In Fucked Up's early years, they only released songs on seven-inch records, two songs at time, sometimes three, very rarely four or more. Songs during the fifties and sixties were released in a similar fashion, the jukebox single on the a-side with one or two more on the back. Songs rarely exceeded the four-minute mark due to the space constraints of vinyl, a typical seven inch record holding no more than fifteen minutes of music, short enough to keep you from getting bored. Albums were rare. For the members of Fucked Up, they simply weren't an option; a conscious choice for several reasons. Part was an homage to the old punk singles of the seventies and eighties: short, fast, pissed and to the point, but they also wanted to annoy fans, weed out the poseurs, and drive record collectors crazy. So from 2002 onward came a litany of releases with varying colors, artwork, and other minute details that only a collector would obsess about. Then there were the records with songs etched in-between the grooves of the first song, records that played form the inside out, single songs played over the course of both a record's sides. What ever keeps … Read more
It has been a rather tumultuous year for Mouth of the Architect. Late last year the band announced their breakup … Read more
Wounded Soldier might be a concept album of sorts since its lyrical compositions are full of themes dealing with the … Read more
"But there's this idea that nobody can tell you if something is good or not, you have to decide whether … Read more
I have this vaguely unpleasant sensation lately when listening to The Stand Ins that Okkervil River's Will Sheff (guitar and … Read more
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If the name Ace Enders sounds familiar, it should. He’s been the voice behind The Early November, one of Drive-Thru Records’ cornerstone emo bands in the early 2000s. While that scene exploded, Ace carved his own path with that band, as well as solo experiments under the name I Can Make a Mess, and the occasional record as Ace Enders and a Million Different People. His fingerprints are all over the emo/post-hardcore canon with equal parts confessional whispers and teeth-bared anthems. Ace Enders returns with his fourth solo album, “Posture Syndrome”. Now don’t get it twisted. This isn’t a soft solo detour. It’s a full-throated confession; a bleary diary covered in chords and breath. Over fifteen tracks, Enders wrestles with ghosts like the weight of past choices, the creeping fear … Read more
Once again I come into a new full-length from These Arms are Snakes filled with expectations. And while I am filled with hope for repeated greatness, I am also open-minded to any twists and turns that the band may throw at me over the course of these ten songs. Tail Swallower & Dove is only two years removed from Easter, … Read more
For those who do not know who Steve Von Till is, Von Till is a guitarist and vocalist in the seminal outfit Neurosis. And while that band is one of the heaviest bands on the planet, Von Till's solo records are dark, folk-esque experiences which are stark portraits into a different side of the man that produces them. His solo … Read more
You know when George sings on Blacklisted's Heavier than Heaven, Lonelier than God and you really liked that grungey overblown style? Oh wait that was me. Anyhow... now you can have an entire five-song EP chock full of that over the top wailing. Not only do you get that you also get some headbanging metallic hardcore that falls somewhere between … Read more
Michigan's All Hype had the unfortunate job of opening a six-band bill show that had no local openers and I believe only ten people paid. Gotta love MPLS hardcore showing their support for bands that don't come from their cul de sac in the burbs. Anyhow, All Hype were great and did an In My Eyes cover, so naturally I … Read more
A re-release of an EP that came out last year from this overrated punk band from Canada that someone inked a deal with indie's scared cow of a label, Matador Records. If you haven't heard Fucked Up in a while you may remember a time where they wrote sarcastic bites of simple punk rock. If you listen to then now … Read more
I'm getting too many records that sound exactly like The Kids are Dead. It's another moshy metal crossover type hardcore album that is sweeping VFW dance floors all over the nation in '08. Sure, sometimes they play fast, sometimes Hammer Bros. goes for the menacing metal stomp. Either way, I've heard all too much of it this year. I'm sure … Read more
Awful intro that thankfully goes into speedy hardcore reminiscent of bands from the early part of this decade. It's fun and moshy. They even have a song that begins with a sweet simple bass line and some guitar feedback whine. There was a time when every band sounded like this and had names like Ten Yard Fight, In My Eyes, … Read more
This band sounds like The Suicide File with the spazzy noise of Panic and some chunky riffs of Hope Conspiracy all mixed in. I guess it's time for hardcore bands to recall a half a decade ago when bands from the Northeast played venomous spite-filled mid-tempo rocking hardcore. I'm already chair moshing to the breakdown in "There's No One Good … Read more
Super melodic emo-pop with wimpy vocals. Your girlfriend is going to like this band more than you will. It's cute and catchy but a bit too sugary sweet for me. I like the fact that it reminds more of The Get Up Kids and The Promise Ring than any of that garbage clogging up the stages of Warped Tour with … Read more
I thoroughly enjoyed CT's Signs of Hope full-length First and Foremost and was pleased as punch to see their new EP in my mailbox. If you aren't familiar with Signs of Hope, they play fast hardcore that sounds like everyone else but it doesn't matter since Signs of Hope does it so well. Choices Made ventures into the ground of … Read more
I remember lurking various bands Myspaces and coming across this Philadelphia band. I remember liking it, I also remember saying something about how Stay Sharp sounded like Lifetime. What's not to love? Well now this four-song EP is rocking in my boombox and now Stay Sharp remind of Holding On's Question What You Live For album. Yes, it's more fast … Read more
A three-song demo of slow droning somewhat melodic hardcore named after a Suicide File song. Cold Snap tries to recall the heydays of Boston hardcore when American Nightmare and Panic ruled the roost, but come nowhere close to the emotional outpouring of either band. The vocals are highly annoying in their screeched running out of breath quality. The songs themselves … Read more
So, Young Widows makes the jump to a new label and to be perfectly honest, this change of scenery for the band seems much like a new beginning rather than an update on an old sound. While the band's previous album, Settle Down City, is a continuation of the work which the group were pursuing as Breather Resist (Young Widows' … Read more
Wu-Tang Clan member GZA - aka The Genius - is back with his first solo offering since 2002's Legend of the Liquid Sword. But it's not like GZA hasn't been busy. The six-year span has seen a collaborative effort with Muggs of Cypress Hill, a new Wu-Tang Clan album last year, and, in-between, collaborations too numerous to count. Pro Tools … Read more
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