Where to begin, where to begin... For starters they're Swedish, which would normally be a plus, but in this case it is not because they opt to sound like every other 'Mercan scream-core band you've ever heard and that's really about it. Do you like Lamb of God? Do you like every band like this that tries to sound like Lamb of God? Then you need to get out more, my friend because Lamb of God ain't that good. But they're popular. They have their finger on the pulse of today's youth and lemme tell ya, that's a hard thing to do what with all the studded wristbands and whatnot. By Night is another cookie-cutter band with cookie-cutter songs and cookie-cutter lyrics that for the most part aren't even memorable accidentally. Buy something else. I told you they're Swedish. I told you they're lame. You need to know nothing more than that. Read more
Taken verbatim from the initial notes of the reviewer: Starts out promisingly enough with Derek Jay beating the snare like … Read more
So far this year the genre that is 'screamo' hasn't been delivering much of anything. Luckily we have Funeral Diner, … Read more
Instrumental music, I've found, requires patience to fully appreciate it. Sitting through detached, quiet parts of songs is by no … Read more
In recent years, post-rock has become the urban sprawl of independent music. Invasive, bloated, and undeniably comfortable, it has steadily, … Read more
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Elusive is the best adjective to describe Grails (a now four-piece outfit from Portland, Oregon) and their unique take on instrumental music. And while that might not sound like a good description, it only does so in the most accurate way; there is no other manner to ascribe the long passages of music which are created by a band that has seen a bit of lineup shuffling, including members literally disappearing, and somehow still maintaining a cohesive body of work that is most definitely the work of Grails. Take Refuge in Clean Living is the band's fourth proper album, following last year's Burning Off Impurities (courtesy of Temporary Residence), showcasing their unique musical vision, and even though it consists of just five songs, it is an immensely engrossing just over … Read more
It took me a little while to hear the music in this music. At first and even tenth listen, Marnie Stern sounds more dedicated to experimentation, or newness, or maybe just weirdness than to melody or even song structure. Her ideas appear, collide, and disappear - she's less an architect than a demolition-woman. She presents a hook or riff and … Read more
The first time I heard The Longue Durée was driving back from the Holy Roman Empire's record release party. I was lucky enough to accompany a friend's band that was also playing and they invited me along. That was a nice gesture on their behalf since they knew I was a fan. Anyway, on some stretch of highway between Wisconsin … Read more
I don't know much about the Swedish band Naglfar, but I get the impression that they are well respected in black metal circles. But what I do know is that Jens Ryden, ex-vocalist of Naglfar and a veritable black metal jack-of-all-trades, knows how to make an impressive album all on his own. Ryden did it all on Profundi's Omega Rising: … Read more
Sometimes when a reviewer receives an album, it can be difficult to decide how best to approach the review. The "spin" so to speak. Is a band history in order? What are their associations with other bands? Is there a glib, irreverent take to be done on the music that will entertain the reader? Not unhindered by other commitments that … Read more
Heavy music is back on the upswing in South Florida. Torche, forging on where Floor left off, has been making noise on both a national and European stage with their bomb-string-fueled stoner pop. Shitstorm has been wreaking havoc playing blastbeat-laden grindcore in the style of gems from the glory days of Slap-A-Ham and 625 Records. And Consular has been delivering … Read more
Hailing from Philadelphia, Hostages play over-emotional guilt ridden hardcore in the version of American Nightmare, The Hope Conspiracy, Suicide File and other bands that once hailed from Boston. I would compare them to Knives Out if anyone outside of the City of Brotherly Love knew who I was talking about. Hostages are another band for lonely sleepless nights with your … Read more
Everything Falls Apart gets big ups and putting this seven-inch out all on their own. Six songs of semi-melodic 80's styled punk/hardcore with snotty vocals. No chugga-chugga breakdowns, no useless slogans, no emo meanderings, just straight up fast hardcore that may be played a bit sloppy but most assuredly played with all heart. Read more
Fast rocking hardcore that sounds like it wants to be on the late 80's Epitaph back catalog. Extremely catchy, it makes me want to grab my board and skate some empty pools even though I haven't touched a skateboard since I was five years old. At times 120 Years in the Business! has bit of old school NYHC type feel … Read more
I'm a little disappointed that this is the last release in the storied career of NY's Kill Your Idols. Maybe I'm sad to see them go and wanted one more full-length and not four songs and one Sheer Terror cover that were probably being demoed for the album anyhow. If you never heard Kill Your Idols, they played fast hardcore … Read more
Hey wow, great, albeit, generic 2000-era straightedge hardcore in the vein of Floorpunch, In My Eyes and Fastbreak before they wanted girlfriends. This EP is all about the stage dives; dive-bomb intros, and playing as fast as humanly possible without losing a sense of melody. If the last song, "No End in Site," weren't your typical Modern Life is War/Comeback … Read more
The Endless Blockade are d-beat political hardcore from Toronto, Canada. They have one gruff singer and one yelper. It's heavy but generic as all hell. Their fast parts make no sense at all and it comes off as a complete violent blur, which I'm sure is the point. This really isn't my thing but if you haven't showered in a … Read more
Ah here we go, something a little more my style. Get a Grip play tough hardcore with a slight get-low feel coupled with the constant hammering of Integrity or maybe the Cro-Mags but not nearly as metal. There's a couple of guitar solos from time to time and tons of mosh parts. If you are into newer heavier hardcore bands … Read more
Giant Haystacks play really jangly indie rock. It's like a mix of Minutemen with The Jam trying to play early R.E.M. songs. This is probably nothing I will ever listen to again after this review but it's good for what it is. It's awesome they took their name from the legendary English wrestler. Read more
Issei Sagawa is Flipper-inspired annoying punk rock that tries to offend right down to the full sized poster of the members of the band peeing on each other in the insert. Issei Sagawa sounds like every misanthrope's first band right down to the shit recording in some dude's garage. I didn't even bother flipping this over and listen to their … Read more
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