I first heard about this band from an associate that doesn't like metalcore, but for the most part, strictly hardcore. So here I am, expecting something new, something that doesn't sound like the rest of the metalcore! After the ten second intro sample in "Candice", I was quickly disappointed. This first song sums up the whole album pretty much. This summary includes lots of metallic riffage, a moshing breakdown, an "emo" melodic singing part, and a lot more metal. The whole singing thing on this album doesn't work for me, sounds too forced. If you are going to have pretty singing, have it be pretty, don't have singing just to have singing. The same goes with screaming, which happens throughout the whole album, but it fits the music very well, so that is ok. My favorite track on this, "True/False", coincidentally has no stupid "emo" singing part. Keep that shitty "emo" crap to Drive-Thru records, thank you. Anyway, my favorite song has the phattest breakdown beginning at 0:39 with a great build up. The talking part right before it hits gets me in the mood, then the drums get all slow and there is lots of "jud jud". The same … Read more
For a genre such as hardcore, it's hard for a band to sound different... or good, for that matter. I … Read more
I think I have whiplash. An incredibly addictive hardcore album with infectious riffs and powerful, gut-wrenching vocals are the best … Read more
Lately, it has been difficult to read a music magazine with out encountering the statement "(Band X) breaks/pushes the boundaries … Read more
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Thank goodness I have musical OCD. I likely would not have even known this album existed if not for my compulsion to check and re-check the post-rock section of my local record store with worrisome frequency. Needless to say, after finding out that Godspeed You! Black Emperor and A Silver Mt. Zion guitarist Efrim Manuel Menuck had put out a solo album, Plays "High Gospel", I realized I absolutely had to own it.Somewhat predictably, the music sounds incredibly similar to rest of the Canadian post-rock scene, what with its loose, orchestral composition and wide use of dynamics. Given the subject matter (it's written about Menuck's relationship with his family and adopted hometown of Montréal), the music has an accordingly intimate feel. It's not quite on par with He Has Left … Read more
Somewhere between unforgiving and yielding, you'll find Xiu Xiu. This music is something I can't quite put my finger on, but it's similar to Godspeed You! Black Emperor. The difference between the two being Xiu Xiu loves electronics and likes to add spastic noises at random. Furthermore, Xiu Xiu is more unpredictable. They seem to like to screw around with … Read more
Xiu Xiu are a frustrating band in the sense that their originality is quite apparent, but for many people they are difficult to "get into." After coming away from their 2002 release Knife Play without having really "clicked" at all, I decided to give them another chance with A Promise. Almost wiping clean any trace of a riff or melody … Read more
Xiu Xiu are a frustrating band in the sense that their originality is quite apparent, but for many people they are difficult to "get into." After coming away from their 2002 release Knife Play without having really "clicked" at all, I decided to give them another chance with A Promise. Almost wiping clean any trace of a riff or melody … Read more
This 6 song EP is nothing to start a big hoopla over. Sounds like basic, run of the mill hardcore to me. There is probably a little local band in your scene that does hardcore just as well. If you're a hardcore kid, you'll probably like this, if you're not, you probably won't. Read more
I enjoy this record. Coming in fully expecting some new metal-core band, I was surprised with some old school style hardcore. This reminds me of being in high school and fucking ripping up the ole' skate spots years ago. This shit is just fun hardcore. Boasting some ex bands you wouldn't picture to play this music (Against All Authority and … Read more
When people first get into hardcore, they say it all sounds the same. This is understandable, because a lot of it sounds the same. In this case, we are subjected to music that doesn't really have it's own sound. The music reminds me of Sick Of It All and punk rock hardcore straight up with a lack of mosh breakdowns. … Read more
From the first notes of the opener "Farewell Transmission" on the Magnolia Electric Co. experienced Songs: Ohia listeners will immediately pick up on Molina's new direction. On this album, Jason Molina has put aside minimalism in the music of his previous albums and has picked up a steel pedal guitar and has developed a backing band. Molina's melancholy, love-lost crooning … Read more
This is my first Songs: Ohia experience. Outcome? Excellent. Slide guitar, slow to mid-tempo songs, and a sound that can almost be reminiscent to Counting Crows at times (go ahead and flame me), I have found myself going back to this CD more than I expected. The vocals are incredibly laid back and have a vibe that is just incredibly … Read more
After falling in love with songwriter Jason Molina's ensemble last year through the somber and deeply confessional Didn't it Rain, my expectations were set extremely high for both of his 2003 releases, Magnolia Electric Co. and Pyramid Electric Co., which will be released later this year. The first thing that struck me about Magnolia Electric Co. was that it had … Read more
I fall somewhere in between Zed and Shane on this CD. I found some minor enjoyment in it, but there are a lot of musical flaws. It simply doesn't fit together very well. A lot of bands are trying to mix a lot of different sounds, but they shouldn't have to struggle to do it, this band clearly has problems … Read more
The latest addition to FBR's roster. I gave this 5 song EP a listen not knowing what to expect. I think I might have been better off not knowing what it was. This band seems very unsure of what they want to be. Not terribly bad music (besides the terrible drum screw up 1:14 into the third song) but they … Read more
With a name like Kissing Chaos you just want to get a teddy bear and kiss it. Or maybe I just made that up for a creative intro to a review. Which is ironic, because this isn't the most creative CD. They do use violins for the end of a song, and that would have been original if it hadn't … Read more
This album is definitely one of the "odd men out" on this site. That is a good thing though. Sometimes you need a change of pace. The cheesy orchestra keyboard hits can get to you sometimes. The guitar work is fucking amazing. Constant double bass through the record. The vocals aren't all that bad either. Sometimes they can sound pretty … Read more
When I first heard I was going to be reviewing this album, I automatically assumed I would hate it. My metal tastes hardly expand past a few Iron Maiden and Judas Priest records. While the lyrics and vocals are a little hard to get into for me, they aren't hard to get past. The guitar work involved some amazing metal … Read more
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