Judging an artist based on another's artistic merit is an unfair and pretty bogus way of looking at music, but whenever I listen to Iron & Wine (and/or almost any other artist that could be considered part of this whole "neo-folk" mini-movement), I honestly can't help but think: "This is pretty good, but it's no Will Oldham." It's difficult to judge music in this genre objectively, because, for better or worse, a lot of its artists stick to a very similar sound, allowing the masters to easily eclipse the less-than-spectacular. In other words: Oldham is to indie folk as My Bloody Valentine is to shoegazing. Even if Woman King is pretty much doomed to be forgotten, especially in a year where Oldham and Bright Eyes (of all groups) both released fantastic, fresh takes on the genre, its songs offer plenty of enjoyment for those unopposed to large beards and neo-hippies. With clicking, clacking percussion, deliberate acoustic strums, and just-above-whispering vocals, the title track opens the six-song effort on a note remarkably akin to Modest Mouse's "Jesus Christ was an Only Child." Interestingly enough, "Woman King" is the longest and least engaging track on the EP of its name. The song … Read more
Two of the best bands in Connecticut doing a split together? "Sign me up!" I think to myself, and how … Read more
In 2003, San Diego's Plot to Blow up the Eiffel Tower unleashed Dissertation Honey upon an unsuspecting crowd of jerks … Read more
2003 might seem like forever ago for some, possibly even two years ago for the majority of us. There were … Read more
Tornadoes, while not traditionally known as positive forces in the world, certainly provide for some excitement, amazement, and entertainment. Much … Read more
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I first became aware of Maynard James Keenan's solo work through his latest studio album, Conditions of My Parole, which immediately sold me with its incredibly pleasant meanderings through light-rock post-industrial soundscapes (with a fair amount of his trademarked humour mixed in). So, of course, I scooped up his new EP, Donkey Punch the Night, as soon as I saw it.The EP consists of two covers, two new songs, and three remixes of those tracks. The first selection, a cover of Queen's legendary "Bohemian Rhapsody", is actually (and I cannot believe I am saying this) incredibly boring. You'd think that it'd be impossible to fuck up a track as inherently moving and impeccably composed as that, especially for a vocalist as freakishly talented as Keenan. Yet he somehow manages to … Read more
Before Lullabies to Paralyze could even be committed to tape, frontman Josh Homme was faced with several important choices. And none was going to be more crucial than his decision to fire close friend and bassist Nick Oliveri. Was it the appropriate decision to make? I don't think we'll ever know. All we can really do is take the music … Read more
Let me start off by saying that E. Town Concrete is the only band I know of that can mix hip hop and hardcore and not come out looking like idiots. Their last release, Renaissance was a solid release, equal parts rap with equal parts hardcore. Made for War, on the other hand, leans more towards the hardcore genre and … Read more
The Joy Circuit formed out of a unique situation; they were the backing band Ken Andrews hired on for his most recent space/indie/rock outfit Year of the Rabbit. Despite releasing what I considered to be two quality releases, the band fell into shambles. But rather than go their separate ways, drummer Tim Down, bassist Solomon Snyder, and guitarist Jeff Garber … Read more
What an album cover! It's the kind that would fit perfectly with the whole music sounding like album cover mantra that makes for a great last resort when you can't really come up with a good description of the music within on your own. With enough embellishing, it can work for almost every album ever created. But alas, Will Oldham … Read more
While this album has been out for a little while now, it's somewhat coincidental that I am reviewing it as television is graced with The Contender. Just like the 16 boxing contestants that are competing for a chance at a lump sum to change their life, Repercussion is completing with the ever-increasing number of tough-guy hardcore bands fighting for our … Read more
Whoever said there's only so many different ways to say you like something lied. Actually, I don't remember anybody ever saying that. But here we are, and I get to attempt to convey to you why I think this album is worth your time to listen to because I like it. Not only do I like it, but it has … Read more
Digital Ash in a Digital Urn appears to be out of character for Conor Oberst. He incorporates heavy beats and samples that force his signature acoustic guitar into the closet. The initial shock caused me to put the album away for a month, because I thought it was such an immense departure from his previous albums. I pulled it out … Read more
I don't know why I used to assume that following up an amazing album is hard to pull off. Listening to this release, you wouldn't think that at all. M83's second release, Dead Cities, Red Seas and Lost Ghosts gave My Bloody Valentine an electronic makeover, but with enough character of its own to avoid being dismissed as some sort … Read more
The melding of hardcore and rock-n-roll seems to be quite the rave as of late. So when you have a sudden influx of bands taking aim at a new look of an established genre, you are going to get the full spectrum. That is to say you'll get everything from fantastic to downright horrible. With their self-titled release, Dead Hearts … Read more
Cave In has been on hiatus for a couple months now and Stephen Brodsky has decided to not sit still. Rumor has it he is working on a new solo album, there is a video being worked on for his solo stuff, and he finally got around to putting out a New Idea Society full length, a follow-up to their … Read more
Have you seen the Frances The Mute cover art yet? Cast your eyes to the right, it's on display there. Two guys, both blindfolded, and oblivious to the world around them. Or maybe they just don't care what else is going on. It's all about them, driving their vehicle, with their own rules and their own vision. That painfully obvious … Read more
Even though Red Sparowes is a new project, they didn't have much difficulty making a name for themselves. Neurosis visual-effects man Josh Graham and Isis members Bryant Clifford Meyer and Jeff Caxide were members of the band at the time of recording. But if you weren't sold on the band based solely on its members previous projects, perhaps this description … Read more
This has been one of the hardest reviews I have ever written simply because I do not like this album whatsoever, yet I still feel compelled to review it. Instead of writing a wordy explanation let me draw out a Comeback Kid timeline for you. 2003: Turn It Around is released on Christian label Facedown Records. Record is embraced by … Read more
Remember when "pop-punk" wasn't a dirty word or condescending insult to a band's integrity? Remember when it meant simple, memorable songs combining infectious hooks with raw energy? Remember when it referred to bands like the Ramones, the Buzzcocks, the Descendents, and Husker Du? Remember when it had nothing to do with MTV, Hot Topic, or the mall? Well, even if … Read more
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