Wow, just seriously wow, even though Black Moth Super Rainbow has been on my list to check out for a while now, I am glad that their latest album, Eating Us is my first exposure to the group because it is a breath of fresh air at just the right time. When trying to describe the band to people (as I excitedly was showing the record to anyone with whom I came into contact) words just fumble out of my mouth in a mostly unintelligible manner because Black Moth Super Rainbow is difficult to describe in some ways while in others they are easy to put words to but those words seam to oversimplify what they sound like. My best description seems to amount to a poppy, spacey sound that the group drenches in mostly clean reverb; but as I say, this is a terrible description but wholly fitting. Immediately, listeners can find themselves in a state of sheer captivation of the vintage sounds of keyboard melodies and the sheer cavernously huge sound of the drums that populate the aural population of Eating Us, while the drenching of the vocals in reverb adds a depth to the sound (without veering … Read more
As a long-time Iron and Wine fan, I was intrigued by the announcement of this double-disc release that spans the … Read more
By a stroke of luck, my Last.fm did something good for once and recommended me this band called Church of … Read more
The first thing that's going to strike you about The Paper Chase is that they're a quirky indie band. What … Read more
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I’m doing my damnedest not to judge this book by its cover, because Stiff Richards is far and away the worst band name I’ve heard in some time.With that out of the way, they say punk is an angry genre. Sometimes that’s in the lyrics, sometimes the shouting, sometimes the overall sonic impression. This is the latter. It’s short and fast bursts of fury with melodic undertones. It’s that old kinda punk that lives by the code of short, fast, and loud and, when you listen, you really hear the frustration and you feel it yourself. There’s an element of showmanship to it on top of the raw emotion.Musically speaking, this record brings’77-influenced sounds with melodic guitars and basslines and a lot of crashing cymbals, but with vocals that truly … Read more
A first record for a band taking their first steps is both exciting as well as potentially harrowing when putting one's work out for others to hear. Monolith make that leap with their debut album, Eclipse, and to be completely honest, I admire the fact that this Pennsylvania four-piece put the record out themselves. Monolith is one of those "post-rock" … Read more
This may be going out on a limb here, but Dinosaur Jr.'s reunion album in 2007, Beyond was one of the best albums of said year, if not one of the best reunion albums ever. Bands reuniting is always seen as a lame cash-in attempt by artists going bankrupt, but with Beyond it felt more like Dinosaur Jr. were making … Read more
California's most intriguing current hardcore outfit, Sabertooth Zombie, returns with their latest full-length effort. Since they've last released Midnight Venom in 2006, the group has released a dual-EP 10" and a 7" EP as well as re-recording and re-compiling a few recordings for CD releases. Needless to say, Sabertooth Zombie has kept themselves busy. And You Fathers are Dead in … Read more
Ah, summer in full swing. For those of you attempting to battle high temperatures, I empathize as I sit in my apartment with my blinds closed and fight off the forecast 105-degree heat. But I try not to be bitter despite my preference for cold weather, and keep in mind the more exciting facets of summertime. One of these is … Read more
Now on their third album, Shook Ones already have a pretty solid reputation. After the melodic hardcore masterpiece that was Facetious Folly Feat, I thought it would be difficult to make another record that was as fast and energetic as that one. Well, what does the band do instead? How about make one of the catchiest records of 2009 while … Read more
Chicago natives Oceans offer up nine tracks with sixty minutes worth of music on their debut effort. The five-piece maintain a post-rock inspired craft throughout the bulk of the full-length but also find ways of incorporating mid-90's emo and post-hardcore sounds into their songs. Nothing Collapses begins with "Lit Up Under Streetlights" and you get eight minutes of light-footed post-rock … Read more
Phoenix has always been successful at lifting spirits and making people dance. Based out of Versailles, Phoenix has been going at it for almost a decade now, and their fourth full-length, Wolfgang Amadeus Phoenix, came at the perfect time for Summer. And no, it's not a Mozart cover album. Apparently, the somewhat egotistical sounding title was a product of the … Read more
It's always great to find all of these new breeds of punk bands coming about lately. There have been so many that I've found out about the last couple of years. And the funny thing is, nearly all of them have stuck with me. I still listen to all of these bands on a pretty frequent basis. Another band to … Read more
I'll be honest here. I was never a huge Outbreak fan. You Make Us Sick was fairly decent, but I was never really sold on the group. I have a lot of friends that swear by that record and the subsequent release of Failure. but I'm just not one of them. Anyway, Work to Death is a new 7" single … Read more
Hailing from Oregon, this four-piece outfit has brought forth a four-song EP titled No Help. The title of the EP is fitting as the band has recorded and packaged the entire release themselves. Granted, it's limited to screen printed cardboard sleeves, but that's still cool. I appreciate the DIY effort. "Holy Pigs" is the lead song and immediately you're greeted … Read more
Man Overboard is the latest bubble-gum pop-punk band to come around, joining the existing one hundred thousand others. This four-piece hails from New Jersey, and like so many others they take influence from groups like Blink 182. I'm not blaming Man Overboard by any means, but I'm starting to get sick of these kinds of bands By the way, if … Read more
Here we have a decent seven-song slab of 90's hardcore with some newer influences. Outrage sounds like they take the best riffs from the New Age catalog of 1995, speed it up and toss some impassioned vocals on top of it. I can see anyone into Outspoken to Defeater enjoying this band. I found it to be an enjoyable listen … Read more
This new release finds Easton actually fronting a band after many years of mainly playing solo acoustic. Electric guitar leads are abound, and the music is powered by the drumming of Sam Brown. But don't worry kids, the ace songwriting is still in full force. "Broke My Heart" is great pop song, but more heady subjects are also addressed. "7th … Read more
The first solo record from The Church frontman in seven years, Kilbey handles all the instruments here except drums. Thankfully it does not sound like a Paul McCartney record. Tim Powles, drummer from The Church covers the sticks and production duties. But there's still a strong guitar presence on this one. "Outbound" features a flowing bassline, while 'Wolfe" seems to … Read more
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