While the majority of Texas seems to think that listening to indie rock and "emo" is where all the fun and hype are at, there are those in the know that can attest that people like that know nothing about Texas, let alone its music. During my short-lived time in Texas, I came to discover that the true pride of Texas didn't lie in "the stars and stripes" but rather in it's thriving hardcore scene. Life of Hate opens attesting that Pride Kills is "taking over your coast, east and west." I for one am glad that its this band making this statement. With traditional hardcore already repetitive and more stagnant than ever, there is a need for new blood. Houston natives Pride Kills may be the answer. Musically, they take their influence from traditional hardcore acts of the late 1990's and NYHC scenes: Blood For Blood, Integrity, and Skarhead come to mind. The guitar-work throughout is typical of the genre for the most part, though the occasional "solo" can be heard such as on "The Thrash Song." The drumming and bass playing is solid, but nothing that stands out. Where Pride Kills sets themselves apart from their peers is … Read more
Oddly enough, this album doesn't start off with a 30 second sound clip. That being said, the album blasts off … Read more
Many people consider Dear You to be a perfect record. I'm not one of them, and I'm a Jawbreaker fan, … Read more
It's so sad when a great band releases a great album and then breaks up soon after before they even … Read more
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The idea of releasing a "Greatest Hits" package for a band like Men's Recovery Project seems laughable on the surface. Emerging out of the scorched carcass of Born Against, Men's Recovery Project left an embarrassing stain on the face of mid-'90s hardcore, offering messy, aberrant punk fueled by primitive, farting electronics and a defiant sense of weirdness. This isn't the kind of band that lends itself to a neat career summary, which this disc presents itself as - but in spite of itself, The Very Best of Men's Recovery Project offers a retrospective for fans and an introduction for newcomers as fine as could be imagined. Men's Recovery Project was wildly inconsistent, but never disappointing. For every tossed-off, disarming joke ("Man Urinating, Laughter", "Problem?"), they also offered a song that … Read more
This Dallas based band made their own bed and now they have to lie in it. Their press releases and website state that their latest effort Midnight at the Black Nail Polish Factory sounds like: "The Pixies at their tightest and The Beach Boys at their loosest." We interrupt this broadcast for a healthy and much deserved scoff. There might, … Read more
Orange Island are one of those bands who have had the unfortunate luck of being horribly mislabeled as emo. A more accurate description of their sound would be calling them an abrasive yet matured indie-rock band with an awareness of a pop-filled past. With the help of two previous releases, an EP and full-length with Iodine Records, Orange Island have … Read more
As any lover of lo-fi already knows, the complexity of The Mountain Goats' John Darnielle and his work is vast. He records every album on a living room boombox, has a large backup band despite a very small amount of accompaniment on any given record, and has a penchant for weird lyrics of which he is the only person who … Read more
Now this is how hardcore is supposed to be played: fast, loud, and pissed off. From beginning to end this disc is brutal. You'll find no sissy, emo bullshit here. This is 17 songs in well under 20 minutes, or "fuckin' quick" as some may like to call it. "But wait," you may ask, "Isn't this on Jade Tree?" Yes, … Read more
Before I even begin to go in depth about Year of the Rabbit's major-label debut I want to get one thing clear. I find it unfair to make comparisons and set standards to bands based upon their involvements in previous efforts. Yet, it happens all the time, most recently with The Fire Theft and their past as Sunny Day Real … Read more
So comrade, this elderly man walks into a bar and asks the bartender, "Where can I find the most recent issue of Sports Illustrated?" Then out of fucking left field, sometimes inadvertently perceived as right, Dispensing Of False Halos busts through the adjacent wall and tears that geezer a new blowhole. Now, what exactly instigated this odd situation and, better … Read more
In many cases, EPs of new material from bands who have released prolific albums in the last couple of years are enfuriating teases and rehashes that offer the faithful listener little new material if any at all. It's also difficult to accept an artist's re-rendering of some of your favorite songs. In most cases, tracks are placed in unfamiliar hands … Read more
You know, I could sit here and lie to you about how there are certain artists that are doing something important and/or completely original. Why not? I mean most people who review albums for other websites do. I could do that, but it wouldn't really matter 'cause the people who will read this probably won't care anyway. Mental comes from … Read more
Ani DiFranco is, without a doubt, one of the most active singer/songwriters in music today. Since her 1990 debut, she's put out about 20 other releases on her very own label. Needless to say, she's a very hard worker and an even better writer. Over the years, her albums have featured a vast array of other instruments to help transform … Read more
Somewhere around the turn of the millennium, Fat Wreck Chords decided it wanted to be the best punk label around. File Under Black, None More Black's first full length offering is a perfect example of how Fat has come to be just that. The band is fronted by longtime scenester, Jason Shevchuk, front man of the legendary melodic hardcore band … Read more
Fantômas is a musical group whose sound can best be described as a schizophrenic adventure through the world of an Alfred Hitchcock thriller. The music of Fantômas is both unstable and methodical as well as beautiful and chaotic. Multitalented brainchild Mike Patton and musical cohorts Trevor Dunn, Dave Lombardo, and Buzz 'King Buzzo' Ozbourne return with a masterpiece of ambience … Read more
When I first got into hardcore, I was exposed to the old shit'you know, Bad Religion, 7 Seconds, Minor Threat, DI'the stuff from when people still realized that hardcore IS punk. Slowly, as metal began to invade the scene, hardcore and punk split into, what seem today, two completely different genres. In Control bring it back to the old school, … Read more
There're plenty of bands in the world, but the ones that really stick out are the ones that leave you scratching your head, unsure of what you've heard, but a little bruised, beaten, and fulfilled because of it. Japan's Envy is one of those bands, a flurry of sound that differentiates only in extremes, from pummeling assaults to lush, gorgeous … Read more
In a time where skate boarding is about as punk rock as a walk through Disneyland, where skateboarding movie soundtracks are infiltrated by hip hop and pop punk, Bones Brigade skids in just in time to skate hard and rock even harder. Everything about this will make you want to get off your ass and plunge down a hill, unless … Read more
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