What you get with Love Collector is pretty straightforward. Only a few seconds into "My Baby Goes Waaah!," the titular track on this 7", it's clear that this is a band that plays punk-fused garage rock, with lots of guitar, a few pedals, and lots of attitude hovering around the two-minute-per song mark. It's also the kind of rock where lyricism is a near non-factor. The lyrics tend to be insipid: a case in point being the titular song and excerpts like "I want to be her man / When she hits me with a frying pan / My baby she's such a brat / I want to beat her with a baseball bat" It's irreverent and fun, with the guitar hooks being the primary force. The lyrics are a little snotty and overdone, which somewhat detracts from the rollicking energy. The B-side continues in like manner, with "Tell Me," which channels The Hives, but runs the familiar sound through a wash cycle, distorted and sped up. Both of the b-sides are less cartoonish on the love subject, and it makes up an interesting single with the recurring thematic approach of songs about girls. All three are up-tempo, keep-your-foot-tapping songs … Read more
As life continually changes, sometimes constancy is important. Putting in Ghosts on the Boardwalk, the twenty-year anniversary release from The … Read more
It's been quite some time since Another Breath released Mill City. Granted it has only been a few years, but … Read more
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Shame seems to have captured some buzz. They’ve had several clips in big UK publications and their debut was issued on Dead Oceans here in the States. The band plays forceful and somewhat haunting punk that’s brutal and harsh, but with heart and authentic emotion that seeps throughout the tough-on-the-surface songs. Sure the band screams out descriptive lyrics like “bathe me in blood” (in “The Lick”) but those pained shouts are countered by a more reflective stream-of-thought counter vocal that’s soothing and grounded. The anger booms, but it’s tempered and contained without being restrained.That balance between the primal energy of punk and the more sophisticated ability to reign it in stretches across the record, which seems to put it in the post-punk realm according to the majority of articles I’ve … Read more
What happens when music nerds (hey, I am one of them) get together and bond over their music nerd-dom? Well, besides a great deal of talk, interesting musical ideas are born from just these types of occasions. Chord is an outcome of such a discussion of fellow musicians over their craft. Chord, besides being comprised of members of Pelican, Unfortunaut, … Read more
What strikes in a live show doesn't always show evenly on the studio reproduction. My first thoughts on Sound Study's Live at the Atlantic: Volume 1: Young Livers have great guitars, and Jack Bailey of Army of Ponch can really scream. On a regular studio release, I doubt either of these elements would grab me the same way. Having given … Read more
Scott Ritcher was one of the masterminds behind the rise of Louisville hardcore in the early 90's. He had some extraordinary ideas on how to promote his label, Slamdek. He even had his own girls' field hockey team. Later Scott even ran for mayor, he lost, but you have to admire his ambition. The Metroschifter is Ritcher's three-piece rock outfit … Read more
During all of high school, Jen dated Zach. Jen was, hands down, the most beautiful girl in our year. Beyond that, she was extremely smart and cultured: she had been across Europe a couple of times and could tell you the capitals of all the provinces and states if she was asked. There wasn't a guy that I knew who … Read more
There's a lot to say about this split. First, it features one great name (Mouthbreather) and one lesser one (Environmental Youth Crunch). What strikes me second is the contrast in band styles, though I'll elaborate on this later. And, third, that it's such a solid release with five songs - it's an EP, not a single. First on the record … Read more
After almost five years since their last outing, the Norwegian duo Kings of Convenience have returned with their third full-length, Declaration of Dependence. Erlend Øye and Eirik Glambek Bøe are best known for weaving simple acoustic melodies into lush pop songs akin to a modern day Simon and Garfunkel. Although a return to this musical style is nothing new these … Read more
The demise of Playing Enemy was a tough pill for me to swallow as they were a band that I had followed for a number of years and always thought that they got better and better as their releases stacked up over time. Following the untimely end of that project Demian Johnston and Shane Mehling went on to do a … Read more
Finally a vinyl release for this album is here, and there has been quite a wait since The Lotus Eaters initially released Mind Control for Infants on CD all the way back in 2002 (a seven year lag is pretty impressive). But this record screams to be on vinyl, and thankfully that is now the case. Still, with the lag … Read more
I like to consider myself pretty versed in rock - I listen to a lot of stuff and a good amount of variety. But, every so often, I'll get something that I just can't categorize or explain well. That's not a bad thing at all. In fact, it's a pretty good accomplishment, as long as the wax is listenable. Drunkdriver … Read more
It has indeed been a number of years since we last heard from Bane; their last full-length - The Note - came out in 2005, and with the hectic touring schedule that the band maintains, these seven inches are the first new recording from the band in quite some time (their Ten Year Plus 7" were old recordings that were … Read more
I really wanted to like They Came From the Shadows. I did. And to an extent, I do. There are some very catchy pop-punk songs on this album. But this will definitely not be seen as one of the stronger Teenage Bottlerocket albums in the future. Opening the album is "Skate or Die," which brought me high hopes for this … Read more
Considering how much I've heard about the Naked Raygun reunion, you'd think there would be more buzz regarding The Bomb. Speed is Everything is the Jeff Pezzati led group's first release for No Idea Records. When compared with Pezzati's more renowned group, I was expecting a more contemporary twist. Instead, The Bomb has a strong 80's feel to it, with … Read more
Grindcore is one of those genres where these days you are just as likely to come across an abject piece of music as you are something good. This could be said of all genres but you got to be skilled to provide something original with music where speed is the primary ingredient. The classics brought something new and did it … Read more
Following an impressive debut album (And We Wept the Black Ocean Within) and a nice split and collaborative release (see their record with Nadja called Primitive North), A Storm of Light give their latest album Forgive Us Our Tresspasses to show just how far the band has progressed in the interim. The ten new compositions that Josh Graham (Neurosis, Red … Read more
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