Due to this self-produced album's near industry standard professionalism, you'd never know by only listening to it and paying no mind to the liner notes that Jovian Oblivion is mainly just one guy with a few helpers pitching in here and there. Brent Matney is the mad scientist behind this project; he wrote, arranged, performed and mastered these fifteen songs all on his lonesome. Whether the finished product of any endeavor of this nature is praiseworthy or not, one-person bands are already commendable in their own merit thanks largely to the exclusiveness. However, through the considerable quality of this release, Matney raises the bar on super-solo, super-independent releases and successfully carves out a standout niche for himself. A madcap, over the top, and creative romp to say the least, Frontier of Darkness is one of the more intriguing concept albums in recent times. This new outing from the catalogue is the type of record that wears a myriad of obvious influences sternly on its sleeve but still endorses enough of its own ideas to remain unendingly fresh and free of any lemming notions. Moreover, Jovian Oblivion is homage to uncompromising risk taking, never afraid to sacrifice mass audience acceptance in … Read more
Let's be honest about things. Deathwish has hardcore locked down and Shipwreck A.D. is a key part of their commanding … Read more
World music is a funny thing. It begins with the purest of intentions: to invite the listener to explore the … Read more
Few of us lead the jet-set life, so when television and tabloid magazines glorify the lives of celebrities it often … Read more
I knew this was bound to happen. I feel slightly invaded by the fact that it has. I've never been … Read more
Pulling Teeth have quickly emerged as one of hardcore's most respected groups following their formation a couple years back. With … Read more
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I'll admit - I have a bit of a problem with modern blues. For me, blues, real blues ended in the 1940's with the likes of Robert Johnson and Hudie William "Leadbelly" Ledbetter. When you're a black man in the deep south, you best believe you're gonna have the blues. Nowadays, what the fuck are you bitching for? Boxcar Satan never purported to be authentic delta blues. They play blues with a toothy (alright, maybe missing the front few) grin and a joie-de-vive that keeps me from complaining too much. Despite the fact that singer Sanford Allen really wants to be Tom Waits. Don't get me wrong, loving Tom Waits is never a bad thing but trying to sound like him is usually a lost cause. Ask Scarlett Johannson. So, … Read more
You either like The Hives or you don't. Yes, it's that simple. The whole shtick, the outfits, the ego, be it embellished or not, the band formation at the behest of never-seen oft-mentioned mysterious "Randy Fitzsimmons." And, oh yeah, the music. It's all part and parcel of The Hives experience, which you dig, or you don't. I dig The Hives. … Read more
Grave in the Sky is a three-piece from Israel that plays thick, but still raw doom-y music. The tempos are slow and the sound is a crawling, bleak wall of sound. Cutlery Hits China: English for the Hearing Impaired is a super raw sounding album. Even though it does not completely sound like them, Grave in the Sky play a … Read more
I don't see myself as a hip-hop expert, but I think it's fair to say that the genre is pretty jaded. Mainstream rap like Chingy or Soulja Boy or whatever is on the radio now has been pegged as "good hip-hop" by the media, which means underground rappers basically have their work cut out for them just to defend their … Read more
There is presumably no one this side of the Mississippi that is more stoked than me on hearing the latest offering from the Long Island hardcore outfit Capital. Bands like Capital, Thieves and Assassins, Agent, and even Crime in Stereo have made many of us older hardcore fans forget about recent "Strong Island" emo superstars like Taking Back Sunday and … Read more
Making themselves known to a national audience by opening for The Flaming Lips and already slated as an opener for Aesop Rock this winter, Black Moth Super Rainbow latest release, Dandelion Gum, was lent to me by a friend. The psychedelic/drone-pop is repetitive and spaced out in all the right ways, but the jams never get in the way of … Read more
With the passing of Lance Hahn, the fragile punk continuum lost one of its all-time greats. Smart, critical, and relentlessly prolific, Hahn's work provided a formidable example of what could be accomplished in DIY music: punk not as a costume contest or stale doctrine, but a design for living. Hahn refused to separate his art and his life, delivering record … Read more
While taking a risk at such a lofty statement, Antlers is the reason to keep listening to independent music. Not that the band are the saviors of sound, but the ideas around what the band is doing are what makes this scene so worthwhile. Take a group of people, all from accomplished bands, and put them together to form a … Read more
The Ramones are finished. Over. Unlike their peers from the 1970's, there will be no reunion tours. Joey, Johnny and Dee Dee have passed on. That's three out of the four original members. Tommy's playing with Uncle Monk, a bluegrass duo bringing full-circle the original mission statement of CBGB's. Marky's in and out of the Misfits. Ritchie's now brought up … Read more
Anyone educated in the Louisville family tree of hardcore punk bands - Coliseum, Breather Resist, Young Widows, Black Cross, etc - already knows what to expect from Prideswallower, the latest Kentucky export. But for the unfamiliar, allow me to explain: While each band has a sound unique enough to stand on its own, there is a unifying thread to all. … Read more
Skeletonwitch is the latest band from Ohio to make it to the big-time. These five dudes sport some silly names - Nate "N8 Feet Under" Garnette and Derrick "Mullet Chad" Nau for example - but the jokes end when they pick up their instruments. Beyond the Permafrost is twelve tracks of metal that'll give even the most experienced Hessian a … Read more
Dirty Money is one of the latest upstarts to emerge from the U.K. scene and take hardcore by storm. Dirty Money set forth a furious attack of fast-paced hardcore that draws great influence from the New York scene. No Escaping This features four new songs, all of which blend together the classic NYHC sound with flairs of metal and crossover … Read more
Deal With It is the latest hardcore export from the U.K. This five-piece group of fellas churn out five brand new songs on World Coming Down. And with the CD version you are gifted with the band's demo recording from last year. World Coming Down is a high-octane blast of meaty hardcore that draws influence from the classic New York … Read more
Show No Mercy hail from Maryland and deliver seven tracks of crossover/thrash/metallic hardcore over the course of Death is My Religion. Musically, the band shows an obvious homage to their namesake, Slayer, with blazing riffs that call to mind the early Bay Area thrash scene. Show No Mercy also mix in some nice mid-90's hardcore grooves and even a solo … Read more
I cannot think of another record label that could have released The Black Dahlia Murder's new full-length Nocturnal. Sure, any number of labels could have released it financially, but it just would have seemed out of place. This is a metal album from start to finish, so it only makes sense for it to be released by the label that … Read more
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