Tiltwheel have firmly established themselves as one of the least prolific bands out there. Formed in 1991, the band had released only two proper full-lengths up until The Hiatus (alternately listed as The High Hate us)—maybe three if you count re-recording old EPs and putting them together as a collection. Was The Hiatus years in the making, or did life get in the way of a proper recording and production session? Does it even matter what the excuse is? When all is said and done, putting that record on the turntable and hearing Davey Quinn’s signature, deprecatory voice is enough. The band doesn’t waste any time reminding their listeners of their down-on-their-luck, fuck-everything tone, with one of the first lyrics on the record being a very clear “You stupid cunt.” The band has been compared with Leatherface and Jawbreaker in the past, and both comparisons are apt, with the songs stretching the three-to-four minute mark instead of punk’s typical two-to-three. Quinn’s voice is gravely, yet emotive, and his lyrics are precise and literate, focused on personal introspection punctuated by a lifestyle of heavy drinking. Despite their numerous tales of alcoholic binges, the band shows extremely tight musicianship and timing as … Read more
3 disc release of their debut, which was 20 years old last year. Remastered by original producer John Leckie and … Read more
Now this is a shock, another Hayaino Daisuki release by which to have all of our brains melted in short … Read more
One of the biggest thrills that I still get from music and writing about music is being smacked up side … Read more
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Hendrix takes the stage with his band—right-handed guitar upside down, LSD stashed in his headband, visions of blue baize fields and purple skies are immanent. The experience is underway. "Voodoo Child" ends, bongos rip, drums roll, Jimi feedbacks and chaos continues behind him. “Oh say can you see, by the dawn’s early light” Jimi’s acid wash jeans match his acid washed forehead “whose broad stripes and bright stars” fight to gain control of Woodstock 1969. He initially plays faithful to the original version of the anthem. He adds a few trills and “o’er the ramparts we [watch]”. As the rockets glare, Jimi’s bombs burst in the air. Distorted harmonic dive bombs in a drug-induced fervor announce musical renditions of mortar raids. Chaos returns in the most American of tributes with … Read more
Three piece thrash outfit from New Jersey returns with this barnburner. In your face guitar riffage, pummeling drum beats, and punishing bass lines feature prominently on this record. These guys have been making audiences sweat it out since the 1980's-so you know they can deliver the goods. "Firewater" turns up the heat with a Black Sabbath type dirge that rocks … Read more
Laudanum are a 3 piece band. I opened with that sentiment solely because once you hear what they do it becomes hard to believe. What Laudanum do musically is act as a noisey power electronics group that decided to play doom metal or vice versa. Everything is grimey, filthy and painful in Laudanum's collective world. This almost acts as someone … Read more
Deep Elm has, over the past few years, been relying more on their internet presence rather than being a label that releases records in a physical manner. While this is not a bad thing it is kinda sad. This new dynamic means that less people will be hearing this EP. Ryan Mallot is best known as the frontman of alt … Read more
Having never heard of this band before, I had no idea what to expect. Thankfully I was pleasantly surprised by the music on this EP length release. Taking the best guitar effects from 80's pop and welding it to a fierce backbeat, this one emerges from the morass and rises above. Lyrics you can make out and actual songwriting chops-absolutely … Read more
New release from Rockford IL's finest shows that these guys have not lost a step, and in fact, continue to reach new heights as songwriters. Will this end up on the radio? Probably not, but it certainly should. One song-"When The Lights Are Out" is a previously unreleased song from back in the day. But everything else is fresh off … Read more
Being an objective reviewer, I will try and ignore the grossly overboard hyperbole contained in their press sheet. But this is fairly serviceable post-emo rock release from the mid-west. The guitars have flashes of hooks here and there throughout this record. The lyrics seem to have a very focused target on doctors, drugs, and the lack of healing in this … Read more
We Chase the Waves is the second release from Lawrence Arms singer/guitarist Chris McCaughan. While technically his second solo release, this one is truly an individual effort, with McCaughan handling all the instrumental duties except for a few peripherals. His Lawrence Arms bandmate Neil Hennessy handled the majority of the production. Waves has a more stripped down, personal feel than … Read more
2 disc greatest hits collection of Keene's work over his entire career. Disc #1 focuses on his eighties period of work. The most significant advantage to owning this release is having everything remastered here. The sound update is fantastic. Early crowd favorites like "Places That Are Gone" and "Nothing Can Change You" are here and should keep your stereo speakers … Read more
Digital release available for free off their website. But don't consider this a throw-away. This Brooklyn trio offers up free-wheelin' rock and roll songs that will feel good with a cold Busch in your hand and a breeze blowing your hair back. "Under The Sun" kicks things off with a shuffling backbeat and things only perk up from there. 'Lost … Read more
New record from the band blasts off with the first single "Think I Need It Too" and doesn't look back. Will Sergeant's guitar is prominent throughout, and Ian's vocals still impress after all these years. "Do You Know Who I Am?" may be the hardest rocker on this collection, with driving drums powering the song along. But the quieter moments … Read more
After a long hiatus, the band is back with a stunning new release. Skillfully produced again by Hugh Jones (Echo & The Bunnymen, Dumptruck), this record is the perfect mix of both sides of the band's sound. By this I mean that fans of the more brooding early 4AD material will be pleased, as well as fans looking for new … Read more
Many hardcore bands go one way or the other. Either they play ridiculously heavy to an almost numbing degree. On the other hand there are the overly melodic bands that almost sound too clean or almost like screaming pop punk bands. Yes, these are broad generalizations and I do love hardcore of both types. Most bands do very little to … Read more
Sometimes one can be anticipate something too much. Expect too much from something so as to nullify anything enjoyable from said thing. Sadly Expectations are like that. The Warlocks have had a long career of playing spacey over driven rock songs. It seems only right that they are signed to Tee Pee records. They've always carried a psychedelic vibe couples … Read more
Some bands exist both inside a scene and outside the sound of the given scene. Beaten Alive are one of those bands. They are a band from Ohio identifying with the garage scene of their state sharing friend The Black Keys. This is where most of the normal characteristics end. While there is a touch of garage rock and some … Read more
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