It doesn't look like a man. It doesn't talk like a man. But does it fuck like a man? Does it? Does it fuck like a man? It doesn't smell like a man. It doesn't taste like a man. But does it fuck like a man? Does it? Does it fuck like a man? Wise words there from album highlight "You Need Satan More Than He Needs You," an ode to everyone who is trying to balance a sincere belief in Satanism with the need to find a decent babysitter. Really, this is everything you'd need to read before deciding to invest in Future of the Left's latest record. But I have a few extra minutes free in my day so I'll indulge you with a little more wordplay. For those of us fortunate to be around for the British rock/metal scene of the early years of this century, there were a lot of well-hidden gems around to enjoy. One of the more prominent of these were angular Welsh punk rockers mclusky - they were angry, angry young men. There were also funny, inventive and fresh as hell. Following on from their collapse, two of the members formed Future of … Read more
People make it a point to search far and wide for new music. I'm not against this by any means; … Read more
Most bands that are signed to No Idea Records have a sound that's usually expected from them. That, of course, … Read more
Never wasting a moment, the Bay Area's Skin Like Iron has brought forth yet another new recording with this seven-track … Read more
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New Hampshire natives Since the Flood have worked hard to get where they are today. In their five years of existence the band has self-released a couple demos, signed as the first band to Ironclad Recordings (Trevor of Unearth's label), and toured their asses off, resulting in the promotion from imprint label Ironclad to the mother of metal, Metal Blade Records. No Compromise, the product of all that hard work and perseverance, is twelve tracks of burly metallic hardcore that will leave you feeling like you went twelve rounds in the ring. There is no easing into things on No Compromise. Since the Flood come right out of the bell with "Gone Tomorrow," quickly slamming the listener with savage guitars and a punishing drumming. And while you're being battered and … Read more
Sometimes there is something which goes by the reference of historical revisionism whereby people go back and alter the place of a person, place, thing, or idea into a more vaunted or lower position in the historical record. I bring this topic up because it does happen frequently in the world of music, independent music particularly as artists go in … Read more
Even though Rules is the second full-length from Erlend Øye, I still have a hard time disassociating his airy voice from prior folk duo, Kings of Convenience, Øye's Belle-and-Sebastian-esque alma mater. However, the more I listen to the Berlin-based The Whitest Boy Alive, the more I can appreciate Øye singing similar, heartbreak lyrics over a funky bass line rather than … Read more
The Number Twelve Looks Like You have always been a very unorthodox band to say the least. They've been trying something new with each album and it's no different with their latest album, Worse Than Alone. Pinning them to one genre is difficult because they incorporate so many different sounds into their music. A basic description of it can be … Read more
Only Thieves pay homage to the Boss with their cover to Greeting from Levy Park, T.L.H., but the tribute doesn't stop at the artwork. From the get go of "Hammered for the Holidays" there's a clear striving toward outspoken, plainclothes guitarman at the center. However, there's a more of a band feel to it, and more Gaslight Anthem than Springsteen. … Read more
Even though he took up the same moniker, all-caps not withstanding, it's unlikely anyone is going to mistake the artist formerly toting metal fingers for the legendary crust band. One decade after the landing of Operation Doomsday, Danielle Dumile re-emerges with a modified alter-ego, and perhaps a bruised original ego. The reinvention of MF Doom to DOOM comes after a … Read more
Wow, just seriously wow, even though Black Moth Super Rainbow has been on my list to check out for a while now, I am glad that their latest album, Eating Us is my first exposure to the group because it is a breath of fresh air at just the right time. When trying to describe the band to people (as … Read more
As a long-time Iron and Wine fan, I was intrigued by the announcement of this double-disc release that spans the spectrum of Sam Beam's musical career. What most call a rarities and b-sides album, I see more of an insight into the progression of Beam's collaborative sound, compiling many of his strongest tracks that never made it onto his full-length … Read more
By a stroke of luck, my Last.fm did something good for once and recommended me this band called Church of Misery. I usually don't pay close attention to these recommendations as they are usually a bit off (seriously, stop recommending me stuff like Bon Jovi), but the name sounded dope and they apparently fell somewhere into that doom metal category. … Read more
Every so often you hear a record and it instantaneously floors you. All Teeth's debut full-length I Am Losing is one of those records. The thirteen songs that make up this album are filled with such passion, aggression, and emotion - it is as though anger, frustration, resentment, and bitterness actually fuel the songs. The lyrics and music perfectly match … Read more
A great deal of hyperbole flies around regarding re-issues, which in it of themselves can be very tricky propositions, particularly ones that may or may not be integral to have a re-issue. Gore no longer exists as a unit, but the three piece's legacy resonates today in heavy (be it metal, be it some other genre) music and serves as … Read more
The first thing that's going to strike you about The Paper Chase is that they're a quirky indie band. What you get in the first song is what you're going to get in the next nine: John Congleton's wavering voice and keyboard-driven epics. The band relies predominantly on synthesizer instead of big guitars to make their statement. When it comes … Read more
A first record for a band taking their first steps is both exciting as well as potentially harrowing when putting one's work out for others to hear. Monolith make that leap with their debut album, Eclipse, and to be completely honest, I admire the fact that this Pennsylvania four-piece put the record out themselves. Monolith is one of those "post-rock" … Read more
This may be going out on a limb here, but Dinosaur Jr.'s reunion album in 2007, Beyond was one of the best albums of said year, if not one of the best reunion albums ever. Bands reuniting is always seen as a lame cash-in attempt by artists going bankrupt, but with Beyond it felt more like Dinosaur Jr. were making … Read more
California's most intriguing current hardcore outfit, Sabertooth Zombie, returns with their latest full-length effort. Since they've last released Midnight Venom in 2006, the group has released a dual-EP 10" and a 7" EP as well as re-recording and re-compiling a few recordings for CD releases. Needless to say, Sabertooth Zombie has kept themselves busy. And You Fathers are Dead in … Read more
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