Invisible Youth PR claims that Mabus create music with elements of "everything from pop and jazz to rock and metal into their innovative." Call me cynical, but whenever I read something like this - describing a band as splicing together every genre under the sun - I can't help but feel skeptical. Just as too many cooks spoil the broth, trying to incorporate so many often-conflicting genres can create something not entirely palatable. As I listened to Cheers, to Doomsday Gloom, however, I found myself struggling to hear this eclectic array of influences. While Mabus might think it's cool to tout themselves as a "triumphantly glum jazz metal beast," jumbling together genre buzz-words won't make their music any more diverse or, more importantly, of higher quality. Cheers, to Doomsday Gloom is a hectic, flailing spastic assault on the senses that doesn't seem to know who it is, where it's going, or why it's even here in the first place. Only when it calms down, worn out by its own attention-deficit mania, is the album enjoyable. The down-tempo sleaze of "Swingin' in Me Satterlee Grove" and melodic first-half of "No More Tricks, No More Limbs" are lone islands of intrigue in … Read more
There is a startling disparity between the Rx Bandits' 1997 debut Those Damn Bandits and ââ¬Â¦And the Battle Begun if … Read more
Fuck yeah. I live for records like this. The tunes are fast, snotty as hell, impassioned, and stick in your … Read more
After the now-legendary, myth-making years in the basement with a guy named Tobin and the other Mitch Mitchell working shamelessly … Read more
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It has been about four years since the release of What We All Come to Need, what was in my opinion the only weak moment in Pelican’s career. The Ataraxia/Taraxis EP, released in 2012, gave a first idea of the shape of things to come and now Forever Becoming has finally landed.Pelican was never a band that would stay in just one place. From the doom/sludge of Australasia, to the post-rock of The Fire in Our Throats Will Beckon The Thaw and the post metal after effect of City of Echoes and What We All Come to Need, the band is constantly transforming and re-inventing its sound. The case is quite similar with Forever Becoming, with Pelican taking another step further. Original guitarist, Laurent Schroeder-Lebec left the band and has … Read more
I think this is the type of hardcore that the kids with camo shorts and black running shoes are calling "amazingcore." There is a new crop of expressively distraught hardcore bands that place their hearts on their sleeve much like emotional hardcore bands did so unapologetically in the 90's. These "amazingcore" bands not only reap the benefits ripping their hearts … Read more
Intronaut is a four piece from California made up of members of Uphill Battle, Impaled, Exhumed, and Anubis Rising, although they sound nothing like I remember these other bands. Intronaut sounds more like a technical metal band with jazz-like flourishes. Void is their first full-length after the wittily monikered EP, Null. "A Monolithic Vulgarity" leads off Void like a jazz … Read more
"Yes, yes, yes. Guess who's on third? Lupe still like Lupin the Third." Little did we know that our introduction to Lupe Fiasco on Kanye West's "Touch the Sky" was merely a taste of what this Chicago native had to offer. While not a complete unknown, Lupe's previous appearances had mostly fallen under the radar. After numerous Internet leaks and … Read more
Spending much of the time since 2002's ENDtroducing with his producing hat on, DJ Shadow has finally returned to our stereos with The Outsider. A return that sees him take a massive shift in style. Crass rapping styles, questionable lyrical content, and some gunshots filtering through the background adds just too much of a touch of Tim Westwood that is … Read more
Pound for Pound hail from Springfield, Illinois, not to be confused with the hometown of The Simpsons, as the true location of that fictional town has never been pinpointed. However, if Pound for Pound were to hail from that specific Springfield, I think the band would be best represented by the likes of Nelson, Kearney, Dolph, and Jimbo. Okay, I'm … Read more
In its recent history, Converge is responsible for two of the most unique and cathartic albums in the history of extreme music, Jane Doe and You Fail Me. Of course, you can't deny Converge's long, rich heritage going back to the early '90s. Unlike very few bands in their genre, Converge have not only survived, but thrived and strengthened. Jane … Read more
After rock and roll's pop ascension in the postwar era, the recording industry adopted the practice of "front-loading" albums, situating the strongest songs at the beginning. This serves several purposes: it sells the album to skeptical listeners (such as radio programmers, distributors and consumers), and it enables bands who don't have enough material to compete in the LP realm to … Read more
Do you remember being just a small child, rifling your dirty paws through the cereal box trying to fish out the prize at the bottom of the box? No? Okay let's flash forward about ten years; what about when you were sitting at the dinner table thinking how you were going to get those same dirty paws down your boy/girlfriend's … Read more
Mediocrity is not a hard thing to come by in the metalcore genre. In fact, since every metalcore band has decided to rip off Prayer for Cleansing and Heaven Shall Burn, metalcore has become a little too stagnant in this As All That Killswitch Remains Dying "scene." She Killed Poetry would easily fall off the radar for me, for this … Read more
December 14, 1999: Poison the Well's Opposite of December was re-released and marked the end of metallic hardcore as everyone before it. Before "Nerdy" made all the mixtapes there was a quite of few metallic edged hardcore bands like Cleveland's apocalyptic Integrity, San Diego's depressive Unbroken, and Vegan Militants Earth Crisis whom all played palmed muted e-chord chugga chugga until … Read more
We're in the middle of a pop punk renaissance. New recruits are signing up left and right and firing off catchy odes to the evergreen vagaries of romance, teenage or any age. But this is a post-Lifetime era, so for the most part today's young turks eschew the Ramonesianism of a Screeching Weasel or a Queers in favor of the … Read more
The year is 1797. You are a sailor. Bound for distant colonies, you awake one morning to find that a storm has driven your ship out to sea. As you rub the sleep from your eyes, stumbling out onto deck, you call out to your crew mates, but your voice is swallowed by the howl of the wind. There is … Read more
Every so often you end up with a friend's bands demo in your hands and most of the time, let's be fair, you are just at the shows and buying the demos and merch to help support your friends. Most of the time you have to admit that there is a hint of jealousy at the fact that it's them, … Read more
With Versoma's debut offering, Life During Wartime, it would be extremely easy to make assumptions about the sound based off the previous bands of its members (having done time in Anodyne and Lickgoldensky, amongst others). But that would be a huge disservice to this short and sweet EP. This record is chock full of noise laden guitars that establish an … Read more
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