This is the first time I've ever managed to find the perfect soundtrack for an art exhibit. After viewing a collection called "Late Modern European Prints," and listening to Fabulous Muscles on the drive back, I realized that both works were attempting to challenge the limits of creative representation in order to show that when said challenging occurs, art can be as complex as life itself. Perhaps I'm going too far with comparing the tortured genius of Jamie Stewart to the likes of Magritte, Dali, and Picasso, but bear with my obligatory pre-review analogy that barely relates to the album in question. Although the exhibit never made clear its intentions, I noticed that most of the artwork attempted to expand artistic conventions and blur the line between the representative and the abstract. In a way, Xiu Xiu once again challenge art and life as we know it by undergoing a sonic transformation that seems to be a requirement for every new album they make. From what I saw, every piece in the exhibit retained a small quality of the recognizable, and still managed to be new and shocking in the time periods they were created. Something as simple as a … Read more
For those of us that follow the happenings of the music world closely, it seems there is always a release … Read more
Although this can be said for every state in the Union, Michigan seems to produce two types of people. Extroverts … Read more
The first time I heard of Van Johnson, I assumed it was a porn star. Immediately when I got home … Read more
Over the past 2 years, the exclamation point has become more played out than "Hey Ya!" has over these past … Read more
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Owen made being a self-deprecating, guitar-playing romantic a cool thing again. But its 2009 now, and maybe it's a little played out. Yeah, there will always be a sense of comfort in Kinsella's wistful melodies and twinkling arpeggios. However, the works of Owen were starting to sound too alike, predictable, or reused. Surprisingly, Owen expands its sound with its fifth full-length, New Leaves, by using instruments rarely (or never) heard in Owen, and focusing on different layers in songs. In its new found variety, one can see that Kinsella has truly departed from doing recordings in his mom's basement. Yet like many departures, New Leaves can be both refreshing and unappealing to fans of Owen's earlier works. As I listened to the first song, title track "New Leaves," I was … Read more
Long before the MTV defined "screamo" fad took the music world by storm, there was the underground phenomenon Far, a four-piece outfit from Sacramento, CA. And fronting this pioneering group was Jonah Matranga, one of the most beloved and respected songwriters in music today. His honest lyrics and soothing harmonies epitomized a genre that owes a lot to him for … Read more
A piece of hardcore music is going to die when In Control bows out later this year. They are one of the most loved, respected, and important bands in the scene currently and the West Coast is going to feel a bigger disturbance in the Force than Obi-wan Kenobi did when Alderon was blown to bits by the Emperor's Death … Read more
A lot of the time when I see "true metal" kids referring to metalcore they put quotes around the metal because it's not true enough for them. After millions of hours of research upon the topic I came upon a few realizations on the subject of the difference between metal and metalcore. For the most part what it comes down … Read more
It wasn't that long ago that a band released an album entitled The Shape of Punk to Come. While many ignored its principles, others took the manifesto that Refused declared with that album to heart. By combining elements of electronica, industrial, and punk, Error have done their best to realize the objectives that were intended to "start a revolution." With … Read more
Weird, artsy, dark hardcore was nothing new to San Diego in 1994 when Antioch Arrow released their seminal masterwork, Gems of Masochism. The presses had been putting out consistently darker and stranger albums each passing year, mostly thanks to upstarts Gravity Records. Gravity had bands that were few and far between, but things were on the upswing, as Angel Hair's … Read more
It's been a while since I heard a new band that played some outright rock-n-roll. Enter Massachusetts natives Seemless and their self-titled debut. Seemless, is a supergroup comprised of former members of metalcore stalwarts Killswitch Engage, Shadows Fall, Overcast and Medium. Ironically for fans of those previous efforts, they may be disappointed to find an album filled with a balanced … Read more
Minimalist tendencies. Math-rock. Post-rock. All good things in proper doses. But can they be mixed to produce something great? Ah, well, there's the real question. Rockets Red Glare seems to think so. Judging by this record, I'd have to agree with them. Hailing from Ontario, the band were a strange exercise in restraint for the most part, always intriguing by … Read more
While the majority of Texas seems to think that listening to indie rock and "emo" is where all the fun and hype are at, there are those in the know that can attest that people like that know nothing about Texas, let alone its music. During my short-lived time in Texas, I came to discover that the true pride of … Read more
Oddly enough, this album doesn't start off with a 30 second sound clip. That being said, the album blasts off immediately with pure hardcore fury. For those not familiar with the band, do not let this description repel you. These guys belt out their hardcore with a fresh dose of pop-punk and melodic, yet abrasive vocals. In fact, their style, … Read more
Many people consider Dear You to be a perfect record. I'm not one of them, and I'm a Jawbreaker fan, too. Nope, I'm one of those finicky kids that thinks they hit their stride around the time that 24 Hour Revenge Therapy was released and that a major label budget nearly ruined them. Nearly. I never said that, while imperfect, … Read more
Good Goddamn, it's about time. The beginning of 2004 shall be riddled with great albums from such artists as the Catheters and Lightning Bolt, but Hella will start us off with a bang. The Devil Isn't Red is Hella's return to the indie two-man group of Hold Your Horse Is that stole me and Zed's collective hearts a year and … Read more
Deerhoof, never one to rest on their laurels, is back in 2004 with Milk Man. Things seem to be the same as always as the public wonders, "Can Deerhoof really top Apple O'?" The same question was asked this time last year except it was Apple O' being questioned if it could live up to Reveille. The album's "concept" is … Read more
It's so sad when a great band releases a great album and then breaks up soon after before they even get a chance to showcase their talent to the world. Such a thing happened to For the Crown, a melodic hardcore band hailing from the Bay Area in California. The quartet released on one full length in their short lifespan. … Read more
This Dallas based band made their own bed and now they have to lie in it. Their press releases and website state that their latest effort Midnight at the Black Nail Polish Factory sounds like: "The Pixies at their tightest and The Beach Boys at their loosest." We interrupt this broadcast for a healthy and much deserved scoff. There might, … Read more
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