So far this year the genre that is 'screamo' hasn't been delivering much of anything. Luckily we have Funeral Diner, one of the few epic screamo bands still out there who are still alive and together, and still have time to pump out a new release here and there while they aren't at their shitty part time jobs doing nothing. If you aren't familiar with this band, they've put out successful, but not profitable releases such as The Wicked and Swept Under EPs and their classic LP, The Underdark, which will go down as one of my favorite screamo records along with Envy's Insomniac Doze and A Dead Sinking Story. So what has Funeral Diner done for us this year? They've released yet another EP entitled The Doors Open. Most of what Funeral Diner records ends up sounding very familiar, with the exception of overall tone and progressiveness. The songs on this EP may not be as epic as the material on The Underdark but for the first time Funeral Diner have created some new sounds to this band that are fresh to the ears. The first thing to notice in the beginning of the opening song "This Wrath" is … Read more
Instrumental music, I've found, requires patience to fully appreciate it. Sitting through detached, quiet parts of songs is by no … Read more
In recent years, post-rock has become the urban sprawl of independent music. Invasive, bloated, and undeniably comfortable, it has steadily, … Read more
It took me a little while to hear the music in this music. At first and even tenth listen, Marnie … Read more
The first time I heard The Longue Durée was driving back from the Holy Roman Empire's record release party. I … Read more
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au·da·ciousôˈdāSHəs/adjectiveShowing a willingness to take surprisingly bold risks.The one mission statement that Josh Homme and Queens of the Stone Age has long established was to never make the same album twice. Four years after their strongest effort yet, ...Like Clockwork - Queens have taken another left turn at Albuquerque and continued this tradition with Villains - a wholly unexpected yet warmly familiar album produced by pop-maestro Mark Ronson.The naming of Ronson as producer was a surprise, first and foremost because being one of the biggest producers in the industry doesn't often afford the anonymity of recording an album in secret, and when the announcement came, the album was already completed.The second surprise was the pairing of Ronson with the band in the first place. When you hear Queens of the … Read more
Sometimes when a reviewer receives an album, it can be difficult to decide how best to approach the review. The "spin" so to speak. Is a band history in order? What are their associations with other bands? Is there a glib, irreverent take to be done on the music that will entertain the reader? Not unhindered by other commitments that … Read more
Heavy music is back on the upswing in South Florida. Torche, forging on where Floor left off, has been making noise on both a national and European stage with their bomb-string-fueled stoner pop. Shitstorm has been wreaking havoc playing blastbeat-laden grindcore in the style of gems from the glory days of Slap-A-Ham and 625 Records. And Consular has been delivering … Read more
Hailing from Philadelphia, Hostages play over-emotional guilt ridden hardcore in the version of American Nightmare, The Hope Conspiracy, Suicide File and other bands that once hailed from Boston. I would compare them to Knives Out if anyone outside of the City of Brotherly Love knew who I was talking about. Hostages are another band for lonely sleepless nights with your … Read more
Everything Falls Apart gets big ups and putting this seven-inch out all on their own. Six songs of semi-melodic 80's styled punk/hardcore with snotty vocals. No chugga-chugga breakdowns, no useless slogans, no emo meanderings, just straight up fast hardcore that may be played a bit sloppy but most assuredly played with all heart. Read more
Fast rocking hardcore that sounds like it wants to be on the late 80's Epitaph back catalog. Extremely catchy, it makes me want to grab my board and skate some empty pools even though I haven't touched a skateboard since I was five years old. At times 120 Years in the Business! has bit of old school NYHC type feel … Read more
I'm a little disappointed that this is the last release in the storied career of NY's Kill Your Idols. Maybe I'm sad to see them go and wanted one more full-length and not four songs and one Sheer Terror cover that were probably being demoed for the album anyhow. If you never heard Kill Your Idols, they played fast hardcore … Read more
Hey wow, great, albeit, generic 2000-era straightedge hardcore in the vein of Floorpunch, In My Eyes and Fastbreak before they wanted girlfriends. This EP is all about the stage dives; dive-bomb intros, and playing as fast as humanly possible without losing a sense of melody. If the last song, "No End in Site," weren't your typical Modern Life is War/Comeback … Read more
The Endless Blockade are d-beat political hardcore from Toronto, Canada. They have one gruff singer and one yelper. It's heavy but generic as all hell. Their fast parts make no sense at all and it comes off as a complete violent blur, which I'm sure is the point. This really isn't my thing but if you haven't showered in a … Read more
Ah here we go, something a little more my style. Get a Grip play tough hardcore with a slight get-low feel coupled with the constant hammering of Integrity or maybe the Cro-Mags but not nearly as metal. There's a couple of guitar solos from time to time and tons of mosh parts. If you are into newer heavier hardcore bands … Read more
Giant Haystacks play really jangly indie rock. It's like a mix of Minutemen with The Jam trying to play early R.E.M. songs. This is probably nothing I will ever listen to again after this review but it's good for what it is. It's awesome they took their name from the legendary English wrestler. Read more
Issei Sagawa is Flipper-inspired annoying punk rock that tries to offend right down to the full sized poster of the members of the band peeing on each other in the insert. Issei Sagawa sounds like every misanthrope's first band right down to the shit recording in some dude's garage. I didn't even bother flipping this over and listen to their … Read more
This 7" is a compilation of some demo tracks and live songs from this Birmingham, AL punk band that sounds like early hardcore/punk from California. If you are thinking Dead Kennedys, The Germs, and The Weirdos then you'd be right. The live stuff is a tough listen, the other songs are generic as all hell. Everything about this release stinks … Read more
Pyramid Scheme play spazzy hardcore in the vein of, well, Spazz or maybe What Happens Next?. Completely not my thing and the vocals are making the neighborhood dogs tremble in pain and fear. I'm sure there are fans of these type of over-the-top scream your head off play as fast as fuck type punk bands. I'm just not one of … Read more
First and foremost, I would just like to state that Graf Orlock, or as tourmates Comadre jokingly refer to them, Crap Orlock, kill it live. Their drummer is fucking on point, and vocalist Kalvin Kristoff is as humorous as he is intense. Plus, it doesn't hurt when you have a basement full of sweaty punks yelling out movie lines like, … Read more
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