"Apocalyptic" is a word thrown around a lot in reviews, to the point where readers could really stop putting any stock in it. But many genres, like black metal, drone, and probably even folk, really do have a few artists deserving of this most serious adjective because of their unnerving atmospheres and epic, timeless approaches. For the doom metal genre, Indian is definitely one of those bands of truly apocalyptic proportions. I'll tell you one thing: this band knows how to make one hell of an ugly doom album. While Indian's previous album, The Unquiet Sky, proved the band's ability to make dense, evil, groovy, and feedback-drenched doom, Slights and Abuse / The Sychophant (a compilation of two LPs onto one CD) shows simultaneously both progression of artistic vision and devolution into the rawest, most feral doom imaginable. The guitars and bass sound like bottomless pits of fuzz, the drums are spastic and relentless, and the vocals are wicked and throaty. The grooves are still there under all of the crushing sound, but they aren't as slow, comforting, and predictable as they used to be. There is not one breath of fresh air on this album; it's absolutely uncompromising, an … Read more
What do you get when you toss members of Jesu, Isis, Godflesh, House of Low Culture, The Lotus Eaters, Mamiffer … Read more
Rob Gordon's first lines uttered in High Fidelity are What came first, the music or the misery? People worry about … Read more
Throughout their eight-year tenure as a band, The Mars Volta has never been timid about doing whatever they please. The … Read more
Christian hardcore isn't exactly my thing but I was willing to give The Red Baron's debut album, My First Love, … Read more
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Before we begin, allow me to digress and give a bit of background on the monstrosity that is Spitfire, because I want to get some things out of the way immediately. On their first album, The Dead Next Door, the band was vastly different from the current incarnation. This was 1999 or so; the record was recorded with Steve Evetts (Snapcase, Hatebreed) and Jessie Smith of Zao/Gods fame. By the time the Sideshow Whiplash EP emerged in 2001, the band was beginning to resemble more closely what the band currently exhibits. Jon Spencer of Scarlet joined the band on vocals for this record. Unfortunately, this EP was plagued by poor production and the band disbanded soon after its release. So, if we were to leave the story there, Spitfire could … Read more
Everyone Everywhere is a relatively new group from Philadelphia that loves to wear their influences plainly on their sleeve. Sounding somewhere between Nothing Feels Good-era Promise Ring and the bouncy guitars of Braid, they bring us four tracks of this 90's style that I don't hear very often anymore. This seven-inch turns out to be an interesting exploration of a … Read more
The third record finds this Canadian five-piece returning to the smooth atmospheric rock of their debut. But with more songwriting maturity to show for it, this is actually a stronger release. "Snow in California" and "Being Here" are the stand out songs, but really this CD works well as a whole. I've never been to Eastern Europe, but I think … Read more
On this outing Robyn Hitchcock is backed by Scott McCaughey (Young Fresh Fellows) on bass and vocals, Peter Buck (some big band from Athens?) on guitar and Bill Rieflin (Ministry) on drums. A lush recording with a lot of texture makes this record a lot to take in. But once you enter, you may never want to leave. "Saturday Groovers" … Read more
Outclassed's This Might Be Coincidence is a five-song escape from tranquility. Their satisfyingly raucous punk is filled with energy and misshapen tempos. Song titles like "Kick God in the Face, Hail Satan" and "Fuck Mark" are almost impossible to hate. Their label Forcefield Records is also home to City of Ships, Triac, and Cannabis Corpse. The one-sided LP release of … Read more
imadethismistake play catchy folk-infused punk. It's a simple concoction, but it works well for the band. It's Okay is an eleven song LP with awesome artwork done by EMY (aka Bughead). Kylewilliam Campol's vocals match the music nicely, and the music is never too overbearing or haughty. It's evident that imadethismistake have found their niche. It's Okay is a pleasant … Read more
Who Calls So Loud features ex-members of Funeral Diner and Portraits of Past, but that's not the only reason you should listen to their self-titled release. Their label, Protagonist Music, is well known for its incredible acts such as In First Person, Pyramids, Osceola, and Suis La Lune. The band plays emotional hardcore that breathes with quieter ambient sections. Heed … Read more
Stella Dawes sent us a promo of Contrasts with a press sheet on which they wrote too much about themselves. In all honestly, it turned me off to their album before I even listened to the twelve songs. They say their influences are "Poison the Well, Underoath" and "'screamo' bands." Thankfully, the music isn't exactly what I anticipated. The vocals … Read more
Limited to a number of 250, A Death Cinematic's most recent release features two discs and impeccable packaging. Comparisons can easily be made to certain output by A Silver Mt. Zion or Godspeed You! Black Emperor, but A Death Cinematic's sound is someplace else. It is distant, eerie, and always brooding. The long song titles such as "Their Blood Crawls … Read more
Magic Bullet reissued Lymbyc Systym's first release, but with two bonus remixed tracks. The five original songs sound as good as ever. Lymbyc Systym's brand of ethereal electronic noodling has grown since Carved by Glaciers, becoming even more cohesive and brilliantly layered. However, to be able to revisit the band's earliest material is a treat. It's good to learn about … Read more
"Haunted by Rivers" begins Drain the Sky's first release on Level Plane Records. Use of repetition, low vocal pitches, and no percussion make the song oppressive. However, the rest of Haunted by Rivers does not follow in the same fashion. "Sightless" increases tempo and dabbles in hardcore punk. I really like the juxtaposition between the first two tracks. Everything about … Read more
Chapter III: World Reclamation is a bizarre release. The Thucydidean Theory combine punk and trance arrangements that are heavily bass-driven. This four song release features female vocals that mingle with vocal-like synth sounds. "Please Stop Calling My Office and Yelling 'Cunt' at Whoever Answers the Telephone" is the most upbeat track on World Reclamation. Although the band's hybridized ideas are … Read more
Eksi Ekso is a group of six musicians from Boston. Their debut, I am Your Bastard Wings, highlights a musical prowess that dances between free-form and orchestrated. The breadth of instruments - viola, oboe, violin, flugelhorn, trumpet, bass, guitar, keys, drums - adds to Eksi Ekso's complex sound. Easy comparisons might be Ghastly City Sleep and Godspeed You! Black Emperor, … Read more
Three songs, forty minutes. Akai Yami was my first introduction to Japan's Birushanah. The band uses two metal percussionists as well as a drummer, a fretless bassist and guitarist. "Jyodo" is a calm and intriguing opener that features traditional Japanese percussion. However, this doesn't last long, and the twenty-minute track, "Akai Yami," begins. Vocals vary greatly during this song. Long-held … Read more
Light Yourself on Fire combine hardcore and death metal on Intimacy, their second release. Ex-Reversal of Man vocalist Matt Coplon gives us notes on his lyrics, which draw from writers such as Jean-Paul Sartre, Albert Camus, and Kierkegaard. It's always a bonus to get insight into the thoughts behind an album. The six song long release lasts only seventeen minutes, … Read more
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