As their name would make you believe, Sleigher slays, and they do so as a totally improvised, two person unit. Self-recording the music at their house with a guitar, drums, and piano, the results are surprisingly good. This isn't God-awful "Who Line Is It Anyway" improv that leaves you without the ability to laugh for a few hours, this is "Holy Shit, This Is Actually Improv" improv. Sleigher's music ranges from melodic indie rock to technical metal, with transitions usually occurring with the drummer and the tapping of his cymbals. The music can go from lo-fi indie rock, and then tap-tap-tap, and everything speeds up and machine-gum drumming and break-neck guitar playing takes it's place. A few minutes later, the music is thick and sludgy, and then it's back to slow indie pop music. There are some parts that make it obvious that this is totally improvised, but it truly is a wonder to listen and hear two people making music based on what the other person is playing with no practice at all. Plus, you have to respect a label that says, "Hey go play and record something at random, I'll put it out for you." Read more
It hasn't been until recently, with my discovery of artists like Ghostface Killah, that I started listening to hip hop … Read more
Listening to Willy Mason, it is hard to remember that the voice being projected through the speakers belongs to a … Read more
Throughout the 90's pop-punk was an essential part of most punk and hardcore kids' record collections. Even those whose tastes … Read more
Ask somebody why they like the music they like, and you can get more or less the same answer. We … Read more
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Whether it is rap music, hardcore or pop punk, it seems the ‘90s are forcing their way back into our unsuspecting eardrums thanks to a handful of well-versed history-appreciating up ‘n’ comers. And with that sentiment arrives Sundowning, the second album by Vancouver, BC’s Nü Sensae, a band leading the small charge of current alt-core revivalists. Now a three piece—with addition of guitarist Brody McKnight—the formerly bass and drums only duo pins the snotty punch of classic L7 and Babes in Toyland alongside the auditory ambush of Dinosaur Jr. and the Melvins, while peppering it with Sonic Youth-y and Pixies-ish flirtations. Yes, it’s nearly impossible for anyone who lived through it the first time around to describe the band’s muddy, grunge-nodding brand of punk without playing the “sounds like” game. … Read more
The music of Pissed Jeans is what The Wonder Years might have been like if Kevin had been born with Thalidomide birth defects, facing the trials of growing up with flippers instead of hands. Their music is a feedback dissertation for bed-wetters, reprobates, and anyone who's ever felt left out, shit on, or ignored. "Boring Girls" was a shit-kicking one-chord … Read more
In Norse Mythology, the Naglfar is a ship built, naturally, from the fingernails and toenails of the dead. Black metal always has been, and I suspect always will be, an odd one for me. Whilst I'd really rather have as little association as possible with the corpse paint, witch hats, and general chastising of Christianity, the dripping black atmosphere is … Read more
If you are at all familiar with doom metal you should no doubt be aware of who Bay Area legends Sleep are, and how big an impact they had/still have on the genre. And you're most likely aware of the post-Sleep projects High On Fire and Om. But you might not necessarily know that Sleep had its humble beginnings in … Read more
Music enthusiasts with more discerning tastes often feel Tool's work over the last ten years is a little - lacking. Could you really blame them for this? Whether it's a result of the group being spread too thin between other projects or maybe truly running out of ideas after "96, it's pretty obvious that Maynard James Keenan and crew have … Read more
This is a Neurosis record through and through. Given to the Rising ultimately destroys any notion that this long running, innovative band are getting soft. Recorded in a very brief six days with long time recording collaborator Steve Albini, this album is an experiment of sorts for the band. Neurosis continues to take steps forward in the evolution of their … Read more
It's hard to talk about bands you don't know. I feel like there should be a mental block when you describe a band that has a solid fan base, but that you've only listened to a handful of times. Nevertheless, you have to start somewhere, and every band (well, most bands) deserves a listen. So I go forth into the … Read more
Growing up, Ben Weasel was the total embodiment of punk rock to me. Sure, NOFX was the band that hooked me in, but Screeching Weasel made me fall in love with the genre. Plus the dude's been wearing leather jackets and chucks since the late eighties and probably hasn't held a job with a salary or benefit plan for one … Read more
Two Gallants have left many critics, myself included, dumbfounded for a means of describing their music. Those less talented have made illusions to their folk rock contemporaries and labelmates, or a certain well-known rock duo, claiming vocalist/guitarist Adam Fontaine and drummer Hyde Edneud as the bastard sons of these groupings. The closest thing I have come across as to giving … Read more
Everyone in the known universe that's ever listened to music has heard at least one (but more likely three-to-ninety) Beastie Boys song. They've connected with nearly ever corner of the music industry, inspired by and passing on the torch to musicians in hip-hop, rock, punk, dance, funk, jazz, soul, garage, indie, and electronica. So where does the band that's done … Read more
Kings of Leon: the South's answer to rock and roll. Their dirty, sometimes bluesy, sometimes alternative rock can get even the drunkest college kid pumped and ready to roll. That drunken college kid "" I call him Joe Jack "" won't be disappointed with their newest album Because of the Times. On Because of the Times, the rock-o-meter is definitely … Read more
The first Shellac record that I bought was Terraform in college. I popped it onto my record player and shortly thereafter fell oddly in love with Shellac's minimalist crushing sound. Todd Trainer (drums) and Robert Weston (bass) provide a heavy tight rhythm while Steve Albini (guitar) lays over a tin can like tone, or lack there of some might say, … Read more
Reviews of music this insular, personal, and weird usually end up talking about other artists. Something along the lines of: "Cho sounds like that one guy, but with a hint of that other guy. A complex ratatouille of influences including..." but I can't write that review for a couple of reasons. The first is that I don't spend a whole … Read more
"Ecky Thump," a Lancashire colloquialism, is most commonly described as slang for an exclamation of surprise, disbelief, or in recognition of something amazing. Icky Thump, The White Stripes sixth studio album, definitely lives up to it's name. The band released a statement on their official website explaining that: The White Stripes have completed the recording and mixing of their sixth … Read more
Elliott Smith's tragic death is seemingly unavoidable when talking about his music. It seems so interlinked with the subject matter of his songs that one must always connect the two; many of his lyrics seem to prophesize his untimely death, referencing his unhappiness and growing drug addiction, and it's this that seems to draw many people to Smith's music. In … Read more
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