Aesop Rock could be considered the resident Dadaist of the hip-hop community. Many consider him a hyper literate linguist (despite the fact he admits that he doesn't read much), blending modern pop culture phrasings with slang of the last ten years to create complex rhymes that actively reflective on the modern world. Others argue just the opposite; despite his ability to create a cultivating image, he says nothing at all, instead neatly arranging colorful language that lacks meaning. So which side of the fence does his fourth full-length, None Shall Pass, teeter on? Lyrically, Aesop Rock, like any strong emcee, is a storyteller; it's his delivery of the tale that loses people. He doesn't rely on the basic linear format; he even eschews the less traditional cyclical style. He instead describes vivid images, detailing time, place and characters-the basic elements of a story- allowing the listener to decide what might happen given the circumstance. The manner of execution works better on this album than previous releases due to the content. One example is the song "Catacomb Kids," a reflection on growing up on Long Island. Anyone who had a knack for creating mischief as a pre-teen will surely identify with … Read more
It's been three years since Brooklyn's Dear Tonight released their debut EP These are Wires. Since then the band has … Read more
Having never been exposed to Massacre of the Umbilical Cord, I find myself wondering exactly what to expect from half … Read more
Opening up with an old-time accordion intro, you could be forgiven for expecting Ultra Dolphins to play Iron & Wine-esque … Read more
Project Mercury is the latest output of material from two of Philadelphia's underground sensations: Balboa and Rosetta. The split features … Read more
Sadly it seems that this review took a little too long to finish and the band that was to be … Read more
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Before this monstrosity hit my mailbox the only concept album that I own was Hüsker Dü's Zen Arcade. Even that double album by those St. Paul hardcore pioneers isn't even that good for a concept album as it ends up being all a dream. I thought that trick only worked on 80's prime time sitcoms. I really don't like concept albums because it always reminds of what a bloated corpse rock became in the late 70's and early 80's. Bands like Yes and Styx were writing rock opuses about robots and Excalibur. Even Kiss put out The Elder. Kiss, the band that originally wanted to rock 'n roll all night and party every day, was writing fairy tales. Punk rock came around in the late 70's at the height of … Read more
I wanted to hate this. I really did. Don't mistake me for an elitist music journalist; A.F.I. is the band responsible for this webzine's founding. But A.F.I. or no A.F.I., I was determined not to like this record. Not being a listener of electronic or synth-based music, and being too embarrassed to ask what "EBM" stood for, I was a … Read more
As a rock band who have become progressively more electronic throughout their career, A.F.I. might have gone some way to introducing their fan base to the influential artists that have inspired CexCells and may have even converted some of them over to the dark(wave) side. If I was feeling optimistic, I'd say that Blaqk Audio the much anticipated side-project of … Read more
Modern Life is War are flirting with a backlash. Plenty of people hated Witness despite the fact that it upped the ante on My Love. My Way. like a gambler splashing the pot, with songs that stood taller, lingered in your head longer, and cut like a Bowie knife (i.e. through human flesh). But still we hear the same old … Read more
For a group that went on hiatus almost directly after the release of their debut full-length, Believing in Ghosts, it's unexpected that Dearly Departed would be back so soon with thirteen (twelve not counting "The Masquerade") new songs to gift onto the music landscape. After all, it has barely been three years. Keep in mind that What Awaits Us comes … Read more
So I got my wisdom teeth out today and have nothing to do but sit around at home on painkillers and eat Top Ramen. So I figured, what better time than now to give this promotional album a real listen? I have the free time and attention needed to really review a CD, and it's a band I know nothing … Read more
Despite much argument, Planet of Ice is a good album. It's debated flaw however, is that it doesn't sound like any of the other Minus the Bear releases. As a music lover and reviewer, however, it's something I can respect. Unlike most of the previous albums, the band has spent a lot of time on the vocal sessions, blending them … Read more
Continuing on from 2005's Menos El Oso, Minus the Bear's Planet of Ice breaks away from the band's previous shtick of long song names and extended album titles. As the record name may suggest, this album is slightly colder and less forgiving than previous releases. To drag that analogy just one metaphor further, we can also hear a slightly more … Read more
Here's where I am: I'm standing on a beach, four time zones away from "home." It's March, but here it feels like July. The Pacific Ocean is blue and ethereally tinged equal parts grey and white. It's mid to late afternoon and the sun burns low in the sky, doggedly sinking towards the horizon. The air tastes salty and good. … Read more
Sometimes a joke can go too far. You know what I mean - like that puny kid at school who you gave a horrible name to so that by the end of year everyone was calling him it and then by the end of the next year he was found hanging in the toilets to stop the abuse. The Nekromantix … Read more
If you've never seen Sleepytime Gorilla Museum live, do yourself the favor the next time they come to your town, berg or hamlet. They might not necessarily become your new favorite band, but I guarantee you won't regret having gone. The flip side to being such a great live act is the music can often fail to live up to … Read more
Some would argue that post-rock has, in recent years, become overpopulated with carbon copies of Explosions in the Sky. Although I am not so sure about that myself, I can definitely see that there are some bands falling into a bit of a quiet-loud-quiet, delayed and reverbed guitar formula. Not that I am complaining, because I have to dig pretty … Read more
Arriving home at approximately 5:30 PM EST, I walk up to my door to see the familiar Temporary Residence logo on the front of an LP vinyl mailer; the initial excitement that washes over me is dwarfed solely by my need to call a friend to exclaim my surprise and, quite possibly, gloat that I will be hearing the Jesu … Read more
Boston-based and Boston-proud, Death Before Dishonor has been churning out bruising hardcore since they first hit the scene with True Till Death. Their debut EP hit with very much the same style of breakdown heavy metallic hardcore that they drew their namesake from. Five years later, the band continues to deliver the hits with Count Me In, their debut full-length. … Read more
It wasn't more than twenty-four hours from the time that I started typing up this review that I was having a conversation with a friend of mine in the basement bathroom of Cheapo Records about the '88 styled hardcore resurgence that happened, for the most part, in Boston in the last part of the 20th century. He commented on how, … Read more
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