By now you've scrolled down and seen that I've given Make Believe a score of 6.0. So you probably think I'm a biased fan who likes this album more than he should. Well, I am. But you should also know that if I were to review Weezer's previous catalogue, it would look something like this: 1) The Blue Album - 8/10 2) Pinkerton - 9/10 3) The Green Album - 4/10 4) Maladroit - 5/10 The Blue Album was the first album I ever bought. Pinkerton might be my favorite album of all time. The Green Album made me sad but I couldn't ignore the few songs that were pure gold. Ditto to Maladroit. That's the direction I'm approaching Make Believe from, and that's probably why I can tolerate, even enjoy this album. Certain songs still make me wonder if I'm kidding myself. "We Are All on Drugs," and the first single, "Beverly Hills" are two of the most confusingly crappy songs ever written by this band. And there is still a lot of brainless filler. But then there's "Perfect Situation," which is catchy as hell and charming, making it equal or even surpassing some of the material of the … Read more
Beginning a band is no easy task, there are many pressures involved with the entire process. Those pressures intensify when … Read more
In the late 80's and early 90's, Seattle was the place for any musician to be. A brief yet socially … Read more
CVA was fucking perfect. Naysayers beware: I am willing to defend that position. A hardcore supergroup of sorts (combining members … Read more
It's not very often these days one gets the opportunity to use the phrase "This brings the ROCK" without sounding … Read more
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“I’m a real band!” When you write about an artist a billion times, sometimes your head goes to strange places -- leading to references that probably only make sense inside your own head. With Par For The Curse, the third album from the Todd Congelliere founded project, Clown Sounds has evolved from solo origins to a collaborative effort. The results are clear when you listen to. No disrespect to previous Clown Sounds in the slightest, just that this is a little more diverse in sound and the instrumentation feels a little more complex and layered. This probably won’t surprise anybody who has followed Congelliere’s work in the past (Toys That Kill, FYP, Recess Records): the band members are familiar faces -- members of both aforementioned bands, plus The Arrivals and … Read more
An album cover with a skull, blood streaks and three fingers makes the viewer think of death, violence, periods and the very impolite action of pointing. In the hardcore scene this is all very cliché, although the fingers are a territory not plundered yet. Instead of surprising the viewer, now the listener, Saturdays of Thunder is filled with very mundane … Read more
Considering the phalanx of albums due for release, and with previous offering Discovery bringing all the musical vision and ingenuity of a series of polyphonic ring-tones, Human After All found itself rated rather low on my list of desires and expectations for the first half of 2005. Being honest, I expected absolutely nothing of real musical value from this album, … Read more
Osker was well known as being the most hated band on Epitaph in their brief stint as a band. Being roughly around the age of 18 when their final album, Idle Will Kill came out, they managed to release a pop-punk masterpiece having hardly entered adulthood. Now Devon Williams, lead singer/songwriter of Osker, is back in the spotlight some odd … Read more
This is the kind of split 7" I like to see. On one side you have Lucero, a Memphis band who have recently gained a lot of popularity. They have a style that is as equally influenced by Jawbreaker as it is by Waylon Jennings. They constantly are on tour, put out records on large indie labels, and have drawn … Read more
The name Ryan Adams has become synonymous with the word "prolific," but not so much with the words "genius" and "brilliant"- those are thrown around by hardcore fans and earnest publicists. After releasing five full-length albums in a span of four years, his debut, Heartbreaker, still undeniably remains his best record to date, but he is far from regressing to … Read more
I was having a conversation the other day with a close friend. We were discussing music, as we normally do, and I started quoting some lyrical excepts from Deep in the Heart. He chuckled and told me that he thought it was kind funny that I listen to "all those tough guy bands," and yet I am such a nice … Read more
When I was 15, I remember thinking Korn was the greatest band on the face of the earth. I was angry. I was rebellious. I felt alienated just like Jonathan Davis. But in all fairness, Limp Bizkit was a close second. And while bands like Korn and Limp Bizkit refused to change their nu-metal riffs, and their "Are you ready?" … Read more
Let's face it, most hardcore bands don't have it in them to do a "full length" and if they do, it's usually a couple of really good songs with some filler to get it up to the half hour mark. Thankfully, Blue Monday do not fall into this category with their newly released Rewritten. The first thing fans of the … Read more
Three months back I attempted to review War is Hell, but something more pressing came up to displace the debut full-length from The Warriors from atop my review pile. On occasion after occasion, I passed over reviewing the album in favor of something else. Then, last week I took in a show that The Warriors happened to be playing and … Read more
Dead Meadow, hailing from the D.C. area, formed out of The Impossible Five when they broke up in 1999. Jason Simon (guitar/vocals) Steve Kille (bass) and Mark Laughlin (Drums) went on to form Dead Meadow. Laughlin quit the group in '02, and Steve McCarty joined the group for Shivering King and Others and their newest addition, Cory Shane a few … Read more
I had heard so much hype about this band, so I was kind of weary about checking them out. Everyone was talking about waiting for their pre-orders, and avid record collectors were searching out every color of their newest record. This phenomenon only happens with few bands. When I finally got around to listening to Ice Grillz, I was actually … Read more
Feersum Ennjin is the work of essentially one man with the assistance of a few close friends. All the songs were written by former Tool bassist Paul D'Amour, who has been floating around from project to project since his departure in late 1995. But before you Tool fans get too excited, it is my duty to inform you that the … Read more
I've always wondered when "classic" albums first came out how people reacted to them. For the most crucial bands it seems people fell in love with the music after the band broke up. Spinning on my record player is what will become a "classic". It's made of black vinyl. Nothing about it visually separates it from any other 7". But … Read more
Besides getting started, the hardest thing about writing reviews is coming up with original ways of putting things. Not stealing ideas from other magazines is tough, and it becomes especially hard when the album you're reviewing is unquestionably great. This is exactly my dilemma with the new Decemberists album. It's super, but I have no idea what to say about … Read more
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