Ever since their conception in 2004, Comadre has been a ridiculously prolific punk band. They tour constantly and release a new album or EP practically every year. You'd assume that it wouldn't give enough time for the band's sound to change and evolve, but I'm impressed with the growth in each of their releases. Their latest EP, A Wolf Ticket is no exception. It's an understandable follow up to their 2007 split with Trainwreck: more polished, stronger melodies, and really good drum work. It starts off with "Hamlets" that features Comadre's notorious love for feedback and dramatic screams. "Tannerisms" and "Suicides May Have Been Pact" are two traditionally raw and fast paced songs. "Viva Hate Pt. 1" starts off with lo-fi singing and explodes into the rapid and short "Viva Hate Pt. 2." "Grow Worms" will probably be the catchy favorite when they play live, with ample chants. The real gem for me, and what may be indicative of the direction Comadre's sound will be moving, is the pop-structured "King Jeremy." The EP overall is a great combination of pop sentimentality and punk rawness. Keep it posi, 650 Radwood punx. Read more
Everyone Everywhere is a relatively new group from Philadelphia that loves to wear their influences plainly on their sleeve. Sounding … Read more
The third record finds this Canadian five-piece returning to the smooth atmospheric rock of their debut. But with more songwriting … Read more
On this outing Robyn Hitchcock is backed by Scott McCaughey (Young Fresh Fellows) on bass and vocals, Peter Buck (some … Read more
Outclassed's This Might Be Coincidence is a five-song escape from tranquility. Their satisfyingly raucous punk is filled with energy and … Read more
imadethismistake play catchy folk-infused punk. It's a simple concoction, but it works well for the band. It's Okay is an … Read more
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For experimental rock artists torn between noise-rock abrasion and torturous drone immersion, one side usually wins. It is either a certain sentimental and ethereal quality or an oppressive noise dimension that prevails. But there are some acts that can balance between these worlds. Names like The Angelic Process, and of course Low exemplify this strange balance in different ways. A more obscure name, that felt to be slipping into oblivion, is The Goslings, who have just made their mighty return. The Florida act released some of the heaviest, most distorted underground music of the '00s. Combining lo-fi aesthetics, abstracted noise rock and drone soundscapes, there was no lack of extravagance in their music. However, a shoegaze injection opened a new dimension. The resulting sentimentality did not take away from the … Read more
Who Calls So Loud features ex-members of Funeral Diner and Portraits of Past, but that's not the only reason you should listen to their self-titled release. Their label, Protagonist Music, is well known for its incredible acts such as In First Person, Pyramids, Osceola, and Suis La Lune. The band plays emotional hardcore that breathes with quieter ambient sections. Heed … Read more
Stella Dawes sent us a promo of Contrasts with a press sheet on which they wrote too much about themselves. In all honestly, it turned me off to their album before I even listened to the twelve songs. They say their influences are "Poison the Well, Underoath" and "'screamo' bands." Thankfully, the music isn't exactly what I anticipated. The vocals … Read more
Limited to a number of 250, A Death Cinematic's most recent release features two discs and impeccable packaging. Comparisons can easily be made to certain output by A Silver Mt. Zion or Godspeed You! Black Emperor, but A Death Cinematic's sound is someplace else. It is distant, eerie, and always brooding. The long song titles such as "Their Blood Crawls … Read more
Magic Bullet reissued Lymbyc Systym's first release, but with two bonus remixed tracks. The five original songs sound as good as ever. Lymbyc Systym's brand of ethereal electronic noodling has grown since Carved by Glaciers, becoming even more cohesive and brilliantly layered. However, to be able to revisit the band's earliest material is a treat. It's good to learn about … Read more
"Haunted by Rivers" begins Drain the Sky's first release on Level Plane Records. Use of repetition, low vocal pitches, and no percussion make the song oppressive. However, the rest of Haunted by Rivers does not follow in the same fashion. "Sightless" increases tempo and dabbles in hardcore punk. I really like the juxtaposition between the first two tracks. Everything about … Read more
Chapter III: World Reclamation is a bizarre release. The Thucydidean Theory combine punk and trance arrangements that are heavily bass-driven. This four song release features female vocals that mingle with vocal-like synth sounds. "Please Stop Calling My Office and Yelling 'Cunt' at Whoever Answers the Telephone" is the most upbeat track on World Reclamation. Although the band's hybridized ideas are … Read more
Eksi Ekso is a group of six musicians from Boston. Their debut, I am Your Bastard Wings, highlights a musical prowess that dances between free-form and orchestrated. The breadth of instruments - viola, oboe, violin, flugelhorn, trumpet, bass, guitar, keys, drums - adds to Eksi Ekso's complex sound. Easy comparisons might be Ghastly City Sleep and Godspeed You! Black Emperor, … Read more
Three songs, forty minutes. Akai Yami was my first introduction to Japan's Birushanah. The band uses two metal percussionists as well as a drummer, a fretless bassist and guitarist. "Jyodo" is a calm and intriguing opener that features traditional Japanese percussion. However, this doesn't last long, and the twenty-minute track, "Akai Yami," begins. Vocals vary greatly during this song. Long-held … Read more
Light Yourself on Fire combine hardcore and death metal on Intimacy, their second release. Ex-Reversal of Man vocalist Matt Coplon gives us notes on his lyrics, which draw from writers such as Jean-Paul Sartre, Albert Camus, and Kierkegaard. It's always a bonus to get insight into the thoughts behind an album. The six song long release lasts only seventeen minutes, … Read more
It doesn't look like a man. It doesn't talk like a man. But does it fuck like a man? Does it? Does it fuck like a man? It doesn't smell like a man. It doesn't taste like a man. But does it fuck like a man? Does it? Does it fuck like a man? Wise words there from album highlight … Read more
People make it a point to search far and wide for new music. I'm not against this by any means; I've found many quality bands from the other continents besides mine. But oftentimes there is little to no effort needed when searching as there is quality music being produced right under ones nose. A perfect example of this is Minute … Read more
Most bands that are signed to No Idea Records have a sound that's usually expected from them. That, of course, being raw punk rock with gruff vocals and catchy melodies. North Lincoln are another band to add to that long list as they fit into this style almost perfectly. This album has been in the making since 2007 but recording … Read more
Look out now because Nadja's release schedule is kicking into high gear with the release of Belle Bêtes via the fine folks of Beta-Lactam Ring in a limited edition of five hundred vinyl LPs, and I am pretty sure that some of their more rabid collectors are both begging for more and crying at the amount of material that the … Read more
Okay, I must say that Sunn 0))) lost me with Oracle, particularly after some mild disappointment in Altar. My eventual listening of Domkirke came quite a while after its release, but it did revive my interest in the band. Now, finally delivering a new studio album (it has been quite a while since their last studio album Black One), Sunn … Read more
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