It's no great feat to experiment sonically and stretch musical taxonomy into another "-core" (clarinet-core, pots-and-pans-core, sit-on-a-synth-and-fiddle-core). We aren't afraid of strange, so long as it's strange enough to earn a fucking modifier - fucking out there, fucking bizarre, fucking genius, man. However, the moment we can't rationalize an artist's eccentricity into concrete, tangible terms - political, intellectual, or conceptual - we balk, labeling the artist weird for the sake of weird, and move on. Such is the fate of Joanna Newsom, the Californian harpist whose approach to songwriting is neither exploratory nor static. She instead layers a dynamic, cinematic sound that begs inquiry - both for its highly structured imagery and its delivery. Lines like, "Though my wrists and my waist seemed so easy to break, still my dear I would have walked you to the edge of the water, and they will recognize all the lines of your face, in the face of the daughter, of the daughter, of my daughter" ring inside the listener not just because of the beautiful imagery, but because of Newsom's delivery, which is wet with candor and vulnerability. With every line her voice quivers, breaks, and smokes as it prepares for flight, … Read more
I'm going to be quite blunt right off the bat. Normally I would take the time to write some kind … Read more
The refreshing thing about Ben Kweller is that every album he comes out with has a different sound that doesn't … Read more
To be honest, I really didn't want to do a review for this CD. I got it the mail, looked … Read more
Youngblood Records has always been a good consistent label that specialized is putting out albums by fast pissed off straightedge … Read more
On Arcade Fire's likeable, but dark new album, Neon Bible, there are many things that differ from their critically acclaimed … Read more
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My roommate likes to call early 90's hardcore "The Dark Ages of Hardcore" with its metal influences, all the way to the left neo-hippie politics, poetic non-sense, and mosh parts. In many way he's right, but the beginning part of the 90's wasn't all bad and we got some great bands like Undertow, Unbroken, Integrity, Indecision, and others that start with vowels. New York's Invade draws heavily from the bands listed above, and by the lyrics they surely recall the politics. I personally love early 90's hardcore. It's what I grew up on and what brought me into the hardcore scene, for better or worse. So I like Invade's demo although there is nothing that really stands out for me. It rumbles and plods along at an angry pace. It's … Read more
For years, it's been without question that Europe is the breeding ground for so many metalcore acts. Now even more bands seem to be coming out of the woodwork with the recent boom of this style being on the rise. That's not to say these are all your average newcomers; they are seasoned veterans hoping to continue playing a style … Read more
The Locust is an extremely polarizing group. On one hand, people take them as a complete joke. On the other, people take them extremely seriously. I fall somewhere in the middle and find them to be wholly entertaining with some substance hiding beneath the cacophony that they unleash on listeners. On this new album, New Erections, we find The Locust … Read more
Most demos you hear today can be put into two categories. The first is a bunch of fifteen year old kids recording painfully generic hardcore/metalcore in their parents' garage with terrible sound quality coming from Nowheretown, USA, desperately looking for your Myspace add. The second is usually a lineup littered with current and ex-members of prominent older bands and the … Read more
The Hold Steady is a rock and roll band. With this title come certain expectations with loud electric guitars topping the list. So what happens when the band opts to go acoustic and trade the sold out concert halls for a handful of people crowded inside an independent record store? The result is the band's latest EP, Live at Fingerprints, … Read more
Low are known as pioneers of the slow-core genre, or what I like to call "intense sleepy-time music." They reached their noisiest peak in the winter of 2005 with The Great Destroyer, an album that boomed with huge percussion and the most distortion they had ever put on guitar. Pushing their sound to such a loud extreme must have tired … Read more
Progressive sludge? That sounds like an oxymoron. When I think of progressive in terms of music I think of Rush being listened to by some nerdy kid wearing a tie-dyed shirt that is playing Dungeons and Dragons in his parents' basement (yeah I stole that image from SLC Punk, whatever). When I think of sludge, I think of some dirty … Read more
South Florida is usually known for being the breeding ground for such bands as A New Found Glory and Dashboard Confessional. What many don't recognize is that the area also has a seedy underbelly of sludge, metal and generally heavy music. I guess living a couple miles from swamps and Jeb Bush can do that for you. For the past … Read more
Sophomore slumps are a bitch. Smoke or Fire's debut full-length, Above the City, was a nice, short, potent shot of melodic punk with introspective lyrics that felt honest and kept it simple, but This Sinking Ship sounds more like the band is trying too hard to prove that they're relevant. This Sinking Ship is overflowing with political rants, tales of … Read more
Clap Your Hands Say Yeah had a lot of pressure on them for their second album, mainly due to them being the most hyped up band of 2005. Their story was one told over and over ever since their first album came out: five indie rockers out of Brooklyn that released and distributed their debut album themselves. By great reviews … Read more
If you consider yourself a fan of traditional screamo, you're already familiar with Hot Cross's roots. If not, no big deal. Just click your way over to Wikipedia and do a bit of research (it's worth knowing a band's origins). Risk Revival is the perfect album name for a band that lost one of its guitarists and avoided a break-up. … Read more
Contemporary hardcore is beginning to swing toward a repetitive joke. If drop-d jun jun's and massive amounts of double bass explosions followed by 2-step drum beats sounds familiar, then you know what I mean. Hardcore is not about the breakdown, well not in the common sense of the word anyway. Hardcore is about aggressiveness and honesty. Unfortunately, many upcoming artists … Read more
A band of Belgian hardcore enthusiasts who, in the summer of 2003, had only one goal: to stir, shake and move the hardcore/punk scene. Justice, is their name and their latest album Escapades can only be described as powerful. If they were out to change the genre, they definitely succeeded with Escapades. Labeled as a hardcore band, I personally consider … Read more
In the event of a worldwide nuclear war, I have come to the conclusion that only one thing will survive. And no, it is not the cockroach; it's Hoods. The Sacramento-based hardcore band has survived it all, including constant line-up battles, DIY tours across the globe, and a brief tenure with Victory Records that didn't go so well - see … Read more
Throughout their over twenty-five year history, Marillion and their music have maintained what many thought impossible: prog without pretension. This has been a key component to their rabidly loyal fan base. It would appear that nobody jumped ship after the band's loss of their original frontman, Fish, way back in 1988. What would have signaled the death of many a … Read more
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