Hailing from Italy, One Starving Day are a four-piece band that, at times, sounds more like ten or fifteen people playing music. Their sound is full and emotive conveying enough raw moods and feeling in each musical piece that begs for one to pay attention. The only time prior to Broken Wings Lead Arms to the Sun that I have heard One Starving Day is a previous (and mostly out of place) appearance on one of Deep Elm Records' Emo Diaries compilations. The modulating sound and organ that lead off "Black Star Aeon" are backed by an undulating wash of white noise. One Starving Day begin Broken Wings Lead Arms to the Sun with a morose mood. The soundscape is quite good. As the violins come through the din, I find the sound very pleasing as the drums begin to move the song along its path. It hearkens back to the sound of Godspeed You! Black Emperor. One Starving Day, however, sets themselves apart from that critically lauded outfit with explosive drumming and screamed vocals. "Black Star Aeon" serves as a powerful opening track to the album. "Secret Heart" continues the band's use of stringed instruments to impressive effect. There … Read more
Municipal Waste likes to party. How do I know this? Well, there's the album title. Couple that with songs like … Read more
Winnipeg's Under Pressure is a dirty 80's sounding hardcore band with a dude singing like he's trying to hold in … Read more
The Colour and the Shape was the Foo Fighters second full-length release, though it was the first album in which … Read more
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Pushing the black metal blueprint ever further from its roots, San Franciscan four-piece Bosse-de-Nage deliver a record of complex intensity and distraught emotion with third full length iii. The enigmatic group very rarely play live and are averse to revealing their true identities, yet iii is a deeply personal collection and portrays an increasingly downward spiral and a descent into isolation, introspection and removal from existence. Playing with the ideas of life and death and the meaning they hold, Bosse-de-Nage build on their previous two records, i and 2011’s impeccable ii, with superbly laid out abstraction and a wonderful connection to the absurd. Where ii was more direct in its rage and harshness, iii takes its bittersweet time; softer passages whisper through the cracks of monumental noise and Bosse-de-Nage embrace … Read more
As our global society is brought closer and closer as a result of the Internet and other lightning fast communicative technologies, the influx and exposure of foreign bands and musicians continues to increase in frequency at an unprecedented rate; one label that has fully embraced this global mixing is Crucial Blast who bring the United States the domestic release of … Read more
This review is dedicated to Anthony H. Wilson. Fuck Keith and Mick, Fuck the Toxic Twins of Aerosmith, and fuck Britney Spears. The greatest rock and roll survivor of all time is one Shaun William Ryder. Here is a man that hasn't made a penny since he was sued by his former managers, a man that helped introduce ecstasy into … Read more
When John Zorn released his Kristallnacht album, it contained one track of sheer horror, anger, and sorrow all rolled into one. Entitled "Never Again," Zorn did his utmost to convey his interpretation of the "Night of Broken Glass." The track is essentially just that: over eleven minutes of the unbearable sound of glass shattering. Zorn even went so far, though … Read more
Oh J Church how I love you and your noisy simple pop-punk brilliance. And thank-you for doing a good cover of The Car's "Just What I Need." Flamingo 50, you on the other hand and side, are completely new to me and are apparently from the UK. You remind of a Screeching Weasel mixed with early Discount for a decent … Read more
This split 7" features two of the most exciting hardcore bands that have been hitting the fest circuit this Summer. Soul Control sounds like 108 mixed with Quicksand and it's all awesome. "Focus" is one of my favorite songs of 2007. This song just fucking jams in all its noisy post-hardcore brilliance. I Rise also play melodic post hardcore with … Read more
More of The Ergs for you. More pop-punk. More songs about girls and this time a rather decent cover of the 90's rock staple "Hey Jealousy." Lemuria are on the poppy side but a tad inclined to the indie rock thing with male and female vocals. Both bands give that "Aw shucks" feeling when you listen to them and that's … Read more
When I think of Iceland I don't think of hardcore bands. Actually, I don't think I ever thought about Iceland for anything musically besides Björk and The Sugarcubes. I Adapt sounds nothing like that schizophrenic ageless midget but they do sound like The Hope Conspiracy and other Deathwish Inc. type hardcore bands. It's an emotional outpouring over pounding rhythms and … Read more
Turn into Stone is a new three-song platter from the upstate New York hardcore band. "Turn into Stone" has decent Supertouch type intro that busts into a manic throbbing piece of melodic hardcore gristle to gnaw on for a couple of minutes. "Somebody Up There Likes Me" is a rocking little tune with a huge skate rock riff, which seems … Read more
Seasick play fast pissed off political hardcore with plenty of twists and turns to keep me interested. There are some nice little breakdowns and some Integrity-like guitar solos. It reminds me a little bit of the stuff that Ebullition was hawking in the mid 90's but a lot more fun and catchy. I could see kids that use their dogs … Read more
"Peger" is transliterated Hebrew for "corpse" or "carcass," so you know what you're getting into here. But Barbara, a bass/drum duo, compares themselves to everybody from Lightning Bolt to Today is the Day, and I'll confess that the idea of an Israeli Today is the Day had me curious. Peger is a bizarre record, alternating between blizzards of distortion and … Read more
I got interested in Fast Metabolism after seeing it billed as "fast, loud and weird" punk rock from Detroit - three adjectives close to my own heart. Oddly enough, Tyvek isn't all that fast, loud, or weird, but they kick up a surprisingly enjoyable and inspired racket nonetheless. Tyvek play a simple, unaffected kind of garage punk, drawing comparisons to … Read more
Chicago's Reptoids, signed to RRRecords, play a female brand of grunge/punk rock. This six-track EP, clocking in at sixteen minutes, shows a fairly wide-ranging sound, taking in early Nirvana, through to a more rock and roll/punk sound reminiscent of 70s acts mixed with grunge vocals. Singer Kay Oh often reminds me of Courtney Love, but musically the band provides a … Read more
If I told you that Skyscraper Frontier was another band out of L.A. playing an 'eclectic' mixture of songs, you'd probably get that glazed look in your eyes and change the subject. You've heard it all before. But what if I told you that this six-track EP really was eclectic? Beginning with "I Just Need You," we get ambient 80's … Read more
South Carolina trio The Last Car in Alaska play a sort of melodic emo-core that must be pretty popular with the Warped Tour audience they've played to. Some of it sounds pretty amateur in parts (mixing on the first track, "I Like You Man... You're Crazy", features some strange contrasts in vocal volume, and the whole EP has vocals that … Read more
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