Before I start this review, let's have a little history lesson. Death By Stereo began their careers by releasing two very solid hardcore albums (If Looks Could Kill, I'd Watch You Die and Day of the Death) and winning a lot of fans over with their energetic live shows. In 2003, they released Into the Valley of Death, which showed the band embarking on a new sound, but still holding onto their punk rock roots. Then, two years later, came Death for Life, an album which sounded like Death By Stereo imitating a metalcore band. Four long years a couple more member changes later, they have a new album entitled Death is My Only Friend. The band's identity crisis continues and it's an even bigger mess than it ever was before. To start things off, I had a bad feeling about this album before even listening to one song off it. The atrocious album cover, the stupid title and the fact that their last album sounded like the band was doing their best Killswitch Engage impression, already gave me negative feelings about it. So, then I play the album and then the first thing I hear is vocalist Efrem Schulz's … Read more
After returning from a five year hiatus in 2007, American Steel released Destroy Their Future, which may have been their … Read more
I feel a bit silly for reviewing this since it's basically just the original versions of songs from my favorite … Read more
Too much hype is something that can kill a band in the end of things because there's a good chance … Read more
There is a caustic, angry, and somewhat aimless feel permeating Swear to Me that convinces me that Brainworms is a … Read more
When it comes to live albums, it has to be a band I love or a band that puts on … Read more
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With the daring first notes of a church organ, Paradise Lost primes its listeners for a quasi-sermon on the mount in Medusa. A part description of suffering, part omen for eventual destruction, part heroic call to arms in the face of meaninglessness, Medusa glorifies godless bravery and turns those who cower from responsibility to stone. The album is predicated on humanities continual fall from grace through both failed gods, and human dishonesty. Salvation is undercut by a weighty judgment given sonic birth by the resonant pop, smack and stick of the drums, a buzz saw guitar-bass combo—I think the classic HM-2 pedal is used here—down tuned for heaviness sake, and a surprisingly well enunciate black metal crow, peppered with strong clean vocal crooning reminiscent of Dave Gahan from Depeche Mode.Within … Read more
Currently recording their eighth studio album, California punk quintet, Strung Out decided to put together this little compilation album full of b-sides, rarities, alternate takes, and demos. Given that Strung Out has undergone a bit of a transformation in their seventeen years as a band, you're bound to get just a bit of everything with this collection. It's really interesting … Read more
It has been two years since Broadway Calls last graced us with a full-length release. But in that time the band has been keeping busy. Their last record caught the ear of Adeline Records, who re-released it, as well as the excellent split 7" with Teenage Bottlerocket last year. In addition, the Oregon trio has kept to the road including … Read more
Shoegaze and psychedelics just naturally go hand in hand. Sure, you can have one without the other, but you'd probably be cheating yourself of one of two things: a spiritual epiphany, or a night of sitting on your ass in your room staring blissfully into the space. Alright, maybe there isn't really a difference between the two, but Pink Mountaintops … Read more
Ideological stances are polarizing. They come with a set of existing concepts and reference points that are often hard to overlook. I didn't want to talk about religion in this review. I didn't want to talk about religion as much as Project 86 doesn't want to limit themselves as a solely religious band, but it's difficult to ignore a prevailing … Read more
When you review as many generic melodic hardcore bands as I do, you do whatever you can to try to find things that make one band stand out from another. Believe me, it wasn't easy to as I listened to Voyages. Tall Ships sounds like just another hardcore band going through the motions of being a new school hardcore. They … Read more
Yes, Nadja continues to be a frustratingly prolific group that pumps out records faster and more geographically spread out than most bands could ever dream of producing. And while that is exciting for fans of the group, it is also difficult to keep up with at times. Quite literally, Clinging to the Edge of the Sky is the newest recording … Read more
Boston-based shoe-gazing space-rockers Constants return with their second full-length and follow-up to 2006's The Murder of Tom Fitzgerril EP. With The Foundation, The Machine, The Ascension Constants continues to make waves in the rock world as they showcase their talent towards writing intricate, dynamic, and ominous rock music. The Foundation, The Machine, The Ascension is ultimately broken up into three … Read more
By now, everyone should know the story of Wilco: Chicago alt-country pioneers-turned-alt-rock gurus record the most ambitious record of their career, their record label turns it down, it sits in limbo while the public consumes leaked copies on the web, another record label owned by the same entertainment giant as their previous one snatches it up, and suddenly it's one … Read more
There's something very important one has to keep in mind when reviewing a Coreline album, or indeed merely when listening to it. And that is this: The brain that gave birth to this is one fully capable of rickrolling an entire festival audience, in amongst a performance that also delivers a theater troupe performing in cardboard robot costumes. Tongue in … Read more
Before I begin, let me get this off my chest: I wasn't a big fan of Cult Ritual's EPs. I don't mean to offend. It's very possible that the glowing reviews from punk blogs across the web had me convinced that I was about to experience some sort of musical enlightenment. Listening to Cult Ritual would somehow turn my life … Read more
Texas natives Iron Age return with their second long-player, The Sleeping Eye, after making quite a name for themselves with 2006's Constant Struggle. The band's debut was highlighted by an onslaught of blistering crossover accented by classic hardcore undertones. With their new release, Iron Age builds on that foundation and adds some depth to their sound. What continues to strike … Read more
Venture deep into the desert of the Southwest and you'll find Black Hell, a doom metal quartet featuring ex-members of Wellington and Unruh who have just released their second album, How the Rest was Lost. Black Hell show show a bit of a split personality on their sophomore effort. On one half, they play fast, groovy stoner-influenced doom metal with … Read more
Unholy returns with a brand new full-length effort, and with it comes a number of new beginnings. First off, the band has seen a major lineup shift, trading out vocalists and its rhythm section. Secondly, the band has upgraded to a more high profile home at Prosthetic Records. In spite of these changes, Unholy has continued to deliver a quality … Read more
When I heard Punish and Destroy for the first time, Weekend Nachos easily became one of my favorite punk/metal bands. I was positive that these guys, along with Trap Them, would be the leaders of the next wave of great extreme music. Then Trap Them released Seizures in Barren Praise, a significant drop-off from their first two releases, in my … Read more
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