I could start and end this review with just one word: brutal. Unfortunately, I think my editor would prefer a few more words. This is a four-song 12 inch EP of sludge metal transposed over crust punk dynamics. Nothing on this EP goes very fast, the tempos get ramped up in each song but the riffs are so thick and syrupy its as though your robo-tripping at a Tragedy show. This is the best way to describe the first three songs of this EP. Each song carries a strong sense of the space each instrument is taking up in the song. Throughout, each musician is given their own time to shine making this that much more fleshed out. The bass remains distorted and acts as a strong counterpoint making every guitar riff carry that much more weight when it hits. The lyrics carry a rather Tragedy-esque vibe, being that they are a bit more artistic in a death metal way than most crust bands would try to go for. Where this release truly shines is in the details. The packaging is beyond most LPs I can think of in recent memory. While the artwork itself is suitably dark, the CD … Read more
"Swans are not dead!" So went the headlines across certain dark alleyways of the blogosphere and on the Swans Myspace … Read more
Ah, the sophomore curse. It's a minefield for most artists, and rare indeed is the second album that matches the … Read more
What an undeniably excellent surprise! American VI: Ain't No Grave is the remaining recordings (from the same sessions that produced … Read more
A few years ago, a low-budget film called Once made quite the impression on international critics for its minimal and … Read more
Has it really been almost two years since Have a Nice Life first burst into our collective consciousness as a … Read more
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Ability is a five-piece hardcore band from the Northern outskirts of Los Angeles. Expired is their debut effort and the 7" features five cuts of solid mid-tempo hardcore. Musically the band mixes together the guitar tones of Bad Brains with the thick rhythm sounds of Burn. "Work of Ages" is a good example of what the band has to offering. The last track, "Swallowed," has kind of a Betrayed meets Inside Out sound to it, but that's probably because Todd Jones wrote the song (he is credited with writing it, which seems rather odd that this is the second band this year I've encountered with this footnote). Overall, this is a good debut that is quite reminiscent of the early Revelation catalog. Read more
What you get with Love Collector is pretty straightforward. Only a few seconds into "My Baby Goes Waaah!," the titular track on this 7", it's clear that this is a band that plays punk-fused garage rock, with lots of guitar, a few pedals, and lots of attitude hovering around the two-minute-per song mark. It's also the kind of rock where … Read more
Once social change begins, it cannot be reversed. You cannot uneducate the person who has learned to read. You cannot humiliate the person who feels pride. You cannot oppress the people who are not afraid anymore. We have seen the future, and the future is ours. - César Estrada Chávez Matter relates to all things. Matter is defined as "something … Read more
As life continually changes, sometimes constancy is important. Putting in Ghosts on the Boardwalk, the twenty-year anniversary release from The Bouncing Souls, reminds me of times past. Not only does the band sound much like they did a half dozen records ago, but the release comes on their own label, Chunksaah, which started at the same time. This release, a … Read more
It's been quite some time since Another Breath released Mill City. Granted it has only been a few years, but in hardcore that means an eternity; a lot has transpired in the world of hardcore since 2006. Countless bands have come and gone. Some have come back too! Essentially, the entire landscape of hardcore has transformed. In spite of all … Read more
It's refreshing to put in a hip-hop disc and not have it bogged down with guest spots featured on every track. In fact, none of the songs on Felt 3: A Tribute to Rosie Perez have any star appearances - besides the rapping duo of Slug (Atmosphere) and Murs, combined with producer, Aesop Roc - as the pair returns with … Read more
Yes, yes, there are many bands that descend outward and are influenced in a myriad of ways by a certain band (Neurosis), some more so than others. And still, of those bands, some speak more on their own than others or are more unique. Overmars is just one of those bands that while yes they do owe some to that … Read more
What happens when music nerds (hey, I am one of them) get together and bond over their music nerd-dom? Well, besides a great deal of talk, interesting musical ideas are born from just these types of occasions. Chord is an outcome of such a discussion of fellow musicians over their craft. Chord, besides being comprised of members of Pelican, Unfortunaut, … Read more
What strikes in a live show doesn't always show evenly on the studio reproduction. My first thoughts on Sound Study's Live at the Atlantic: Volume 1: Young Livers have great guitars, and Jack Bailey of Army of Ponch can really scream. On a regular studio release, I doubt either of these elements would grab me the same way. Having given … Read more
Scott Ritcher was one of the masterminds behind the rise of Louisville hardcore in the early 90's. He had some extraordinary ideas on how to promote his label, Slamdek. He even had his own girls' field hockey team. Later Scott even ran for mayor, he lost, but you have to admire his ambition. The Metroschifter is Ritcher's three-piece rock outfit … Read more
During all of high school, Jen dated Zach. Jen was, hands down, the most beautiful girl in our year. Beyond that, she was extremely smart and cultured: she had been across Europe a couple of times and could tell you the capitals of all the provinces and states if she was asked. There wasn't a guy that I knew who … Read more
There's a lot to say about this split. First, it features one great name (Mouthbreather) and one lesser one (Environmental Youth Crunch). What strikes me second is the contrast in band styles, though I'll elaborate on this later. And, third, that it's such a solid release with five songs - it's an EP, not a single. First on the record … Read more
After almost five years since their last outing, the Norwegian duo Kings of Convenience have returned with their third full-length, Declaration of Dependence. Erlend Øye and Eirik Glambek Bøe are best known for weaving simple acoustic melodies into lush pop songs akin to a modern day Simon and Garfunkel. Although a return to this musical style is nothing new these … Read more
The demise of Playing Enemy was a tough pill for me to swallow as they were a band that I had followed for a number of years and always thought that they got better and better as their releases stacked up over time. Following the untimely end of that project Demian Johnston and Shane Mehling went on to do a … Read more
Finally a vinyl release for this album is here, and there has been quite a wait since The Lotus Eaters initially released Mind Control for Infants on CD all the way back in 2002 (a seven year lag is pretty impressive). But this record screams to be on vinyl, and thankfully that is now the case. Still, with the lag … Read more
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