Well. Colourized Audio Transmission from Mirrors and Wires is the most random album that I've received to review thus far this year. Released on Headcount Records - a mostly hardcore/punk label - we get anything but that sort. This 7" EP is a mixture of surf-punk and rock and roll. I really know little of the genre other than Dick Dale being a legend. I can't really say if this is good or bad for the genre I can say that I'm not really a fan of this kind of stuff beyond the occasional listen; most of said listens were a result of a friend's college radio show back in the day. If surf-rock is your thing, by all means give Mirrors and Wires a chance. If not, I'd stay away from this EP. Read more
Railroaded Records teams up two Eastcoast acts on this limited split 7" release: Zhenia Golov from New Brunswick, New Jersey … Read more
Adams Dagger - California by way of Florida. This reminds of the 80's hardcore scene when bands moved from all … Read more
A couple of the rust-belt cities connect themselves through this new split 7" release. Detroit's Child Bite and Cleveland's This … Read more
"I know I'm not the easiest lover," Drag the River admits in "Jeff Black Song." That honest and simple line … Read more
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If I told you that Skyscraper Frontier was another band out of L.A. playing an 'eclectic' mixture of songs, you'd probably get that glazed look in your eyes and change the subject. You've heard it all before. But what if I told you that this six-track EP really was eclectic? Beginning with "I Just Need You," we get ambient 80's electronic dance pop with some elegant piano backing. Vocals are a seductive falsetto delivered by (Rus) Andrew Martin, formerly of Eyelid. Right after this we get some alt.country acoustic balladry with "Your Hazy Mind," and then straight into some shimmering indie pop with "Catatonic Citizens." Melodies are strong but subtle and vocals are easygoing. "I Know You Know" is a slice of post-rock inspired contemplation, followed up by "The Fake … Read more
I'll be honest. I hadn't really listened to Pelican all that much since City of Echoes was released in 2007. In fact, I think I gave that album two or three plays total; since then their discography has seen limited plays. I really have no logical explanation for my lack of listening. I think the "post-metal" craze got overblown and … Read more
"Apocalyptic" is a word thrown around a lot in reviews, to the point where readers could really stop putting any stock in it. But many genres, like black metal, drone, and probably even folk, really do have a few artists deserving of this most serious adjective because of their unnerving atmospheres and epic, timeless approaches. For the doom metal genre, … Read more
What do you get when you toss members of Jesu, Isis, Godflesh, House of Low Culture, The Lotus Eaters, Mamiffer nevermind ask the same question but change it to Aaron Turner and Justin Broadrick and his compatriots from Jesu (Dave Cochrane and Diarmud Dalton). In case you have yet to hear, GREYMACHINE (yes, all in caps) is the name of … Read more
Rob Gordon's first lines uttered in High Fidelity are What came first, the music or the misery? People worry about kids playing with guns, or watching violent videos, that some sort of culture of violence will take them over. Nobody worries about kids listening to thousands, literally thousands of songs about heartbreak, rejection, pain, misery and loss. Did I listen … Read more
Throughout their eight-year tenure as a band, The Mars Volta has never been timid about doing whatever they please. The collaborative duo that is The Mars Volta - guitarist Omar Rodríguez-López and vocalist Cedric Bixler-Zavala - have tried it all, and yet they continually make it a point to find new ways to express themselves. Full-length album number five, Octahedron, … Read more
Christian hardcore isn't exactly my thing but I was willing to give The Red Baron's debut album, My First Love, a fair, unbiased listen only to find out that the record is everything I'd fear it would be: preachy, generic and forgettable. What we have here is twelve tracks of straight-edge and Christian-inspired hardcore songs where the band isn't afraid … Read more
Ever since their conception in 2004, Comadre has been a ridiculously prolific punk band. They tour constantly and release a new album or EP practically every year. You'd assume that it wouldn't give enough time for the band's sound to change and evolve, but I'm impressed with the growth in each of their releases. Their latest EP, A Wolf Ticket … Read more
Everyone Everywhere is a relatively new group from Philadelphia that loves to wear their influences plainly on their sleeve. Sounding somewhere between Nothing Feels Good-era Promise Ring and the bouncy guitars of Braid, they bring us four tracks of this 90's style that I don't hear very often anymore. This seven-inch turns out to be an interesting exploration of a … Read more
The third record finds this Canadian five-piece returning to the smooth atmospheric rock of their debut. But with more songwriting maturity to show for it, this is actually a stronger release. "Snow in California" and "Being Here" are the stand out songs, but really this CD works well as a whole. I've never been to Eastern Europe, but I think … Read more
On this outing Robyn Hitchcock is backed by Scott McCaughey (Young Fresh Fellows) on bass and vocals, Peter Buck (some big band from Athens?) on guitar and Bill Rieflin (Ministry) on drums. A lush recording with a lot of texture makes this record a lot to take in. But once you enter, you may never want to leave. "Saturday Groovers" … Read more
Outclassed's This Might Be Coincidence is a five-song escape from tranquility. Their satisfyingly raucous punk is filled with energy and misshapen tempos. Song titles like "Kick God in the Face, Hail Satan" and "Fuck Mark" are almost impossible to hate. Their label Forcefield Records is also home to City of Ships, Triac, and Cannabis Corpse. The one-sided LP release of … Read more
imadethismistake play catchy folk-infused punk. It's a simple concoction, but it works well for the band. It's Okay is an eleven song LP with awesome artwork done by EMY (aka Bughead). Kylewilliam Campol's vocals match the music nicely, and the music is never too overbearing or haughty. It's evident that imadethismistake have found their niche. It's Okay is a pleasant … Read more
Who Calls So Loud features ex-members of Funeral Diner and Portraits of Past, but that's not the only reason you should listen to their self-titled release. Their label, Protagonist Music, is well known for its incredible acts such as In First Person, Pyramids, Osceola, and Suis La Lune. The band plays emotional hardcore that breathes with quieter ambient sections. Heed … Read more
Stella Dawes sent us a promo of Contrasts with a press sheet on which they wrote too much about themselves. In all honestly, it turned me off to their album before I even listened to the twelve songs. They say their influences are "Poison the Well, Underoath" and "'screamo' bands." Thankfully, the music isn't exactly what I anticipated. The vocals … Read more
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