This is the kind of split 7" I like to see. On one side you have Lucero, a Memphis band who have recently gained a lot of popularity. They have a style that is as equally influenced by Jawbreaker as it is by Waylon Jennings. They constantly are on tour, put out records on large indie labels, and have drawn attention from members of the music press all over the world. On the other side you have Loggia. It's okay, I hadn't heard of them either until looking at the cover of this record. They're a Memphis four-piece that play (judging purely by the one track on this record) mellow indie rock. Evidently they have recently moved to The Big Apple, because that's what hip indie bands do now. My understanding is that Brooklyn is now comprised mainly of southern expatriates wearing v-neck sweaters and black-framed spectacles. While in New York, Loggia recorded the track for this split 7" to be released on Soul is Cheap. Soul is Cheap is a long-running, yet small, label from Memphis that has supported its town's underground music community with a great deal of loyalty. They've recorded everything from thrashers like Bury the Living … Read more
The name Ryan Adams has become synonymous with the word "prolific," but not so much with the words "genius" and … Read more
I was having a conversation the other day with a close friend. We were discussing music, as we normally do, … Read more
When I was 15, I remember thinking Korn was the greatest band on the face of the earth. I was … Read more
Let's face it, most hardcore bands don't have it in them to do a "full length" and if they do, … Read more
Three months back I attempted to review War is Hell, but something more pressing came up to displace the debut … Read more
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Screens, (2013) was damn near perfect. So what does Low Culture have in store with their second LP? It’s not disappointment, that’s for sure. Places to Hide continues their run of modern garage-punk that’s run through the melody filter and cleaned up of the fuzz and distortion, letting the elemental energy and punk tempo drive the songs while the vocals are clean and, for the most part, are actually sung. The tight rhythm section, which doesn’t let up for a second over the 33-minute album, is the hero here while the dual vocal approach of Chris Mason and Joe Ayoub give that melodic touch to push it over the edge and ahead of the pack. While the lyrics are somewhat pessimistic, Mason’s voice is a pick me up that bursts … Read more
Dead Meadow, hailing from the D.C. area, formed out of The Impossible Five when they broke up in 1999. Jason Simon (guitar/vocals) Steve Kille (bass) and Mark Laughlin (Drums) went on to form Dead Meadow. Laughlin quit the group in '02, and Steve McCarty joined the group for Shivering King and Others and their newest addition, Cory Shane a few … Read more
I had heard so much hype about this band, so I was kind of weary about checking them out. Everyone was talking about waiting for their pre-orders, and avid record collectors were searching out every color of their newest record. This phenomenon only happens with few bands. When I finally got around to listening to Ice Grillz, I was actually … Read more
Feersum Ennjin is the work of essentially one man with the assistance of a few close friends. All the songs were written by former Tool bassist Paul D'Amour, who has been floating around from project to project since his departure in late 1995. But before you Tool fans get too excited, it is my duty to inform you that the … Read more
I've always wondered when "classic" albums first came out how people reacted to them. For the most crucial bands it seems people fell in love with the music after the band broke up. Spinning on my record player is what will become a "classic". It's made of black vinyl. Nothing about it visually separates it from any other 7". But … Read more
Besides getting started, the hardest thing about writing reviews is coming up with original ways of putting things. Not stealing ideas from other magazines is tough, and it becomes especially hard when the album you're reviewing is unquestionably great. This is exactly my dilemma with the new Decemberists album. It's super, but I have no idea what to say about … Read more
Above this Fire is a band that I have known since their very inception, a band that I have been able to watch as they have grown from relative obscurity as local act into one that could easily eclipse their peers with the right promotional push. With In Perspective, this five-piece hardcore/metal hybrid can stand proud and declare that they … Read more
Decrying hip hop's more self-obsessed, corporate, "bitches n' bling" oriented side has become somewhat of an expected formality in the discussion of any Anticon release. Such is the "thinking man's rap" reputation the San Francisco based label has established for itself amongst the more discerning part of the record buying public that it's often held aloft as the antithesis of … Read more
On hearing of The Locust's signing to Ipecac, one might be inclined to call this an unexpected pairing. But if you were to take into consideration the label's sheer willingness to work with daring and thought-provoking artists that push the boundaries of modern music, it really shouldn't be that much of a surprise. For ten years, the members of The … Read more
he new Kill Your Idols record, From Companionship to Competition, is the best mediocre record since Shutdown's Against All Odds was released in 1998. I don't know about you, but I listened to that record constantly, I was psyched about the Brooklyn Youth Crew, and I rocked my Shutdown summer tour shirt until I accidentally turned it pink bleaching my … Read more
Hype generates a high death count, because critics are merciless. Bands with ridiculous amounts of hype seem to have big white signs with bold red lettering that spell out "KICK ME" on their backs. When these particular bands do not deliver, every minor insufficiency is exacerbated to squelch them out of existence. Giving them a fair listen is nearly impossible, … Read more
For the past few years these ragers have been taking their brand of Bl'ast-influenced punk all over the world. Their first LP was twelve inches of furious hardcore taking from 1980s California bands like Black Flag, Aggression, and Bl'ast. The Bad Reputation 7" took the band into a new direction, influenced more by the '70s rockers that those California bands … Read more
Xiu Xiu are an anomaly in modern music. This at least, if nothing else, fans and critics of the group can agree on. Intermittently fragile, sad, tense, evocative, provocative and even humorous, the emotionof Xiu Xiu itself is overwhelming. Mix this with the often aggressive screeching broken electronic feel of a lot of the musical accompaniment and the on-edge, straight-from-the-asylum … Read more
What's the point of an introduction? They really just delay the reader from getting to what they really care about: the actual review. I could dilly dally around here with a brief synopsis of the career of Pelican or bring up a humorous anecdote about a run in I had with an actual pelican one summer. But it would be … Read more
A year ago, Jesu was only a blip on the radar for most of the music world. And then, as if out of nowhere, Justin Broadrick emerged from the swirling rumors in the darkness with his latest project in the form of Heart Ache, a forty minute EP comprised of only two tracks. While the acclaim was limited at first, … Read more
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