One could say Lugano, Switzerland’s Plain is a risk-taking collection of artists simply for the sheer bravery (or stupidity) of giving themselves that moniker. For those that wouldn’t care for their brand of music, professional critics and aural consumers alike, the door is wide open for the same kind of juvenile puns that your typical Garbage naysayer would dish out. Hopefully, there won’t be any of that in any form in this review, as Different Not Strange is a standout debut LP that’s anything but plain. (You see that? You see what I did there instead?) Again, the group prefers to conjure cheap one-liner ammunition since Different Not Strange is a not too subtle way to describe this album in its entirety. Mixing parts of alternative, hints of progressive, small dashes of keyboard ambience and synth, and wrapping it all up in a classic rock package, Plain’s overall sound is fairly difficult to pigeonhole. Moreover, the unusual pacing of the vocals with the rest of the instruments creates a unique listening experience. The concoction seems a little awkward on the first few spins, but when given time each song eventually defines its own special identity. Considering how scatterbrained this record … Read more
Since the arrival of the 80's and the consequent death of the era when there were true funk/soul titans, each … Read more
Level Plane Records and Teenage Disco Bloodbath Records have partnered together as they team up two extremely underrated artists, at … Read more
Every once in awhile a new band comes down the pike and reaffirms your love for music. A couple years … Read more
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Tech-metal reached perfection with The Dillinger Escape Plan's Calculating Infinity. That is my opinion, and you may argue that it is wrong or that my definition of tech metal is incorrect. But I don't care; I will argue right back that you're the one that is, in fact, wrong. I do not see any album in the realm of technical metal/hardcore ever toping that album. And while that is unfortunate for each and every band that is releasing music in that spectrum of metal, it makes for an easy comparison on my end. So just how does Psyopus' sophomore full-length effort, Our Puzzling Encounters Considered, rate? First off, the individuals that make up Psyopus are obviously talented individuals at their respective instruments - it doesn't take long into the album … Read more
Those familiar with Ipecac Recordings know that regardless of the release, whether the listener likes it or not, it will, above all else, be different. Farmers Market is a Norwegian band specializing in Bulgarian folk music presented at an even faster tempo, with a smattering of just about everything else you can think of. The result can most assuredly be … Read more
When I think of "folk metal," I think of the scene in This is Spinal Tap with the dwarf dancing around the tiny Stonehenge. This is because I'm incredibly immature. The term is actually used to define any metal band that incorporates its country of origin's indigenous sound within their own. Within this framework, Enslaved, Bathory and later year Burzum … Read more
Recently signed to Joyful Noise Recordings, The Delicious is a Bloomington, Indiana quartet that just bug the shit out of me more with each subsequent listen. This super-fun-happy cuddle-core twaddle is not good. They want to be The Pixies. Bad. You can almost see that desperation stink wafting from every sad little note like a little green cloud floating from … Read more
Not to be confused with Hayward's Shit Outta Luck, a ska band - this is Milwaukee's Shit Outta Luck, a meaty, Midwest "hardcore" band. The quotes are for the mere fact that the hardcore term is thrown around with such carelessness these days as to render its true meaning useless. Is S.O.L. hardcore? Not quite by my definition, but they … Read more
Dust is Everywhere. D.I.E. Get it? [cough] Anyway it could be worse. Ask their labelmates, Rumplestiltskin Grinder. D.I.E. is a band in the black metal ilk, somewhat on the amateurish side, Attics and Catacombs provides a look into the deep, dark recesses of um, Havertown, Pennsylvania - pop: 36,711. Featuring the musical stylings of "Dust" on "Chains, Shackles and Screams" … Read more
Fast pissed off old school hardcore from Japan. Sounds straight from the American Hardcore soundtrack with a better production. It's speedy, furious, and somewhat entertaining. For some reason this is what I expect when I hear people talking about Japanese hardcore. This stems from the fact the only two Japanese hardcore bands I've heard (That was before Michael sent me … Read more
Now or Never features members of Gordon Ivy & The Jaybirds and play fast melodic hardcore that came from Scandinavia in the mid to late 90's. I see your Pridebowl and raise you a Wizo and a Satanic Surfers. Now or Never are completely nuts with the breakneck songs and completely inane lyrics. "Fuck this Asshole" includes this lyrical masterpiece; … Read more
I have never been a big fan of bands from the Island Nation of Japan. They were always so over the top and the "Engrish" lyrics were never worth anything than a couple of giggles. Oh, I am such the ignorant American. Anyhow, one would think that a band called Gordon Ivy & the Jaybirds they would sounds like the … Read more
Men in their late-thirties making vague statements about the future's uncertainty under the guise of it being punk rock, there's something concerning about this. It's as if their quarter-life crisis is stretching into mid-life, arresting their development into adulthood. Hello Destiny, the newest album by Goldfinger, finds the SoCal band exactly in this position, angry at the world, rehashing the … Read more
Since the mid 1980's Bay Area thrashers Testament have persevered in the world of heavy metal, undergoing numerous lineup changes and even a few medical scares. While their peers in Metallica, Anthrax, and Slayer consistently received glorious praise and popularity with metalheads, Testament instead maintained a mediocre level of success as their unleashed album after album. Now, twenty-five years after … Read more
Okay, so the more that I thought about this, the more ridiculous this concept feels to me, books on tape or CD or whatever. I am able to read so the existence of these types of paraphernalia are completely useless to me, and yes, I get that not everyone can read or not everyone has time to read (which is … Read more
Russian Circles' Enter was practically a life-changing album for me. Never had I heard a heavy instrumental band with such a fluid, narrative style before. There was also a dash of technical prowess (but not too much) and the whole thing was wrapped up with a certain flair only Russian Circles could provide. The Upper Ninety/Re-Enter 7" got me even … Read more
Robin Staps, The Ocean's high-striving frontman must be one hell of an easy person to work with. It's either that, or he is a dictator of epic proportions and has an ego the size of Mount Kilimanjaro. When our favorite music magazines are riddled with tales of inter band friction, even when talking about three douchebags who recently took the … Read more
At The Fest last fall I saw a lot of bands, most of which I had a previous idea of what they were about beforehand. One band I didn’t know, but lucked out to see because they were slotted before Bloodbath & Beyond and Tiltwheel, was Tampa's The Tim Version. Decline of the Southern Gentleman in the group's newest release … Read more
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