There are lots of ways that one can view the genre of metal and any of its countless sub-genres - a soundtrack to your miserable life, a vicarious escape from the mundane, the optimum means of combating (or embracing) anger - all are possibilities, but not many will admit to regarding it as a valid art form, just as capable of shaping and changing lives and minds as classical, jazz, or Radiohead. For years, it has seemed Meshuggah's sole duty to shatter any tentative preconceptions regarding extreme metal as a stale, tasteless exercise in ridiculousness. 2004's epic I is one of metal's most artistic statements, a one-song, 21-minute EP lacing their trademarked math metal mindfucking with unsettlingly delicate ambient sections and radical alterations in tempo and time signature. Catch 33 continues much in the same epic vein as I, but this time around the listener is treated to a full-length LP's worth of genius and structured chaos. In Meshuggah's world, the machines have taken over, and they're way more vicious than the ones in the Matrix. Themes of loss of individuality, the danger of uninhibited technological advance, and struggle to find purpose in a meaningless world are covered in lyrics … Read more
Lack of sleep, Influenza A virus and a spike through your chest, among other things, cause people to get sick. … Read more
Punk is a relative concept. In 1982, shaving your head into a mohawk and wearing studded jewelry was a symbol … Read more
Let me begin with a disclaimer. I don't mean to rant, but in general, I hate political bands. I can't … Read more
"When someone comes up to you and asks which Led Zeppelin album they should buy, you should say 'Physical Graffiti'. … Read more
"Hey, these dudes are seriously pissed." That's probably the initial thought that comes to mind when listening to These Days … Read more
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New release from this accomplished singer/guitarist finds him continuing to offer us great songs, which are really hard to come by these days. Keene handles the majority of the instruments here, save for longtime mainstay John Richardson on drums. "Save this Harmony" features a laid back groove and a fantastic melody to carry this one home. "Tomorrow's Gone Tonight" has Keene tossing in a lyrical reference to an obscure bonus track from back in his recording history. The gentle introspection offered up in "Nighttime Crime Scene" would be enough for me, but this record will reward the listener with each replay. Another striking release that will be added to an already impressive body of work. But start here if you are just discovering Keene's songcraft for the first time. I … Read more
These Days took the time to build a following, and then just after they released their debut full-length, they decided to take a break. This self-titled release is These Days' newest, and their best. These Days is all brand new material, except for one song, "Never Ending," which is re-recorded from their demo. Among the brand new songs is possibly … Read more
Music elitists say that excellent music has not come out since the 70's; that the past thirty odd some years have been regurgitated, diluted crap. Some might admit that there have been some good bands in the past couple of years, but none of those bands are groundbreaking or memorable. And in the end, those bands are just extremely influenced … Read more
I can't possibly make this a lengthy review. I can't! I've tried to think of creative ways to give my opinion on this piece of melodic, tough-guy hardcore, "in the vein of Comeback Kid, Hatebreed, and Terror." But I keeping finding myself back at that very phrase which sits mid-page on the band's bio that Organized Crime sent out. "...in … Read more
I've never really been a fan of "best of..." collections. Too much of the time, they are released mid-career without justification or necessity, or to fill an unusually long gap between albums. Even more often, they are used as cynical marketing ploys, or worse, in order to milk the cash cow of any given artist whom lacks longevity. At times, … Read more
The Frames are five Dubliners, with a handful of releases already. They use a variety of instruments, ranging from piano to horns and strings, effects, concepts and atmospheric layers shaping their music around human emotion often similar to that of Radiohead and Coldplay. The Frames is: Glen Hansard (Vocals/Guitar), Colm MacConlomaire (Violin/Keyboard/Vocals), Joseph Doyle (Bass/Vocals), Robert Bochnik (Guitar), and Johnny … Read more
An open letter to Hollow Ground and Organized Crime Records I'm not a detective or a mind-reader. I am neither Columbo, Criswell, nor Veronica-fucking-Mars. I'm just a guy who gets a meager paycheck working with kids that likes to review albums in his spare time. Don't make me search all over the internet for information on your band. Did you … Read more
Rare is music that can evoke a time and a place in the mind of the listener. Rarer still is when that time and place are of an otherworldly nature, subtle and peculiar, yet strangely settling. Of course, such music is often difficult to embrace, but with enough patience it is often the best. Gang Gang Dance's second LP, God's … Read more
Every so often an album seems to come out of nowhere and totally blindsides you. This is one of those albums. I initially put this on with little knowledge about it other than the fact it was released by Constellation Records (home of Godspeed You! Black Emperor, A Silver Mt Zion, Fly Pan Am etc.) Within a matter of seconds … Read more
The very First time I heard White Stripes I honest to God thought I was hearing a Led Zeppelin bootleg. I walked into a record store and a minute later was telling a clerk "I'll take it". It wasn't Led Zeppelin. "I'll take it anyway". That was their sophomore album De Stijl, the album I still consider as one of … Read more
The first thing I noticed when pulling this CD out of the tray, was that it was one of those full size compact discs that only uses three inches in the middle. The outer ring of the disc was clear plastic. The image screened onto the disc looked pretty menacing with the clear background. I also noticed that the band … Read more
We've all done it - you mention a band unfamiliar to your friend and they'll ask "What does it sound like?" and being lazy North Americans we'll often reply with a barrage of noteworthy names just recognizable enough to wipe the inquisitive look from our hapless chum's face, and just obscure enough to retain "street cred" with the remainder of … Read more
Pretty Hate Machine, The Downward Spiral, The Fragile - you name any of these titles to a Nine Inch Nails fan and they could probably give you a whole host of reasons why it's their favorite album. Then, of course, they'd inundate you with any number of words to describe front man/founder Trent Reznor: Genius, brilliant, twisted, brilliantly twisted genius … Read more
The past year or two have been interesting times for bands that mattered more in the 80's. In 2004, The Cure and Morrissey both released albums that earned them more attention (read: blind praise) than they'd seen in years. Apparently, 2005 marks New Order's turn. The term "washed up" once again comes to mind, but to me it seems like … Read more
Haymaker is one of the worst albums, hardcore or otherwise, I've ever heard. We're talking 'makes-Hatebreed-look-like-Converge' bad here. I honestly cannot fathom a duller, more cliched, and more mentally aggravating record ever coming out of any music scene (with the possible exception of post-rock). It was a harrowing, monstrous disappointment from a band who has managed to put out a … Read more
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