The first Shellac record that I bought was Terraform in college. I popped it onto my record player and shortly thereafter fell oddly in love with Shellac's minimalist crushing sound. Todd Trainer (drums) and Robert Weston (bass) provide a heavy tight rhythm while Steve Albini (guitar) lays over a tin can like tone, or lack there of some might say, but that is subjective. You will always find the vocals low in the mix, sounding like they're behind you. Albini and Weston provide most of the vocals, usually a mix of half-yelling and talking. They also provide a little vocal melody here and there. The lyrics are short, simple, and sarcastic, and never really seem to have one original thought, with some exception. The music, on the other hand, follows in off beaten paths, and sometimes sparse space, but usually return to the original thought. Shellac's The Futurist (often referred to as the Friends of Shellac record) is two tracks at over thirteen minutes long each. It's one continuous rock composition that features some experimentation in noise, space, and timing that shows you it's all up to them how it's used. Shellac likes to test the listeners' patience using heavy … Read more
"Ecky Thump," a Lancashire colloquialism, is most commonly described as slang for an exclamation of surprise, disbelief, or in recognition … Read more
Elliott Smith's tragic death is seemingly unavoidable when talking about his music. It seems so interlinked with the subject matter … Read more
As I sit on my bed and listen to Songs from a Mean Season, I am twenty hours removed from … Read more
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After hearing The Dillinger Escape Plan's Calculating Infinity, I had no idea that this style of weird timing technical metal influenced chaos could become a trend, mostly due to the fact that creating this music requires a lot of talent. It took a few years, but to my surprise, this sound has begun to rise from a few bands, such as The End, The Sawtooth Grin, The Number Twelve Looks Like You, Ion Dissonance, The Human Timebomb, and tons more I've never heard of. I'm not saying these bands are copying DEP, but there is definitely an influence that can be heard in the music. What's interesting is how all of these bands are using these elements but adding in other influences so that their final products don't end up … Read more
Over the years, Queens of the Stone Age have managed to carve a deep niche into the hard stubbornness of mainstream music. Like his previous band Kyuss before, Josh Homme has created in Queens of the Stone Age a unique sound and style that sticks out like crazy on a milquetoast landscape. While the albums individually aren't always the most … Read more
For the most part I tend to think of hardcore as the last bastion of true emotional outpouring for contemporary music. Hip hop and rap seems to be more concerned with stuff they want or stuff they are going to get. Metal either wants to bellow about goblins or how much their girlfriend sucks. Country music is a running joke … Read more
Punk has always been international. When public intellectuals like Thomas L. Friedman began to trumpet the interconnectedness of a globalized world, American punks had already been booking tours, trading records, and making friends with their international brethren for years. It's a shining example of how the right cultural formation can dissolve political borders with ease - just as earlier rock … Read more
Despite the abrasive nature of U.K. garage, Dizzee Rascal has performed the extraordinary task of achieving eminence in various circles of British music, from his immediate contemporaries in grime and hip-hop to the less approximate in metal and indie. The Arctic Monkeys have gotten in on some mutually reciprocal sampling, and Dizzee was an unexpected highlight of 2004's Carling Festival; … Read more
Yeah, the guys in Pelican are busy dudes. City of Echoes is the band's third full-length and seventh record released since 2001. I admire their work ethic. For those of the initiated, Pelican is an instrumental outfit that tends to get lumped into the "Post"¦" categories (see post-metal, post-rock) along with bands like Isis and their ilk. To be honest, … Read more
Jason Schwartzman was first known for being the drummer of the alternative rock band Phantom Planet. But Schwartzman left the band in the middle of their third album to try his luck as an actor. Since then he has made his mark on the film industry in movies such as "I Heart Huckabees" and "Marie Antoinette." Now he is back … Read more
I've been hoodwinked. Hornswaggled, if you will. Lied to for years. About what, you ask? Well, I'll tell you, you nosey sons of bitches. Porcupine Tree. For years I've had people tell me "Dude, (yes, dude is their preferred nomenclature) you need to check out Porcupine Tree. I know you hate prog, but check these guys out". Prog. Pfffft. You … Read more
Like the Bible's steadfast conviction in the second coming of Christ, I knew this day would someday come. And goddamnit, it's here! Pop punk - real pop punk - has returned. While far too many bands are priding themselves convoluted songwriting, a whole new batch of bands - some old, some new - are popping up and proving that all … Read more
Split CDs are never a good idea because you usually don't have any clue what's going on, especially when you have two bands that sound alike. At least with vinyl, you have to make a conscious effort and turn the piece of wax over. Maybe the first GNP Split Series will be the split CD that changes everything for me. … Read more
Complain all you want about the state of modern music. Yes, we have to deal with fake soul like Maroon 5, fake screamo like The Used, and fake men like Panic! At the Disco. But it's still a remarkable thing that heavy music with abrasive screaming has become at least partially mainstream. You won't usually hear it on radio, sometimes … Read more
When I first heard Sonic Youth, I didn't know about their formidable New York hipster cachet: Glenn Branca confederates, initially hated by Village Voice snob Bob Christgau, ex-No New York alumni (at least before Steve Shelley got behind the skins), etc. I had no idea that this was the band that bridged hardcore and the downtown gallery scene - how … Read more
With the over saturation of the industry, technology making the ability to record a feasible option for anyone who has ever picked up an instrument, and the Internet spreading music like the plague, what's often lost is authenticity. Currently, there are waves upon waves of like sounding bands making it easy to get flustered and discouraged in a search for … Read more
I'm having real trouble introducing this band. How could I set up a band that's been covered by Isaac Brock and is still humbly putting out albums like they want to? I kind of feel weak for trying. In an almost too basic description, Six Parts Seven are an epically beautiful down-tempo instrumental group. I know you're thinking, "Another instrumental … Read more
Black metal and obscene, blasphemous imagery are like peanut butter and jelly"¦they were essentially made to go together. Of course in a sea of peanut butter as huge as the black metal scene is, it's usually hard for one band to spread on enough jelly to really stand out amongst the crowd. In 1991 Sweden's Marduk took this into account … Read more
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