"I know I'm not the easiest lover," Drag the River admits in "Jeff Black Song." That honest and simple line over a minimal acoustic track tells you as much as you need to know about Drag the River. The alt-country band started as a side project, grew into a full-time band, and fell apart as band members went in different directions. At present, they may or may not be active in some form, following a 2008 break up that lasted all of a few months, hence the album title. The similarities to Lucero are more numerous than I want to get into. But, like Ben Nichols' band, the singers are the driving force and recognizable face to the band. Drag the River comes across as Chad and Jon's band, and while members may change, they'll keep at it as long as possible. Drag the River is at their best in the melodic ballads, such as "A Way with Women," "Jeff Black Song," and "J.J.'s Drivin'," which carry themes of broken relationships from a man with his guitar. This isn't a band of punks playing country music, they utilizes the traditional themes of loneliness and trouble with women while playing reflective … Read more
What do you get when you toss members of Jesu, Isis, Godflesh, House of Low Culture, The Lotus Eaters, Mamiffer … Read more
Rob Gordon's first lines uttered in High Fidelity are What came first, the music or the misery? People worry about … Read more
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A lot of the time when I see "true metal" kids referring to metalcore they put quotes around the metal because it's not true enough for them. After millions of hours of research upon the topic I came upon a few realizations on the subject of the difference between metal and metalcore. For the most part what it comes down to is metalcore members have short hair and are just as influenced as bands like Cave In or Converge as bands like Dying Fetus or At The Gates. The music itself will have breakdowns (slower heavier dancy parts) and lyrics consisting of sunsets, shadows, and fallen skies. I'm sure there's a lot more to it but when you use generalizations life is more fun. Through The Eyes Of The Dead … Read more
Throughout their eight-year tenure as a band, The Mars Volta has never been timid about doing whatever they please. The collaborative duo that is The Mars Volta - guitarist Omar Rodríguez-López and vocalist Cedric Bixler-Zavala - have tried it all, and yet they continually make it a point to find new ways to express themselves. Full-length album number five, Octahedron, … Read more
Christian hardcore isn't exactly my thing but I was willing to give The Red Baron's debut album, My First Love, a fair, unbiased listen only to find out that the record is everything I'd fear it would be: preachy, generic and forgettable. What we have here is twelve tracks of straight-edge and Christian-inspired hardcore songs where the band isn't afraid … Read more
Ever since their conception in 2004, Comadre has been a ridiculously prolific punk band. They tour constantly and release a new album or EP practically every year. You'd assume that it wouldn't give enough time for the band's sound to change and evolve, but I'm impressed with the growth in each of their releases. Their latest EP, A Wolf Ticket … Read more
Everyone Everywhere is a relatively new group from Philadelphia that loves to wear their influences plainly on their sleeve. Sounding somewhere between Nothing Feels Good-era Promise Ring and the bouncy guitars of Braid, they bring us four tracks of this 90's style that I don't hear very often anymore. This seven-inch turns out to be an interesting exploration of a … Read more
The third record finds this Canadian five-piece returning to the smooth atmospheric rock of their debut. But with more songwriting maturity to show for it, this is actually a stronger release. "Snow in California" and "Being Here" are the stand out songs, but really this CD works well as a whole. I've never been to Eastern Europe, but I think … Read more
On this outing Robyn Hitchcock is backed by Scott McCaughey (Young Fresh Fellows) on bass and vocals, Peter Buck (some big band from Athens?) on guitar and Bill Rieflin (Ministry) on drums. A lush recording with a lot of texture makes this record a lot to take in. But once you enter, you may never want to leave. "Saturday Groovers" … Read more
Outclassed's This Might Be Coincidence is a five-song escape from tranquility. Their satisfyingly raucous punk is filled with energy and misshapen tempos. Song titles like "Kick God in the Face, Hail Satan" and "Fuck Mark" are almost impossible to hate. Their label Forcefield Records is also home to City of Ships, Triac, and Cannabis Corpse. The one-sided LP release of … Read more
imadethismistake play catchy folk-infused punk. It's a simple concoction, but it works well for the band. It's Okay is an eleven song LP with awesome artwork done by EMY (aka Bughead). Kylewilliam Campol's vocals match the music nicely, and the music is never too overbearing or haughty. It's evident that imadethismistake have found their niche. It's Okay is a pleasant … Read more
Who Calls So Loud features ex-members of Funeral Diner and Portraits of Past, but that's not the only reason you should listen to their self-titled release. Their label, Protagonist Music, is well known for its incredible acts such as In First Person, Pyramids, Osceola, and Suis La Lune. The band plays emotional hardcore that breathes with quieter ambient sections. Heed … Read more
Stella Dawes sent us a promo of Contrasts with a press sheet on which they wrote too much about themselves. In all honestly, it turned me off to their album before I even listened to the twelve songs. They say their influences are "Poison the Well, Underoath" and "'screamo' bands." Thankfully, the music isn't exactly what I anticipated. The vocals … Read more
Limited to a number of 250, A Death Cinematic's most recent release features two discs and impeccable packaging. Comparisons can easily be made to certain output by A Silver Mt. Zion or Godspeed You! Black Emperor, but A Death Cinematic's sound is someplace else. It is distant, eerie, and always brooding. The long song titles such as "Their Blood Crawls … Read more
Magic Bullet reissued Lymbyc Systym's first release, but with two bonus remixed tracks. The five original songs sound as good as ever. Lymbyc Systym's brand of ethereal electronic noodling has grown since Carved by Glaciers, becoming even more cohesive and brilliantly layered. However, to be able to revisit the band's earliest material is a treat. It's good to learn about … Read more
"Haunted by Rivers" begins Drain the Sky's first release on Level Plane Records. Use of repetition, low vocal pitches, and no percussion make the song oppressive. However, the rest of Haunted by Rivers does not follow in the same fashion. "Sightless" increases tempo and dabbles in hardcore punk. I really like the juxtaposition between the first two tracks. Everything about … Read more
Chapter III: World Reclamation is a bizarre release. The Thucydidean Theory combine punk and trance arrangements that are heavily bass-driven. This four song release features female vocals that mingle with vocal-like synth sounds. "Please Stop Calling My Office and Yelling 'Cunt' at Whoever Answers the Telephone" is the most upbeat track on World Reclamation. Although the band's hybridized ideas are … Read more
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