See: Obscurus Advocam Just kidding. But let's face it. They are pretty interchangeable, no? Both bands are the vision of French musician Infestuus. Both bands are all just too melodic. Now, call me old-fashioned but melody has no place in black metal. Bleak, sure. Twisted? Frightening? Suffocating? These are all bad adjectives for relationships, yet all good adjectives for heavy music. All musicians perform admirably there's just an edge that's lacking that castrates any chance the album ever had. Blastbeats abound, to be sure, but there's more needed that can't be found no matter how many repeated listens the buyer can stomach. Okay, okay if you find Naglefar or Striborg too atmospheric, Glorior Belli may be more suited to your needs, but allow me to steer you to the OG's of the genre that have introduced melody to their sound over the years: Darkthrone, Immortal, and Mayhem, to name a few (though not the newest Mayhem disc they're scary again). Look, I'm trying to do you a favor. This isn't what I'd necessarily call a "bad" album, but there's better music out there to be heard. Seek and ye shall find. Read more
I've been told that France has been home to a few good bands over the years, but like you, aside … Read more
Taken verbatim from the initial notes of the reviewer: Starts out promisingly enough with Derek Jay beating the snare like … Read more
So far this year the genre that is 'screamo' hasn't been delivering much of anything. Luckily we have Funeral Diner, … Read more
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Comprised by members of great acts such as Kayo Dot, Dysrhythmia, Gorguts and While Heaven Wept, Vaura find themselves in a strange territory. Somewhere between post-punk, darkwave and black metal, they unleash their second full-length, entitled The Missing. And just about a year after their debut album, Selenelion. The title track is introducing the band in the most suitable manner. Firstly because Vaura unveil the whole spectrum of their sonic identity in “The Missing,” managing to combine the harsh drums and sorrowful riffs in an intriguing manner, confusing you with a healthy dose of aggression mixed with bleakness. When “Incomplete Burning” comes in you are hooked to the band’s music. The attention to detail that has been put to the guitar work is astonishing, with the melodies making an appearance … Read more
Instrumental music, I've found, requires patience to fully appreciate it. Sitting through detached, quiet parts of songs is by no means difficult, but it can definitely test a listener's musical patience. Canadian cohorts Do Make Say Think have been writing instrumental music since the mid 90's. Akin to label-mates Godspeed You! Black Emperor, they write extremely cohesive, powerful and moving … Read more
In recent years, post-rock has become the urban sprawl of independent music. Invasive, bloated, and undeniably comfortable, it has steadily, albeit consciously, delineated from its richer, more substantive origins to assume the role of pleasant background music, antiseptically reliable but hopelessly predictable. Tortoise's feral meanderings and Mogwai's bulky, aggressive overtones have been replaced by Explosions in the Sky's brand of … Read more
It took me a little while to hear the music in this music. At first and even tenth listen, Marnie Stern sounds more dedicated to experimentation, or newness, or maybe just weirdness than to melody or even song structure. Her ideas appear, collide, and disappear - she's less an architect than a demolition-woman. She presents a hook or riff and … Read more
The first time I heard The Longue Durée was driving back from the Holy Roman Empire's record release party. I was lucky enough to accompany a friend's band that was also playing and they invited me along. That was a nice gesture on their behalf since they knew I was a fan. Anyway, on some stretch of highway between Wisconsin … Read more
I don't know much about the Swedish band Naglfar, but I get the impression that they are well respected in black metal circles. But what I do know is that Jens Ryden, ex-vocalist of Naglfar and a veritable black metal jack-of-all-trades, knows how to make an impressive album all on his own. Ryden did it all on Profundi's Omega Rising: … Read more
Sometimes when a reviewer receives an album, it can be difficult to decide how best to approach the review. The "spin" so to speak. Is a band history in order? What are their associations with other bands? Is there a glib, irreverent take to be done on the music that will entertain the reader? Not unhindered by other commitments that … Read more
Heavy music is back on the upswing in South Florida. Torche, forging on where Floor left off, has been making noise on both a national and European stage with their bomb-string-fueled stoner pop. Shitstorm has been wreaking havoc playing blastbeat-laden grindcore in the style of gems from the glory days of Slap-A-Ham and 625 Records. And Consular has been delivering … Read more
Hailing from Philadelphia, Hostages play over-emotional guilt ridden hardcore in the version of American Nightmare, The Hope Conspiracy, Suicide File and other bands that once hailed from Boston. I would compare them to Knives Out if anyone outside of the City of Brotherly Love knew who I was talking about. Hostages are another band for lonely sleepless nights with your … Read more
Everything Falls Apart gets big ups and putting this seven-inch out all on their own. Six songs of semi-melodic 80's styled punk/hardcore with snotty vocals. No chugga-chugga breakdowns, no useless slogans, no emo meanderings, just straight up fast hardcore that may be played a bit sloppy but most assuredly played with all heart. Read more
Fast rocking hardcore that sounds like it wants to be on the late 80's Epitaph back catalog. Extremely catchy, it makes me want to grab my board and skate some empty pools even though I haven't touched a skateboard since I was five years old. At times 120 Years in the Business! has bit of old school NYHC type feel … Read more
I'm a little disappointed that this is the last release in the storied career of NY's Kill Your Idols. Maybe I'm sad to see them go and wanted one more full-length and not four songs and one Sheer Terror cover that were probably being demoed for the album anyhow. If you never heard Kill Your Idols, they played fast hardcore … Read more
Hey wow, great, albeit, generic 2000-era straightedge hardcore in the vein of Floorpunch, In My Eyes and Fastbreak before they wanted girlfriends. This EP is all about the stage dives; dive-bomb intros, and playing as fast as humanly possible without losing a sense of melody. If the last song, "No End in Site," weren't your typical Modern Life is War/Comeback … Read more
The Endless Blockade are d-beat political hardcore from Toronto, Canada. They have one gruff singer and one yelper. It's heavy but generic as all hell. Their fast parts make no sense at all and it comes off as a complete violent blur, which I'm sure is the point. This really isn't my thing but if you haven't showered in a … Read more
Ah here we go, something a little more my style. Get a Grip play tough hardcore with a slight get-low feel coupled with the constant hammering of Integrity or maybe the Cro-Mags but not nearly as metal. There's a couple of guitar solos from time to time and tons of mosh parts. If you are into newer heavier hardcore bands … Read more
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