With a few EP's and a couple of renowned festivals under their belt - Lollapalooza and South by Southwest - Cold War Kids have finally released (in late 2006 actually) their full-length album, Robbers and Cowards. Like a few of their indie predecessors, Cold War Kids borrows from 1970's legends like Bob Dylan and The Velvet Underground for their sound, but it is within this sound that they embody that era rather than just copy it. This is evidenced by their stripped down, bare bones style, cultivated from years of banging on plywood walls and yelling into tape recorders (I stole that description from their record label's site, by the way). Their mix of sounds creates a smolderingly energetic loose-limbed blues that sets them apart from others in their respective genre. The album kicks off with "We Used to Vacation," a track that gives Cold War Kids a chance to strut their stuff with a rough piano arrangement coupled with jagged guitar riffs and frontman Nathan Willet's soulful, though occasionally whiny, voice. This is a recipe for the good, catchy, and accessible music that Cold War Kids are so skilled at crafting. There are many examples of this sound sprinkled … Read more
Rilo Kiley has finally joined forces again with their fourth full-length album, Under the Blacklight. It has been three years … Read more
For the most part, humor is always subjective. Not in this case, however. If Patton Oswalt doesn't make you laugh, … Read more
Everyone has his or her favorite guitar virtuoso. For some it might be the finger-tapping charmer Eddie Van Halen or … Read more
What is it about Canada? You know, Due South, The Arcade Fire, Bret "The Hitman" Hart, Dan Aykroyd, Godspeed You! … Read more
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Eat the Low Dogs is a beautifully dark and medicating record that fewer ears will hear than it deserves. It rocks, laments and hollers from the mountainous region of Marion, North Carolina with an enduring gloom that feels archaic and steadfast throughout. The old-timer influences are vast, but U.S. Christmas' old/new merged sound is unified and deliberate: Hawkwind, Neil Young and slow-burn sludge metal such as Neurosis or Isis with their amps to eleven all play a role in U.S. Christmas' composite sound which is less sinister as it is somber. The muddling of genres results in a drug-addled state of alternating between southern rock, psych outbursts and old-fashioned country. A grim sincerity permeates the album's core and the drawn-out hymns recall a southern fried Pageninetynine at their most fleshed … Read more
The first time I saw Engineer was when they opened for fellow New Yorkers Another Breath. I had anticipated another youth crew styled band to be playing and I was absolutely astonished when they turned out the lights and performed the loudest set I'd ever seen. From then on I was a fan, no question. For those of you unfamiliar, … Read more
I received this release and was intrigued by its DIY packaging: card stock covered in some kind of blue block print with a heavier cardboard latch closing the front. I'm unable to decipher the artwork, but it looks awesome. Old Sun is from the city of brotherly love, my new hometown. One of the first things I noticed about this … Read more
Love, Hope and Fear are not what they used to be. And I mean that literally as well as musically. Their latest release, the four-song Fate's Frowned on Us, is the band's third official release in the band's five year (give or take) career. However, it is their second release since the revival of the lineup. Love, Hope And Fear … Read more
What's wrong with more of the same, especially when what you've got is solid? If you're dating Scarlett Johansson, is Demi Moore really an improvement? Unfortunately, Black Cross' newest, Severance Pays, makes me question my acceptance of change and long for their days as a four-piece. With Evan Paterson's move from bass to guitar, Black Cross seems to have moved … Read more
Where the hell have you been for the last four years Black Cross? The circumstances that have hampered this woefully underrated band need not be espoused because it really does not make a difference; the fact remains that Severance Pays has been a long time coming, and thankfully it hits in ways that are completely unexpected and leaves a definite … Read more
Without a doubt, this just might be one of the more beautifully packaged records to come out in recent memory; Torche's latest record, In Return has been released as a ten inch vinyl record that includes the CD (a great idea that Shellac also hit on with their latest, which more record labels and bands need to start doing), and … Read more
Soul (noun) : A sense of ethnic pride among Black people and especially African Americans, expressed in areas such as language, social customs, religion, and music. relevant (adjective) : Connected with or saying something important about what is being spoken about or discussed It's been twenty years since the release ofYo, Bum Rush the Show and Public Enemy are still … Read more
It might say something for my enthusiasm for this record that it has sat for almost a year in my 'to review' pile since first receiving it. While I do attempt to avoid at least complete bias in my reviews, in the case of Florida's Burden of a Day, I knew exactly what I was going to hear when I … Read more
Here we go again. Once again we have yet another young hardcore band, this time hailing from Tacoma, WA, playing overly sincere emotional overcharged hardcore. If you have heard Modern Life is War, Comeback Kid, or maybe Shai Hulud you get the gist of what Never Looking Back is trying to accomplish. If you can sense my boredom right now, … Read more
Bands evolve and the fans have to deal with it. Their musical palette expands and the records change. This holds true with Cursive frontman Tim Kasher's music catalog. However, one aspect never changes, his bleak outlook on the world. It's always cynical, full of sarcasm, and consistently heartbroken. No matter what musical guise he wears, these sentiments are expressed through … Read more
A lot has been made lately of the throwback sounds that are ultra popular in hardcore these days. It seems that if you're not biting from the likes of Integrity, then you're probably ripping of Lifetime. Or, if neither of those are your cup of tea, you'll stealing a page from the early Revelation bands like Burn. Well, keeping with … Read more
Shipwreck burst onto the scene last year with their debut 7" on Rumble Records. The four-song release was an instant hit and eventually brought them to Deathwish's door. This release, another self-titled affair, is comprised of two new cuts and a reworking of "Heated" from their debut. "Mirage" kicks things off. The song is a rager deeply rooted in 90's … Read more
Erie has a long-standing tradition of hardcore: xDisciplex A.D., Brothers Keeper, Shockwave, and Abnegation. Continuing that tradition is War of Ages, though they definitely mix their hardcore influences with a significant amount of metal riffage. Fire from the Tomb is actually a re-recording of the band's debut effort. Some might question the band's decision to go back and re-do their … Read more
Daymares hail from Poland. Yes, that Poland. Prior to this release, the band had nothing more than a roughly mixed demo, which mixed 90's metallic hardcore with brooding metal. And here's why you should take notice Can't Get Us All is the band's debut full-length. Comprised of eleven songs, three of which are re-recorded from their demo, Can't Get Us … Read more
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