Ever wonder what it sounds like when a bunch of people are falling asleep while recording an album? Or how about the sound of an artist totally giving up on their craft, but still making music? Well, you're in luck because Lucinda Williams has released West, an album that does all of that and more! Lucinda Williams has previously been an alt-country artist that has enjoyed heaps of critics fawning over her, in place of much mainstream success. 1998's Car Wheels on a Gravel Road did go gold, and deservedly so, thanks to its gritty vibrancy and unforgettable songs. 2001's Essence wasn't as successful, probably because of the depressive gloom that hung over it. And then things took a turn for the downright horrible with World Without Tears, an unremarkable effort by anyone's standards. But now Williams has done the impossible by making an album that's even more boring, even more depressing, and just flat out sucks. I normally don't reduce an album to merely "sucking," but I'm making an exception for West. Judging by the sound of things, it seems like Williams put no time whatsoever into writing any of these songs. Almost all of them have a simple … Read more
Baroness and Unpersons team up for A Grey Sigh in a Flower Husk. For Baroness, it serves as a precursor … Read more
Here's a band from Southern California that I'm not familiar with, and for the style they play I find that … Read more
See: Obscurus Advocam Just kidding. But let's face it. They are pretty interchangeable, no? Both bands are the vision of … Read more
I've been told that France has been home to a few good bands over the years, but like you, aside … Read more
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Paper + Plastick seem to release new albums by fairly new bands at a pretty regular clip. Blacklist Royals are just the newest in that line. The band plays what has become a very popular style of punk rock at this point. Punk bands playing rock and roll is definitely not a new thing. Gaslight Anthem has shown that it can even be quite popular. The problem in general is unlike TGA a lot of bands fail to master their own identity and merely play passable songs with a “punk rock“attitude. The question is where do The Blacklist Royals fit into this equation? Well they make a very admirable run at it. The band includes some different markers to make the most of their songwriting. This includes piano and organ … Read more
Where to begin, where to begin... For starters they're Swedish, which would normally be a plus, but in this case it is not because they opt to sound like every other 'Mercan scream-core band you've ever heard and that's really about it. Do you like Lamb of God? Do you like every band like this that tries to sound like … Read more
Taken verbatim from the initial notes of the reviewer: Starts out promisingly enough with Derek Jay beating the snare like he just caught it pooching his wife. Same energy as early Metallica (hey kids! remember them?). Vocalist reminiscent of the Avenged Sevenfold dude. Christ, I hope he looks cooler.) The song being referred to is the opening and title track … Read more
The Geeks: Korean straight edge hardcore with a youth crew twist. I know what you're thinking; the first time I heard it I didn't believe it either. After hearing mention of The Geeks, my first inclination was to write them off as a novelty band. But then I heard The Geeks' debut 7" What's Inside and I knew they were … Read more
So far this year the genre that is 'screamo' hasn't been delivering much of anything. Luckily we have Funeral Diner, one of the few epic screamo bands still out there who are still alive and together, and still have time to pump out a new release here and there while they aren't at their shitty part time jobs doing nothing. … Read more
Instrumental music, I've found, requires patience to fully appreciate it. Sitting through detached, quiet parts of songs is by no means difficult, but it can definitely test a listener's musical patience. Canadian cohorts Do Make Say Think have been writing instrumental music since the mid 90's. Akin to label-mates Godspeed You! Black Emperor, they write extremely cohesive, powerful and moving … Read more
In recent years, post-rock has become the urban sprawl of independent music. Invasive, bloated, and undeniably comfortable, it has steadily, albeit consciously, delineated from its richer, more substantive origins to assume the role of pleasant background music, antiseptically reliable but hopelessly predictable. Tortoise's feral meanderings and Mogwai's bulky, aggressive overtones have been replaced by Explosions in the Sky's brand of … Read more
It took me a little while to hear the music in this music. At first and even tenth listen, Marnie Stern sounds more dedicated to experimentation, or newness, or maybe just weirdness than to melody or even song structure. Her ideas appear, collide, and disappear - she's less an architect than a demolition-woman. She presents a hook or riff and … Read more
The first time I heard The Longue Durée was driving back from the Holy Roman Empire's record release party. I was lucky enough to accompany a friend's band that was also playing and they invited me along. That was a nice gesture on their behalf since they knew I was a fan. Anyway, on some stretch of highway between Wisconsin … Read more
I don't know much about the Swedish band Naglfar, but I get the impression that they are well respected in black metal circles. But what I do know is that Jens Ryden, ex-vocalist of Naglfar and a veritable black metal jack-of-all-trades, knows how to make an impressive album all on his own. Ryden did it all on Profundi's Omega Rising: … Read more
Sometimes when a reviewer receives an album, it can be difficult to decide how best to approach the review. The "spin" so to speak. Is a band history in order? What are their associations with other bands? Is there a glib, irreverent take to be done on the music that will entertain the reader? Not unhindered by other commitments that … Read more
Heavy music is back on the upswing in South Florida. Torche, forging on where Floor left off, has been making noise on both a national and European stage with their bomb-string-fueled stoner pop. Shitstorm has been wreaking havoc playing blastbeat-laden grindcore in the style of gems from the glory days of Slap-A-Ham and 625 Records. And Consular has been delivering … Read more
Hailing from Philadelphia, Hostages play over-emotional guilt ridden hardcore in the version of American Nightmare, The Hope Conspiracy, Suicide File and other bands that once hailed from Boston. I would compare them to Knives Out if anyone outside of the City of Brotherly Love knew who I was talking about. Hostages are another band for lonely sleepless nights with your … Read more
Everything Falls Apart gets big ups and putting this seven-inch out all on their own. Six songs of semi-melodic 80's styled punk/hardcore with snotty vocals. No chugga-chugga breakdowns, no useless slogans, no emo meanderings, just straight up fast hardcore that may be played a bit sloppy but most assuredly played with all heart. Read more
Fast rocking hardcore that sounds like it wants to be on the late 80's Epitaph back catalog. Extremely catchy, it makes me want to grab my board and skate some empty pools even though I haven't touched a skateboard since I was five years old. At times 120 Years in the Business! has bit of old school NYHC type feel … Read more
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