What happens when music nerds (hey, I am one of them) get together and bond over their music nerd-dom? Well, besides a great deal of talk, interesting musical ideas are born from just these types of occasions. Chord is an outcome of such a discussion of fellow musicians over their craft. Chord, besides being comprised of members of Pelican, Unfortunaut, Anatole, and X-Bax, has just one collective mission: explore and manipulate just what can be done with a single chord. Flora is the first recorded work from this four piece outfit and is an intriguing concept with how the band attacks its craft. Each of the four pieces that Chord tackle on their debut Flora are droning walls of harmonious bliss that can entrance listeners with their simultaneous heavy atmosphere. The first piece, "Am7," is soothing and meets all of the basic requirements for inclusion in the ambient club (music or sound that works both as background and as something that one can pay attention to if they wish). It is an excellent example of what Chord has to offer on Flora. "Gmaj (flat13)" is a surprisingly quiet affair with undulating tones and what sounds like the scraping of guitar … Read more
What strikes in a live show doesn't always show evenly on the studio reproduction. My first thoughts on Sound Study's … Read more
Scott Ritcher was one of the masterminds behind the rise of Louisville hardcore in the early 90's. He had some … Read more
During all of high school, Jen dated Zach. Jen was, hands down, the most beautiful girl in our year. Beyond … Read more
There's a lot to say about this split. First, it features one great name (Mouthbreather) and one lesser one (Environmental … Read more
After almost five years since their last outing, the Norwegian duo Kings of Convenience have returned with their third full-length, … Read more
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Throughout the 90's pop-punk was an essential part of most punk and hardcore kids' record collections. Even those whose tastes leaned toward the heavier side of the underground spectrum had a special place in their heart for certain Lookout Records gems. Throughout the early 2000's it seemed that the pop-punk of earlier years had been replaced by a soulless, overproduced version that could achieve radio play and ensure bands spots on lucrative tours. It was only within the past year that I realized a new breed of pop-punk bands with a sound closer to the Lookout glory days were starting to fully emerge fueled by labels such as Crafty, Don Giovanni and Whoa Oh Records as well as distros such as Littletype. New York vs. New Jersey: Punk Rock Battle … Read more
The demise of Playing Enemy was a tough pill for me to swallow as they were a band that I had followed for a number of years and always thought that they got better and better as their releases stacked up over time. Following the untimely end of that project Demian Johnston and Shane Mehling went on to do a … Read more
Finally a vinyl release for this album is here, and there has been quite a wait since The Lotus Eaters initially released Mind Control for Infants on CD all the way back in 2002 (a seven year lag is pretty impressive). But this record screams to be on vinyl, and thankfully that is now the case. Still, with the lag … Read more
I like to consider myself pretty versed in rock - I listen to a lot of stuff and a good amount of variety. But, every so often, I'll get something that I just can't categorize or explain well. That's not a bad thing at all. In fact, it's a pretty good accomplishment, as long as the wax is listenable. Drunkdriver … Read more
It has indeed been a number of years since we last heard from Bane; their last full-length - The Note - came out in 2005, and with the hectic touring schedule that the band maintains, these seven inches are the first new recording from the band in quite some time (their Ten Year Plus 7" were old recordings that were … Read more
I really wanted to like They Came From the Shadows. I did. And to an extent, I do. There are some very catchy pop-punk songs on this album. But this will definitely not be seen as one of the stronger Teenage Bottlerocket albums in the future. Opening the album is "Skate or Die," which brought me high hopes for this … Read more
Considering how much I've heard about the Naked Raygun reunion, you'd think there would be more buzz regarding The Bomb. Speed is Everything is the Jeff Pezzati led group's first release for No Idea Records. When compared with Pezzati's more renowned group, I was expecting a more contemporary twist. Instead, The Bomb has a strong 80's feel to it, with … Read more
Grindcore is one of those genres where these days you are just as likely to come across an abject piece of music as you are something good. This could be said of all genres but you got to be skilled to provide something original with music where speed is the primary ingredient. The classics brought something new and did it … Read more
Following an impressive debut album (And We Wept the Black Ocean Within) and a nice split and collaborative release (see their record with Nadja called Primitive North), A Storm of Light give their latest album Forgive Us Our Tresspasses to show just how far the band has progressed in the interim. The ten new compositions that Josh Graham (Neurosis, Red … Read more
When was the last time that you experienced an extremely impressive musical project that made your jaw drop to the ground in awe of the scope, execution, and general quality of the complete package (sound, music, record art, record packaging, etc)? Speaking for myself, I know of the last record (or group of records) that I considered exceptionally impressive in … Read more
The Blind Shake are a power-garage trio from Minneapolis. They play highly synchronized, precision rock with guitar, tenor guitar, and drums. Michael Yonkers is a noise-guitar pioneer, having finally gained recognition when Destijl and, consequently, Sub Pop released the 1968 recorded, but never released, Microminiature Love in 2003. The record starts with haunting, dark, and heavy guitars and Yonkers' warbly … Read more
Everlovely Lightningheart was a band (even though championed by Hydra Head for some time) that exists in virtual obscurity. And considering what this collective offers people, aside from a bunch of limited releases (one of which includes an LP that is still only limited to 5 or so copies), the challenging soundscapes on their albums beg to be heard. Sein … Read more
With Hell is Empty Ruiner return with one scathing, vicious, and beautiful album. It was worth the two year wait that fans endured between this Prepare to be Let Down. What Ruiner had developed on Prepare to be Let Down has been greatly expanded upon on Hell is Empty. The songwriting is much more dynamic, and J. Robbins' organic production … Read more
Every once in a long while there comes a release which takes several listens to sink in to one's thick skull (particularly my hard head can take time), but once that record sinks in, the record not only makes complete sense, but it seems to become a favorite release. Upon first listening to the latest release from A Death Cinematic, … Read more
Lucero is a band that people feel passionately about. You either love them or hate them. Their fans are very adamant about which record is their favorite, and subsequently, the best in their eyes. With 1372 Overton Park Lucero has gone on to make what is one of the most fully realized albums of their career. Unfortunately, Lucero's vision for … Read more
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