Rising from the ashes of another Hex Records band, Building on Fire, Achilles has made a loud statement with their first full-length, The Dark Horse. Achilles might be recognizable to those who heard their split CD with labelmates Engineer last year. The Dark Horse was produced by Evan Patterson of Black Cross and Breather Resist notoriety and engineered at Chris Owens' (from Lords) studio. Achilles definitely has an affinity for the current Louisville crop of bands. Yes, Achilles has math-metal tendencies that channel the spirit of the musical behemoth that was Botch. One can hear this influence throughout this record, but Achilles go one step further and add a more garage rock feel to it. The vocals are consistently strong throughout the album and the musicianship is extremely well executed. Still, I kept hoping for something a little more from this record, almost like it was just missing some subtle element. The Dark Horse opens strong with a powerful ditty entitled "Every Hour Wounds, the Last One Kills." A vicious, pounding rhythm serves as the backbone to this opening shot and it foreshadows what one can expect from this four-piece. This song also has guest vocals by Steve Sindoni of … Read more
I can feel it happening. The hype is a train, rumbling in the distance. Though initially faint, it's growing progressively … Read more
Once upon a time, while on a late evening binge of marijuana and cartoons, a young adult named Zed felt … Read more
Taking what seems like years, in fact almost two, to come out on the shores of the United States, The … Read more
Choose a year to view reviews of albums released in that year.
750 reviews
42 reviews
25 reviews
300 reviews
4956 reviews
19 reviews
It’s hard to know just how much back story/preamble to include when discussing the music of San Franciscan rocker Ty Segall. His career, to date, has been incredibly varied and his ridiculously prolific output includes countless albums, EPs, cassettes, split 45s, etc. To wit, this year alone has seen the release of three full-length albums: one with White Fence (Hair), and one solo project (Twins, released earlier this month). Each have their merits and unique flavors, but neither compare to the staggering Slaughterhouse, written and recorded with Segall’s touring band and released in June of this year under the In the Red label. Most tracks evince a tongue-in-cheek take on classic forms – here’s menacing, relentless space rock, here’s glam flavored, riff-driven surf. Nothing particularly innovative at first listen, but … Read more
Richmond, Virginia has a lush history when it comes to hardcore bands over the last fifteen years. From Avail to Count Me Out, and as of late Municipal Waste and Stop It!!!, Richmond has always been fertile ground for young hardcore bands. On this split seven inch, two of Richmond's more stylistically diverse bands, The Setup and Wow, Owls! put … Read more
In 2004 we were treated to Carnage, the debut effort from this throwback thrash/metal outfit from Chicago. If you heard it, good. If not, well, let's just say that the band is highly influenced by the likes of Celtic Frost. Fake metal fans should be sure to Google that name before continuing. Here in 2005 we are awaiting the band's … Read more
It's official. System of a Down can't spell. I'm sorry to any Americans out there who like to get involved with this whole using a "zed" instead of an "ess" thing, but they can't. And yes, I did say "zed," none of that "zee" crap either. Let's face it. America was born from the remnants of a British people who … Read more
I, for one, was initially startled by The Mars Volta. Their melding of prog-rock and post-hardcore required the status of a level-32 dwarf. Maybe it was Cedric's multidimensional vocabulary or Omar's guitarscapades, but they got boring real quick. Simply put, the Mars lacked Volta. My replacement and newest musical addiction was run by a thousand engines and possessed by one … Read more
Coliseum's Goddamage EP must be listened to in order to be believed. Hell, looking at the cover art, one has to know what to expect. That is not to say that the record is so obvious. The cover simply represents the mood and salvo of sound on the record completely, even down to the faux sticker on the back: "As … Read more
Be not afraid. Mile Markers by Bastard Sons of Johnny Cash is not the soundtrack to Aunt Edna's covert line-dancing ops at the Iron Horse Saloon. This is good country. Mellifluous, melodious, easy on the ears and heavy on the heart; it's where the best of country music always meant to go before it got sidetracked by private jets, monster … Read more
Let's get the formalities and the predictabilities out the way right off the bat. Wives are a straight up rock band from Los Angeles whose main claim to fame is that their singer's car got hit by a reckless driving Backstreet Boy - the blonde one, if memory serves. The money from the resulting settlement allowed him to set up … Read more
Music fans are fucking assholes. For those of us in the world who obsess about music, we fail to realize this one fact. We can be incredibly annoying. We can be demanding. We can influence the musical and aesthetic choices a band makes simply because they want to please us, the musical consumers, so they can continue "doing what they … Read more
Hoods, the reigning kings of Sacramento hardcore, have endured a lot throughout their decade of existence. The band have released a slew of recordings in all forms - LP's, EP's, splits, and compilations - on a handful of labels. Such an unwillingness to give up is rare for a band, especially in the genre of hardcore. And yet, here they … Read more
Stand-up comedians aren't funny. With very few exceptions, this is a truism that has become stronger and stronger over the years with every "I drive my spouse nuts" line and "Black people do things differently" joke. Brian Posehn is one of those exceptions. Culled from the last bastion of laughter - The Comedians of Comedy Tour, Nerd Rage reminds us … Read more
Let's get the roster out of the way because that usually draws people in like moths to a blowtorch. Jordan Blilie (The Blood Brothers) (Vocals), Nick Zinner (Yeah Yeah Yeahs) (Guitar), Cody Votolato (The Blood Brothers) (Guitar), Justin Pearson (The Locust) (Bass), and Gabe Serbian (The Locust) (Drums). You're either feeling the flame or I'm feeling the draft of the … Read more
It's going to sound silly, but in recent months, Scarling has taken on Moby Dick-like proportions in my life. They were that band that everyone told me I absolutely had to listen to, and each time I heard this, I grew a bit more reluctant to bother for no solid reason other than the fact that I hate to be … Read more
You could almost imagine the epitaph on Green Day's headstone from the moment Reprise got into the whole contract-fulfilling kiss-of-death releases that beset Green Day just this side of the turn of the millennium. A "best of" collection and then the certain doom of the "rarities" compilation followed in quick succession and it seemed that a dying cash cow was … Read more
Was it really only two years ago that Since By Man unleashed their debut CD, We Sing the Body Electric? Granted, an EP in the form of A Love Hate Relationship was designed to tide over their salivating audience in between tours and writing sessions, but personally it feels like a great deal more time has passed in between. Enter … Read more
Looking for the SPB logo? You can download it in a range of styles and colours here:
Click anywhere outside this dialog to close it, or press escape.