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Sharon Jones and the Dap-Kings

Naturally
Daptone (2005)

Generally at the beginning of the year, you'll set your hopes high for a handful of releases and odds are, one of those will be one of your albums of the year. The last two years for me though, has had surprising candidates come out of left field to steal my heart and take home that coveted award. This year … Read more

Time for Change

Profound
Glory Kid (2005)

There was a time long long ago when Victory Records put out quality hardcore releases by bands like Integrity, The Path of Resistance, and Snapcase as opposed to the rubbish that they've been putting out as of late. In fact, the majority of what they release nowadays isn't even hardcore; it's closer to BSB (Backstreet Boys) than BFB (Blood for … Read more

Sabertooth Zombie / Jumpstreet

Headsplitterz 7"
Independent (2005)

Splits are traditionally a way two bands can get their music recorded/released by combining money. If you read that wrong you might even think bands combine monkeys. Sabertooth Zombie and Jumpstreet each contribute four songs towards proof that the bay area is a force not to be reckoned with. Sabertooth Zombie blasts balls with the first four songs. Sabbertooth Zombie … Read more

Dreadful Dollface

Untouched
Independent (2004)

I first happened upon this group in June of last year, when the lead singer Chris made a thread on a message board I was frequenting about his band. The samples on the main page were outstanding. They were melodic, tinged with something I thought was reminiscent of eighties New Wave, when it was still the dark brooding poetry of … Read more

Hot Snakes

Peel Sessions
Swami (2005)

Last fall rock lost one of its true visionaries. John Peel was responsible for introducing the UK to acts like Pink Floyd, The Velvet Underground, The Smiths, The Undertones, Nirvana, The White Stripes, Napalm Death, Carcass, Extreme Noise Terror & Joy Division. How's that for diversity? It was an honor for any band to get to play Peel's BBC radio … Read more

Weezer

Make Believe
Geffen (2005)

By now you've scrolled down and seen that I've given Make Believe a score of 6.0. So you probably think I'm a biased fan who likes this album more than he should. Well, I am. But you should also know that if I were to review Weezer's previous catalogue, it would look something like this: 1) The Blue Album - … Read more

M.I.A.

Arular
XL Recordings (2005)

Superfluous. If I could describe the music press' fawning over female Sri-Lankan/British emcee M.I.A. in a single word, that would be it. This excessive praise for a new artist is not unique to her, of course. In 2004, it was Franz Ferdinand. In 2003, it was the Yeah Yeah Yeahs. To be honest, M.I.A.'s Arular does not live up to … Read more

Enola Grey

Cabal
Feeling Faint (2005)

Beginning a band is no easy task, there are many pressures involved with the entire process. Those pressures intensify when you're coming from a previous band that was considered to be fairly popular; it's a double-edged sword. You're pretty much ensured free exposure and publicity based on the fact that the new project gets the "ex-members of..." tagline. But with … Read more

Big Business

Head for the Shallow
Hydra Head (2005)

In the late 80's and early 90's, Seattle was the place for any musician to be. A brief yet socially relevant counterculture was spawned, not too dissimilar to punk in the early 80's. The movement, being simply music or something more, had no name but was knighted "grunge" by the media. Much of the music was dirty, aggressive, brooding, and … Read more

Paint It Black

Paradise
Jade Tree (2005)

CVA was fucking perfect. Naysayers beware: I am willing to defend that position. A hardcore supergroup of sorts (combining members of The Curse, Kid Dynamite, Lifetime, and Good Riddance), Paint It Black released one of the best melodic hardcore albums I've ever heard. I'm a sucker for melody and I'm a sucker for speed. They combined them with such precision … Read more

Transistor Transistor

Erase All Names and Likeness
Level Plane (2005)

It's not very often these days one gets the opportunity to use the phrase "This brings the ROCK" without sounding like some kind of crotch grabbing throwback Darkness fan. If you miss (or totally missed out on) the days when Iggy Pop mocked Hells Angels while boasting about the size of his "Johnson," Dinosaur Jr. consuming more green than Cheech … Read more

Hank Jones

Saturdays of Thunder
Undecided (2005)

An album cover with a skull, blood streaks and three fingers makes the viewer think of death, violence, periods and the very impolite action of pointing. In the hardcore scene this is all very cliché, although the fingers are a territory not plundered yet. Instead of surprising the viewer, now the listener, Saturdays of Thunder is filled with very mundane … Read more

Daft Punk

Human After All
Virgin (2005)

Considering the phalanx of albums due for release, and with previous offering Discovery bringing all the musical vision and ingenuity of a series of polyphonic ring-tones, Human After All found itself rated rather low on my list of desires and expectations for the first half of 2005. Being honest, I expected absolutely nothing of real musical value from this album, … Read more

Fingers Cut, Megamachine

Fingers Cut, Megamachine
Thick (2005)

Osker was well known as being the most hated band on Epitaph in their brief stint as a band. Being roughly around the age of 18 when their final album, Idle Will Kill came out, they managed to release a pop-punk masterpiece having hardly entered adulthood. Now Devon Williams, lead singer/songwriter of Osker, is back in the spotlight some odd … Read more

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