I first got the chance to interview Tim Kasher directly after the release of Cursive's Happy Hollow. A friend and I drove two and a half hours to Buffalo, NY and caught up with the band in the lobby of a Best Western Express not far from the venue. Their tour manager told us that they needed to soundcheck soon, but we could have twenty minutes to do the interview. I hit a button on my oversized tape recorder and began to ask my questions. It went poorly. Without hyperbole, I had listened to one of Cursive's records everyday from the age of sixteen to eighteen. I memorized and analyzed their whole catalog, which largely consisted of songs about failed relationships and the difficulty of everyday life. I don't know why these things resonated with me, but they did. Anyway, given the chance to sit and talk with the man, I didn't have a hell of a lot to say. There is a common phrase that suggests never meet your idols. I think what people mean by that is that in humanizing them you'll somehow be let down. But the reason that Cursive meant so much to me was their … Read more
Try Me Bicycle's Voicings is a dreamy and delicate offering, even when it tends towards the brooding and melancholy. Such … Read more
It's been almost three years since we were last graced with an album from The Appleseed Cast, 2006's much more … Read more
Ophiolatry is another band that, like their labelmates Black Flame, is a true force in the black arts to be … Read more
I will never forget the first time that I heard Caithlin de Marrais' voice; the opening lines of "Rise" off … Read more
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Setting out with a retro vision of death metal glory alongside a punk sensitivity, Acephalix erupted into the scene with their debut album Aporia. Primitive and relentless, the band appeared to have instantly captured the essence of the genre with their debut record, something that was apparent even more on their sophomore album, Deathless Master. Punk influences begun to subside and the death metal aura was becoming more prominent, as Acephalix were balancing between the raw sound of the Swedish scene and the aggression of the Florida bands. A hiatus followed in 2011, but thankfully it did not last long with the band returning with Decreation, a record that carries down the heavy path. The groove and attitude of the late '80s and early '90s is the first aspect that … Read more
Denver-based quartet Fiancé has put forth a pretty catchy follow-up to 2007's, The Girl From the Ivory Coast. With 2008's Please, Ambitious, Please, Patrick Maguire (vocals, piano), Michael James (guitar), Tyler Reschke (bass) and Chris Sturniolo (drums) have produced a compelling little offering. The instrumentation is beautiful and quirky, and ultimately provides a satisfying listen. At times the lyrics are … Read more
In the city of Brooklyn, New York's hippest borough, the pretensions of musicians trying to create songs that are both avant garde and widely accessible (a clear paradox) makes for a stifling scene. Lofts and warehouse spaces across the neighborhoods of Williamsburg and Bushwick are filling with passive young professionals being bludgeoned with art. While every incarnation of noise, folk, … Read more
Black Flame is an Italian black metal trio that holds the distinction of being one of the first bands signed to Forces of Satan Records, a label created by Gorgoroth founder and guitarist Infernus. Now, the future of Gorgoroth may be uncertain, at least until there's a ruling on who owns the rights to the name, but the future and … Read more
Sold; I'll take two, please. From start to finish, this five-track EP from California's The Dalloways is a gem. Dirty Money and Filthy Love, with its dry easy wit and lush pop sensibilities, is delightful in all the right ways. From the outset, it's instantly reminiscent of Belle and Sebastian, and vocalist/lyricist Gerhard Enns delivers breathy pop vocals that seem … Read more
This might be the first band I've reviewed that I've also loaded gear for. I worked a show a couple years back when The Pink Spiders were opening for Kill Hannah, and helped load their stuff in. So I have a strange complex with them. It's like I'm their servant, their underling. And I don't like it. What I have … Read more
Killing Kings 2007 release Delusions of Grandeur was an under appreciated gem of 90's inspired hardcore. It was equally as destructive as it was thought provoking. The album was a combination of bruising metallic hardcore and searing metal that often had me dreaming of dance-floor incited frenzy sing-alongs. The album's social and political lyrical themes only added further fuel to … Read more
1. This is soundtrack music. I couldn't hear it at all until I took a drive through the hills, windows down at night, blaring this EP to stay awake until I got home. I put it on because all I could hear in it was THE KIND OF SHIT TO WHICH YOU CANNOT FALL SLEEP. Which I more or less … Read more
Orlando's Virgins play hook orientated, chorus heavy punk with scratchy throat vocals. The three-piece formed from the ashes of New Mexican Disaster Squad and their sound is a logical development. While the band has clear roots in early hardcore, they maintain an approach that's easier on the palate with a stronger focus on catchiness instead of sheer ferocity. "Another's Gun" … Read more
Raw, grimy in your face rock from these Bostonians. The guitar is mixed high, which is a good thing for these tunes. Most of these songs are under the four minute mark. Except for "The Demons & the Damned" which clocks in at a whopping nine plus minutes. I can definitely relate to "Medicate (Today)." But song number seven is … Read more
This looked promising when it first showed up in the mail. But as some wise person once said, looks can be deceiving. This Seattle four-piece certainly have their chops together, but the styles presented here are such a mish mash that it's hard to swallow. Musically they are rocking enough, but vocally I just couldn't get into them. The singer … Read more
To offend me takes special talent, talent that knows no boundaries to how far the one can push idea of indecency. People who believe there is nothing sacred, no subject matter too taboo that they cannot molest it. These people play in the XXX Maniak. The cover art alone on this made me ashamed to have the CD in my … Read more
It's been over three years since Above this Fire released their debut full-length, In Perspective. Since that recording the band has grown immensely as songwriters, something that is evident when you listen to the two albums back to back. The band's growth and evolution since their initial recordings is something that helps put in perspective - pardon the pun - … Read more
It's refreshing to hear bands showing their influences without becoming a fiftieth-wave hybrid, a la The ePoxies. Maps of Norway obviously love 1980's new-wave. However, they don't set out to make a copy of that, they fuse the sound into their own artistic development, and Guilt Ridden Pop's release Die Off Songbird is the end result. The record starts off … Read more
Where does the aging punk-rocker go when his band's presence in the scene has all but evaporated, releasing new material only when the mortgage has to be paid or a new mouth to feed has entered the family unit, touring mostly when the opportunity is to travel overseas? He goes to the studio, unplugs the guitar, slows down the tempo, … Read more
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