Chances are you're not going to like this record. Chances are you've never heard of grindcore and if you did hear it you would say something to the effect of "this is noise." Ignoring probability let's suppose that you, the reader, likes music that is loud. Perhaps you even like music that is filled with blast beats and screaming. And as far fetched as it is, the idea of a band trying something new isn't necessarily "artsy" and for "fraggles". Any comparisons you've heard to The Locust I suggest ignoring. While both bands do play at very fast speeds and the vocals are done very harshly, the music itself is very different. The guitar players found chords that sound very eerie and slightly off. They aren't quite melodic, but they aren't random sounding. They will hold these and start playing them up and down the neck at weird speeds creating a sound that at times sounds like a deflating balloon or a soundtrack to an exponential graph. Sometimes they will begin playing at hyper speeds in a very technical manner, while other times it almost sounds like a breakdown engorged in horse tranquilizers that last no longer than seven seconds. … Read more
J Spaceman's life seems to be a never-ending spiral of hard drugs and failed romances, if his records are to … Read more
It was bound to happen sooner or later. I've come across a band that doesn't really sway me one way … Read more
You know Melt Banana, right? Their guitarist has SARS. Doesn't ring a bell? They're arguably the best Japan has to … Read more
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With the daring first notes of a church organ, Paradise Lost primes its listeners for a quasi-sermon on the mount in Medusa. A part description of suffering, part omen for eventual destruction, part heroic call to arms in the face of meaninglessness, Medusa glorifies godless bravery and turns those who cower from responsibility to stone. The album is predicated on humanities continual fall from grace through both failed gods, and human dishonesty. Salvation is undercut by a weighty judgment given sonic birth by the resonant pop, smack and stick of the drums, a buzz saw guitar-bass combo—I think the classic HM-2 pedal is used here—down tuned for heaviness sake, and a surprisingly well enunciate black metal crow, peppered with strong clean vocal crooning reminiscent of Dave Gahan from Depeche Mode.Within … Read more
A friend had described Ozma to me as being 'like Weezer, but wussier.' I've never been a fan of Weezer, I could never get into them. Ozma, on the other hand, I liked instantly. While not being a particularly heavy band, Ozma are a great band to 'spend time' listening to, if you are a fan of guitar-driven, keyboard-laden emo … Read more
It had been a long time since I'd heard an absolutely perfect pop record, until a few days back when I finally gave in to the hype surrounding Broken Social Scene and picked up the recent American release of this record. I can't believe I held off so long, because this record is just, well, simply fantastic. Thirteen tracks of … Read more
When Jeff suggested we get this cd for review I was like "Um ok. Who the hell is that?" So I got the cd and gave it a listen. Since then, I haven't doubted Jeff's suggestions once. This cd would be one of the better CDs this year if it weren't such a great year for music. Closest I could … Read more
Warning: Gratuitous language and immaturity ahead. Fuck yes. It is here. After seeing this band several times and dancing my ass off, I finally can dance my ass off to it at home, in the shower, and in my girlfriend's vagina. Featuring the Brothers Allen, Ryan plays some catchy and dancy guitar parts while spewing out word after word in … Read more
Thanks to Cursive, every band on the planet has to try to out-honest each other in their lyrics. Call it the fallout of their neutron bomb of a record, if you will, but the lasting effects of their gut-wrenching sincerity will be felt for years. The most interesting thing to watch is how bands in the indie/emo/whatever genre that existed … Read more
The indie nation are a bunch of whiners. Not only that, but they're pretentious, snobbish, and apparently humorless. Probably why Mogwai has always stuck out like a sore thumb around most of the journalists, scenesters, and bands. From the widespread-yet-untrue "Slint-knockoffs" title to the apathetic attitude that's been widely misconstrued as a general "Fuck you" to the public, Mogwai's always … Read more
Living in the Seattle area, I hear a lot about certain bands that are a part of the Seattle music scene. I usually don't take a lot of the local hype too seriously, because a lot of the hype surrounding said bands comes straight from the fact that the band is local. The kids get to go out and see … Read more
Thom Yorke had billed this record as OK Computer 2, and Radiohead's cookie doesn't crumble all that different from the motion picture industry, the sequel doesn't live up to the original, but with such an amazing record to live up to, Hail to the Thief has plenty of room left to still be a great record, which it is. The … Read more
Radiohead are one of those bands that people go out of their way to like because there's quite a bit to like about them. Some would even certify Radiohead as a capital-G capital-B "Great Band," and I'm one of them. But even the greatest bands in the world make a few mistakes every now and then. Radiohead's is more of … Read more
Sometimes I really wonder about people. I turn on the television and I see rape, murder, and complete apathy towards the billions of human beings living on 40 cents a day. It's time for a change, it's time for a revolution to make everyone on Earth stop in their tracks and think about things in a brand new way, so … Read more
The problem with the hardcore scene is that its music has become so immersed in repetition, unoriginality, and generality, that people are beginning to lower their expectations to the pits of Hell. As a result of this dilemma, large amounts of hype start to swell for bands that really do not deserve it. Case in point: Modern Life is War. … Read more
One of the best, if not the best, hardcore album of 2003 so far. If hardcore doesn't strike your fancy, stop being a cold hearted wench and check this out anyways. The only thing that is better than this album is seeing Modern Life Is War live, which is packed with stomping and diving rolls. This doesn't sound like Madball, … Read more
Nothing sucks more than seeing a band live and loving them, then listening to their recorded material and running into a brick wall. The dissapointment would cause you to do such an irrational action. In short, that 'story' covers what happened to me, verbatim. This record contains many elements that it would require to create a really great band that … Read more
Apparently These Arms Are Snakes's debut EP was meant to hurt me. I'm not sure what I did to them, or why they're so angry, but I decided to review the record anyways. After giving the record a spin, I decided I wasn't really hurt, just kind of bored. These Seattle veterans really bring nothing new or impressive to the … Read more
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