the good company of contemporaries Fontaines DC and Pillow Queens- … Read more
Looking for the SPB logo? You can download it in a range of styles and colours here: