Mainstream indie pop may not be as popular as it was when "New Slang" dominated the world a short while ago, but that hasn't stopped The Shins from continually engineering contagious, almost viral, songs that affix themselves to your temporal lobe and snub your best attempts to remove them. "Sleeping Lessons" opens the record with a soft, nearly alien, series of programmed tones set to a loop before vocalist James Mercer joins in. As the song builds, more instruments merge into the composition and produce a crescendo that peaks with Mercer evolving his flat, monotone delivery into the singing voice that fans have come to recognize. Before you know it, you're ears-deep in the full-fledged pop of "Australia" and noticing that The Shins' overall sound has changed significantly since 2003's Chutes Too Narrow. Influentially speaking, Wincing the Night Away feels a lot less like The Beatles and a lot more like The Smiths. Traces of the post-punk legends' poppier tracks can be heard in "Australia" and "Turn On Me," especially when Mercer has his "Morrissey moments" and holds notes and tosses in nonsensical sounds to flow with the music. Even the somber "Black Wave" has evidence of The Smiths' more … Read more
It's no great feat to experiment sonically and stretch musical taxonomy into another "-core" (clarinet-core, pots-and-pans-core, sit-on-a-synth-and-fiddle-core). We aren't afraid … Read more
I'm going to be quite blunt right off the bat. Normally I would take the time to write some kind … Read more
The refreshing thing about Ben Kweller is that every album he comes out with has a different sound that doesn't … Read more
To be honest, I really didn't want to do a review for this CD. I got it the mail, looked … Read more
Youngblood Records has always been a good consistent label that specialized is putting out albums by fast pissed off straightedge … Read more
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What do you get when you throw Mastodon and Neurosis into a blender? If you answered 'Scott Kelly's over-stroked ego,' then, yes, you're technically correct. But if you're not being a smart-ass, you would have a band with a sound akin to that of Brooklyn-based post-/doom metal band, A Storm of Light.Their debut album, And We Wept the Black Ocean Within (someone should really talk to them about the benefits of concise album titles), was stylistically similar to Oceanic-era Isis, yet somehow turned up a few more notches. It showcased an unprecedented level of bleak, full vastness of sound that I find is still incomparable today. With their subsequent releases, however, A Storm of Light have turned down their true ambient, post-metal tendencies in favour of experimentation with more straightforward … Read more
On Arcade Fire's likeable, but dark new album, Neon Bible, there are many things that differ from their critically acclaimed debut, Funeral. The Montreal based indie rockers have a lot more money behind them and you can immediately tell by the sound quality of their recordings. That said, the songs still have their haunting lyrics and feel. "Black Mirror" recalls … Read more
For years, it's been without question that Europe is the breeding ground for so many metalcore acts. Now even more bands seem to be coming out of the woodwork with the recent boom of this style being on the rise. That's not to say these are all your average newcomers; they are seasoned veterans hoping to continue playing a style … Read more
The Locust is an extremely polarizing group. On one hand, people take them as a complete joke. On the other, people take them extremely seriously. I fall somewhere in the middle and find them to be wholly entertaining with some substance hiding beneath the cacophony that they unleash on listeners. On this new album, New Erections, we find The Locust … Read more
Most demos you hear today can be put into two categories. The first is a bunch of fifteen year old kids recording painfully generic hardcore/metalcore in their parents' garage with terrible sound quality coming from Nowheretown, USA, desperately looking for your Myspace add. The second is usually a lineup littered with current and ex-members of prominent older bands and the … Read more
The Hold Steady is a rock and roll band. With this title come certain expectations with loud electric guitars topping the list. So what happens when the band opts to go acoustic and trade the sold out concert halls for a handful of people crowded inside an independent record store? The result is the band's latest EP, Live at Fingerprints, … Read more
Low are known as pioneers of the slow-core genre, or what I like to call "intense sleepy-time music." They reached their noisiest peak in the winter of 2005 with The Great Destroyer, an album that boomed with huge percussion and the most distortion they had ever put on guitar. Pushing their sound to such a loud extreme must have tired … Read more
Progressive sludge? That sounds like an oxymoron. When I think of progressive in terms of music I think of Rush being listened to by some nerdy kid wearing a tie-dyed shirt that is playing Dungeons and Dragons in his parents' basement (yeah I stole that image from SLC Punk, whatever). When I think of sludge, I think of some dirty … Read more
South Florida is usually known for being the breeding ground for such bands as A New Found Glory and Dashboard Confessional. What many don't recognize is that the area also has a seedy underbelly of sludge, metal and generally heavy music. I guess living a couple miles from swamps and Jeb Bush can do that for you. For the past … Read more
Sophomore slumps are a bitch. Smoke or Fire's debut full-length, Above the City, was a nice, short, potent shot of melodic punk with introspective lyrics that felt honest and kept it simple, but This Sinking Ship sounds more like the band is trying too hard to prove that they're relevant. This Sinking Ship is overflowing with political rants, tales of … Read more
Clap Your Hands Say Yeah had a lot of pressure on them for their second album, mainly due to them being the most hyped up band of 2005. Their story was one told over and over ever since their first album came out: five indie rockers out of Brooklyn that released and distributed their debut album themselves. By great reviews … Read more
If you consider yourself a fan of traditional screamo, you're already familiar with Hot Cross's roots. If not, no big deal. Just click your way over to Wikipedia and do a bit of research (it's worth knowing a band's origins). Risk Revival is the perfect album name for a band that lost one of its guitarists and avoided a break-up. … Read more
Contemporary hardcore is beginning to swing toward a repetitive joke. If drop-d jun jun's and massive amounts of double bass explosions followed by 2-step drum beats sounds familiar, then you know what I mean. Hardcore is not about the breakdown, well not in the common sense of the word anyway. Hardcore is about aggressiveness and honesty. Unfortunately, many upcoming artists … Read more
A band of Belgian hardcore enthusiasts who, in the summer of 2003, had only one goal: to stir, shake and move the hardcore/punk scene. Justice, is their name and their latest album Escapades can only be described as powerful. If they were out to change the genre, they definitely succeeded with Escapades. Labeled as a hardcore band, I personally consider … Read more
In the event of a worldwide nuclear war, I have come to the conclusion that only one thing will survive. And no, it is not the cockroach; it's Hoods. The Sacramento-based hardcore band has survived it all, including constant line-up battles, DIY tours across the globe, and a brief tenure with Victory Records that didn't go so well - see … Read more
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