There's an awkward goofiness to the Start Today album, or any of the first fifteen Revelation releases, that will always make them powerfully classic. None of the bands at the time really knew what they were doing both musically and culturally. These were just a bunch of bored kids, mostly in middle and high school, who felt alienated by their peer group and had enough tenacity to write songs about it. Almost everything after, with a few exceptions here and there, is merely a cheap attempt to rehash a sensation that can simply never be relived authentically. And this is why At All Costs fails as a hardcore band. This isn't to say they're a bad band, or that all current hardcore bands are attempting a youth crew revival, but the innocence that created the sound no longer exists. One feature that makes Connecticut's At All Costs stands out is their inclusion of horns. Think River City Rebel's first album mixed with Ten Yard Fight. Unfortunately, the brass section come across as rather gimmicky, something to attach to a bio or a flyer to draw in listeners. Most of the songs simply mimic the chord progression of the guitars, which … Read more
Broken Poets' lead singer/songwriter dynamo, Tim McDonald, is truly the voice of the average American male in that his songwriting, … Read more
Bands need to stop trying to sound like Gang of Four. It's a fact that they will never be Gang … Read more
Imagine sitting out on your porch or patio on a warm summer evening. You feel like just kicking back and … Read more
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Just about everything about this release offended me, from the cover photo a bloodied tricycle to one of the members flashing a gang sign in the band photo and Rick ta White saying, "No One! Fuck all you bitches and sorry ass motherfuckers out there!" in the thank-you list. If you haven't guessed, Countime is yet another run of the mill gang-styled hardcore band that seems to think any word that sounds like a number (exp. to, for, too, fore) must in fact be a typed out as a number in the most mind numbing lyric sheet I've ever read. What sort of band comes with lyrics like, "Freak you / Kiss you / Fist you / Suck you / Fuck you"? Countime is that band. They also need to … Read more
Something I've always had trouble imagining is five grown men sitting in a room, writing music that directly appeals to fourteen-year-old girls, and being totally happy with themselves. Maybe it's my own musical snobbery, but I can't believe that these bands go to sleep at night, creatively satisfied, and legitimately thinking that the music they write is worth anything. They … Read more
I've noticed that pop music has gone through a lot of changes in the last few years. One thing I've noticed is the misconceptions of what people call "original" as something that sounds exactly like what's popular at the moment. The opening sentence in the press kit for this album is as follows "C'mon, admit it! It's been years since … Read more
Chuck Ragan used to play guitar in Hot Water Music, who happened to be one of my favorite bands of all time. He left Hot Water Music to lead his own life, which left us with The Draft in his place. Now we have a solo effort from Mr. Ragan and I can't help to wonder if Los Feliz were … Read more
What if The Libertines were basically decent guys? What about the early Rolling Stones, or Guns N' Roses, or any of the bands who just want to play some rock and fucking roll? I mean like if they didn't ruin their girlfriend's lives and if they didn't smoke crack and if they maybe mowed the lawn for their moms once … Read more
Like their peers Limp Bizkit, Korn and Slipknot, Linkin Park occupies the mysterious musical category of "Oh, they're still around?" In 2007, with the nu-metal genre almost completely replaced by nu-emo, the lumbering rap-rock of these late 90s behemoths is missing and presumed dead. So where does that leave Linkin Park? In the commercial musical world, it's evolve or die, … Read more
Hour of the Wolf are one of the best punk bands in America-trust me. It's a familiar story, kind of a Zen thing (like the tree falling in a vacant forest), but The World Is Different Now: thanks to the Internet, the local band you always knew to be better than any national contenders can now play in the big … Read more
Daggermouth's 2005 release, Stallone was a really solid record. For me, the band came along at a time when no new bands were really catching on with me. I was hooked on Stallone from the start and I've been riding the hype train with The 'Mouth ever since. Turf Wars was certainly a long time in the making, but I … Read more
I've always thought of The Lawrence Arms' guitarist Chris McCaughan as a bit of a lyrical genius, being able to ever so eloquently put to those seemingly indescribable feelings of your mid-twenties to words. The real magic of his game is the ability to do all of this over the distorted guitars and colossal drums that are often the foreground … Read more
For the most part, there is no concept to Death Metal other thanââ¬Â¦..well, death. Lofty ideas or "concepts" are usually left to the Power Metal bunch who just looooove to show off their epic sagas with tales of wizards and ghosts and pumpkins and whatnot. This also affords them the opportunity to tell a story, usually in great length, interspersed … Read more
If you are reading this, you are wasting time. Buy Fu Manchu's We Must Obey and buy it now. The album's already a few months old, yet without a review on Scene Point Blank. Injustice I say, injustice! Fu Manchu's tenth album orders you to buy it, to cherish it, to love it. And well... We must obey! For the … Read more
Mainstream indie pop may not be as popular as it was when "New Slang" dominated the world a short while ago, but that hasn't stopped The Shins from continually engineering contagious, almost viral, songs that affix themselves to your temporal lobe and snub your best attempts to remove them. "Sleeping Lessons" opens the record with a soft, nearly alien, series … Read more
It's no great feat to experiment sonically and stretch musical taxonomy into another "-core" (clarinet-core, pots-and-pans-core, sit-on-a-synth-and-fiddle-core). We aren't afraid of strange, so long as it's strange enough to earn a fucking modifier - fucking out there, fucking bizarre, fucking genius, man. However, the moment we can't rationalize an artist's eccentricity into concrete, tangible terms - political, intellectual, or conceptual … Read more
I'm going to be quite blunt right off the bat. Normally I would take the time to write some kind of intro that ties in with the album that I'm reviewing. But I'm not going to waste my time or yours because of two reasons. First off, you already know what Aqua Teen Hunger Force is about and secondly; this … Read more
The refreshing thing about Ben Kweller is that every album he comes out with has a different sound that doesn't alienate any of his fans. His mixture of classic rock and alternative rock keeps fans old and young listening. At first, Ben Kweller's third full-length, a self-titled effort, sounds feebler than his previous works. And it's true, Ben Kweller doesn't … Read more
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