In my experience there are generally three kinds of album. The first, and most commonly encountered, is the one that has little musical merit. The second, and less ubiquitous, is one that has good songs and forms a combined piece. The third and final is the most rare of all. That is, the album made from good songs that have immense individual merit, but have no flow and lack the synergy to make it memorable. From opener "Intro" it becomes apparent that Matter + Form is one of the latter. VNV Nation haven't managed to make a coherent record since Empires dropped in 1999, with Matter + Form created by the same architectural process as 2002's Futureperfect. It is based around the same foundation of individually strong songs that don't work well as a part of something bigger and that suffer from placement alongside digressions into what can only to exist to prove a point about the mass of influences present. It is, in fact, the enormity of bases that this album attempts to cover that conspires to bring it down. Simply put, too many sounds have gone into it, leaving starkly obvious discrepancies that prevent songs from working well … Read more
This Is Hell was unavoidable in 2004. Whether it was This Is Hell's demo that quickly sold out, their rabid … Read more
I first heard about this band in the summer of 2003. I was buying a 7" from a band on … Read more
Selling out. Trying something new. Maturing. Call it what you will, but a substantial number of underground artists have become … Read more
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Surely by now, you’ve heard their name. Joyce Manor have been writing soundtracks for heartbreaks and hangovers for nearly two decades now. They create short songs with their hearts on their sleeves, while sticking to that distinct Southern California mix of self-deprecation and sincerity. From the lo-fi charm of their 2011 debut to Never Hungover Again’s cult-classic status and the bittersweet maturity of 40 oz. to Fresno, the Torrance, California trio have learned how to say so much in two minutes flat. Their new record, I Used To Go To This Bar, is both a victory lap and a last call. It’s nine tracks of nostalgic panic attacks set to be released through Epitaph Records. There are equal parts bar-stool therapy and punk-rock poetry. Produced by Brett Gurewitz (guitarist of … Read more
Ever since I accidentally saw them live in 2003, Spitalfield had been on my list of bands to avoid listening to. Their set was brain-implodingly bad - a sloppy mess of contrived pop-punk hooks, soulless songwriting, and the second whiniest vocals I?d ever heard (Rufio being the first.) It didn?t help that the sound quality was weak, or that the … Read more
A 10-song, 40-minute EP? Talk about cocky! After releasing their 80-minute beast of an album, Blueberry Boat, to my (and a handful of other cultists') absolute euphoria in 2004, what would be a perfectly suitable song amount and running time for a full-length LP for virtually any other band in the musical spectrum is a mere EP to the sweeping, … Read more
Generally at the beginning of the year, you'll set your hopes high for a handful of releases and odds are, one of those will be one of your albums of the year. The last two years for me though, has had surprising candidates come out of left field to steal my heart and take home that coveted award. This year … Read more
There was a time long long ago when Victory Records put out quality hardcore releases by bands like Integrity, The Path of Resistance, and Snapcase as opposed to the rubbish that they've been putting out as of late. In fact, the majority of what they release nowadays isn't even hardcore; it's closer to BSB (Backstreet Boys) than BFB (Blood for … Read more
Splits are traditionally a way two bands can get their music recorded/released by combining money. If you read that wrong you might even think bands combine monkeys. Sabertooth Zombie and Jumpstreet each contribute four songs towards proof that the bay area is a force not to be reckoned with. Sabertooth Zombie blasts balls with the first four songs. Sabbertooth Zombie … Read more
I first happened upon this group in June of last year, when the lead singer Chris made a thread on a message board I was frequenting about his band. The samples on the main page were outstanding. They were melodic, tinged with something I thought was reminiscent of eighties New Wave, when it was still the dark brooding poetry of … Read more
Last fall rock lost one of its true visionaries. John Peel was responsible for introducing the UK to acts like Pink Floyd, The Velvet Underground, The Smiths, The Undertones, Nirvana, The White Stripes, Napalm Death, Carcass, Extreme Noise Terror & Joy Division. How's that for diversity? It was an honor for any band to get to play Peel's BBC radio … Read more
By now you've scrolled down and seen that I've given Make Believe a score of 6.0. So you probably think I'm a biased fan who likes this album more than he should. Well, I am. But you should also know that if I were to review Weezer's previous catalogue, it would look something like this: 1) The Blue Album - … Read more
Superfluous. If I could describe the music press' fawning over female Sri-Lankan/British emcee M.I.A. in a single word, that would be it. This excessive praise for a new artist is not unique to her, of course. In 2004, it was Franz Ferdinand. In 2003, it was the Yeah Yeah Yeahs. To be honest, M.I.A.'s Arular does not live up to … Read more
Beginning a band is no easy task, there are many pressures involved with the entire process. Those pressures intensify when you're coming from a previous band that was considered to be fairly popular; it's a double-edged sword. You're pretty much ensured free exposure and publicity based on the fact that the new project gets the "ex-members of..." tagline. But with … Read more
In the late 80's and early 90's, Seattle was the place for any musician to be. A brief yet socially relevant counterculture was spawned, not too dissimilar to punk in the early 80's. The movement, being simply music or something more, had no name but was knighted "grunge" by the media. Much of the music was dirty, aggressive, brooding, and … Read more
CVA was fucking perfect. Naysayers beware: I am willing to defend that position. A hardcore supergroup of sorts (combining members of The Curse, Kid Dynamite, Lifetime, and Good Riddance), Paint It Black released one of the best melodic hardcore albums I've ever heard. I'm a sucker for melody and I'm a sucker for speed. They combined them with such precision … Read more
It's not very often these days one gets the opportunity to use the phrase "This brings the ROCK" without sounding like some kind of crotch grabbing throwback Darkness fan. If you miss (or totally missed out on) the days when Iggy Pop mocked Hells Angels while boasting about the size of his "Johnson," Dinosaur Jr. consuming more green than Cheech … Read more
An album cover with a skull, blood streaks and three fingers makes the viewer think of death, violence, periods and the very impolite action of pointing. In the hardcore scene this is all very cliché, although the fingers are a territory not plundered yet. Instead of surprising the viewer, now the listener, Saturdays of Thunder is filled with very mundane … Read more
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