Even though Rules is the second full-length from Erlend Øye, I still have a hard time disassociating his airy voice from prior folk duo, Kings of Convenience, Øye's Belle-and-Sebastian-esque alma mater. However, the more I listen to the Berlin-based The Whitest Boy Alive, the more I can appreciate Øye singing similar, heartbreak lyrics over a funky bass line rather than an acoustic arpeggio. Unlike The Whitest Boy Alive's debut album Dreams, this release is much more mellow, slow tempo, and all with a lot less notes. The result? The listener is treated to equal parts of their line-up of vocals, guitar, bass, drums, and synthesizer. What I really enjoy about the album is that none of the instruments overpower each other. They're truly complimentary, and allow for melodies other than the guitar's to shine. Honestly though, I love the bass in this album. I can only describe The Whitest Boy Alive's minimalist pop sound as a unified and efficient one that only takes a few notes to get your head bobbing. Oh, and it's also really damn funky. Contrary to popular practice, Rules starts with a slow one, "Keep a Secret", that showcases how The Whitest Boy Alive makes music … Read more
The Number Twelve Looks Like You have always been a very unorthodox band to say the least. They've been trying … Read more
Only Thieves pay homage to the Boss with their cover to Greeting from Levy Park, T.L.H., but the tribute doesn't … Read more
Wow, just seriously wow, even though Black Moth Super Rainbow has been on my list to check out for a … Read more
As a long-time Iron and Wine fan, I was intrigued by the announcement of this double-disc release that spans the … Read more
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The precursor to Decemberunderground was that it was a change from what AFI have offered before. Of course, all that is to be expected. The AFI paradigm has some inbuilt concept that they must always change and evolve. Antecedents of more electronic elements, with VNV Nation's Ronan Harris drafted in to help, even more epics and some threat or other of the expansion on acoustic elements stood as testament that Decemberunderground wasn't going to be Sing The Sorrow Part II. But change is a very volatile thing. A line must be drawn between evolution and change for change's sake. Sadly, it seems, AFI have forgotten that at times. Decemberunderground opens with the omnipresent AFI intro track, "Prelude 12/21". Akin to "Miseria Cantare" with synthesised drumbeats, it soon descends into flares … Read more
By a stroke of luck, my Last.fm did something good for once and recommended me this band called Church of Misery. I usually don't pay close attention to these recommendations as they are usually a bit off (seriously, stop recommending me stuff like Bon Jovi), but the name sounded dope and they apparently fell somewhere into that doom metal category. … Read more
Every so often you hear a record and it instantaneously floors you. All Teeth's debut full-length I Am Losing is one of those records. The thirteen songs that make up this album are filled with such passion, aggression, and emotion - it is as though anger, frustration, resentment, and bitterness actually fuel the songs. The lyrics and music perfectly match … Read more
A great deal of hyperbole flies around regarding re-issues, which in it of themselves can be very tricky propositions, particularly ones that may or may not be integral to have a re-issue. Gore no longer exists as a unit, but the three piece's legacy resonates today in heavy (be it metal, be it some other genre) music and serves as … Read more
The first thing that's going to strike you about The Paper Chase is that they're a quirky indie band. What you get in the first song is what you're going to get in the next nine: John Congleton's wavering voice and keyboard-driven epics. The band relies predominantly on synthesizer instead of big guitars to make their statement. When it comes … Read more
A first record for a band taking their first steps is both exciting as well as potentially harrowing when putting one's work out for others to hear. Monolith make that leap with their debut album, Eclipse, and to be completely honest, I admire the fact that this Pennsylvania four-piece put the record out themselves. Monolith is one of those "post-rock" … Read more
This may be going out on a limb here, but Dinosaur Jr.'s reunion album in 2007, Beyond was one of the best albums of said year, if not one of the best reunion albums ever. Bands reuniting is always seen as a lame cash-in attempt by artists going bankrupt, but with Beyond it felt more like Dinosaur Jr. were making … Read more
California's most intriguing current hardcore outfit, Sabertooth Zombie, returns with their latest full-length effort. Since they've last released Midnight Venom in 2006, the group has released a dual-EP 10" and a 7" EP as well as re-recording and re-compiling a few recordings for CD releases. Needless to say, Sabertooth Zombie has kept themselves busy. And You Fathers are Dead in … Read more
Ah, summer in full swing. For those of you attempting to battle high temperatures, I empathize as I sit in my apartment with my blinds closed and fight off the forecast 105-degree heat. But I try not to be bitter despite my preference for cold weather, and keep in mind the more exciting facets of summertime. One of these is … Read more
Now on their third album, Shook Ones already have a pretty solid reputation. After the melodic hardcore masterpiece that was Facetious Folly Feat, I thought it would be difficult to make another record that was as fast and energetic as that one. Well, what does the band do instead? How about make one of the catchiest records of 2009 while … Read more
Chicago natives Oceans offer up nine tracks with sixty minutes worth of music on their debut effort. The five-piece maintain a post-rock inspired craft throughout the bulk of the full-length but also find ways of incorporating mid-90's emo and post-hardcore sounds into their songs. Nothing Collapses begins with "Lit Up Under Streetlights" and you get eight minutes of light-footed post-rock … Read more
Phoenix has always been successful at lifting spirits and making people dance. Based out of Versailles, Phoenix has been going at it for almost a decade now, and their fourth full-length, Wolfgang Amadeus Phoenix, came at the perfect time for Summer. And no, it's not a Mozart cover album. Apparently, the somewhat egotistical sounding title was a product of the … Read more
It's always great to find all of these new breeds of punk bands coming about lately. There have been so many that I've found out about the last couple of years. And the funny thing is, nearly all of them have stuck with me. I still listen to all of these bands on a pretty frequent basis. Another band to … Read more
I'll be honest here. I was never a huge Outbreak fan. You Make Us Sick was fairly decent, but I was never really sold on the group. I have a lot of friends that swear by that record and the subsequent release of Failure. but I'm just not one of them. Anyway, Work to Death is a new 7" single … Read more
Hailing from Oregon, this four-piece outfit has brought forth a four-song EP titled No Help. The title of the EP is fitting as the band has recorded and packaged the entire release themselves. Granted, it's limited to screen printed cardboard sleeves, but that's still cool. I appreciate the DIY effort. "Holy Pigs" is the lead song and immediately you're greeted … Read more
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