Swiss post-rockers Kovlo have quietly released two albums over their career, beginning with their debut A new position for the second degree burn in 2005 and followed up with I’m so happy on this boat in 2007. For a band that has (rather unfortunately) seen as little notice on the world stage as they have, they’ve actually done a very good job releasing somewhat solid material, even if it has been sparsely spread.The thing with Kovlo on their newest album, Hey Mom, where’s Timbuktu?, is that they really aren’t breaking any new ground—they still sound basically like a blend of the better parts of Mogwai and Explosions in the Sky, and they haven’t changed much at all as a band. They’re still playing instrumental post-rock done capably well, and not much else beyond that. If you’re looking for innovation, Kovlo really aren’t bringing anything to the table that hasn’t been done several times before.Their songwriting, while generally strong, is unfortunately somewhat bland. On first listen, none of the pieces particularly stand out amongst the others. Well, okay, that’s sort of a lie. The sound clip that gets repeated at the beginning of “Hebron” is the most annoying thing I have … Read more
Every once in a while, an album comes along that makes you rethink an entire genre. It's an album that … Read more
Bohren & Der Club Of Gore is a band that has always sat outside of any distinct genre. Clearly influenced … Read more
Apologies are in order, and before we even get into this, let me be perfectly frank; Helms Alee is a … Read more
I'm really quite thankful that the Why Pink Floyd...? remaster campaign has made it to Wish You Were Here so … Read more
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Talk about coming from proverbially nowhere; after several days of enjoying various streams of this record and eventually tracking this sucker down, I find myself completely hooked on the slow, relaxed rhythms and mellow vocal arrangements on True Widow's debut album. If ever there was a soundtrack to numb apathy, True Widow must be it. This Texas three-piece (comprised of Dan Phillips on guitar and vocals, Nicole Estill on bass and vocals, and Timothy Starks on drums) is a breath of surprisingly fresh air. To me they sound like a post-rock band on Quaaludes, but somehow writing some catchy as hell songs in the process. True Widow accomplishes several milestones on their debut self-titled album which some bands take several albums or never achieve over the course of their lifetime: … Read more
Wow, just wow is about the best that I can come up with to describe Ten Horned Moses Descended The Mountain from Tenhornedbeast (yes all one word and possibly erroneously capitalized), the solo project of one, Christopher Walton; and, to be completely truthful, that wow might not actually describe this massive album in an accurate enough manner because every time … Read more
The ex members game is a precarious one to play. For every band that bares similarity to it's members past exploit there are just as many that don't bare that mark. So to tell you that Bringers Of Disease share members with Acheron and Mouth Of The Architect should only say a minimal amount as to what this band is … Read more
There are a number of adjectives that would accurately describe Tempe, AZ’s Nightgaun—noisy, filthy, retching, etc.—but perhaps none more fitting than “raw.” Continuing the chiropteran-themed imagery first displayed on their impressive self-titled 7” debut, the cover art for Absurdity of Meaning— a crude depiction of a bat being stabbed through the sternum with a switchblade—provides a strong indication of the … Read more
When The Soviettes’ Annie Sparrows voice starts Born Ugly, Got Worse devoid of instrumentation, it’s a crisp and honest delivery that complements leader Jesse Thorson’s heart-wrenching style. But once the full band kicks in for the second verse, it’s clear that The Slow Death have driving punk rock at their heart and soul, with as many singalongs and middle-fingers as … Read more
Michael Yonkers has a fascinating story: getting dropped by the majors, personal injury, and being rediscovered a generation later. That story has already been told in almost every review I’ve read, though. Instead, let’s talk about the rock. Period marks his third record with Minneapolis trio The Blind Shake, and the two forces offer a full collaboration when they get … Read more
There is no easy way to define Charts and Maps' sound. My gut reaction is to throw the whole thing under 'math rock,' but that term alone ignores all of the other aspects of their sound. Their proper debut album, Dead Horse, features a diverse array of influences from jazz, progressive music, and even jam bands. Needless to say, it's … Read more
Thank goodness I have musical OCD. I likely would not have even known this album existed if not for my compulsion to check and re-check the post-rock section of my local record store with worrisome frequency. Needless to say, after finding out that Godspeed You! Black Emperor and A Silver Mt. Zion guitarist Efrim Manuel Menuck had put out a … Read more
Now this is exactly what I am talking about right here, bands sneaking releases out from under people’s noses in this day an age is a feat worthy of the sneakiest thieves and skilled hackers is a true feat; and while that is just what Iroha did with End Of An Era, the real important accomplishment for the three piece … Read more
The Gateway District’s debut, Some Days You Get the Thunder hooked me immediately yet, to this day, I can’t single out a standout track or identify just what about it grabs me. I just like the record. The whole thing, not an iTunes cut here and there, as is wont these days. It’s with similar feelings I find myself listening … Read more
The title of Twin Cities trio Condominium’s latest is quite misleading. Warm Home is not the record you put on for an evening in front of the fire place with hot chocolate and a novella. This is anything but comforting. Instead, imagine the following scenario: The clock strikes 2AM just as the pot cookie you ate between your first and … Read more
In the past two years there has been some speculation about the Gallagher brothers. Even during their career as Oasis the speculation was there. Many questioned with all of their issues who was the real talent driving the band. Well this is the year that the question gets answered. With the release of This record as well as the Beady … Read more
Did you ever just get constantly impressed with the evolution that an artist or group of artists make through the progression of their work and craft? Panopticon certainly is making that type of impression on me at this particular juncture as the one man political black metal project drops one of the more politically acerbic records that I have heard … Read more
It’s not hard to find something to say about Doomtree. The 7-headed monster has enough disparate characters that I could fill the proverbial pages here without even addressing No Kings, their second official full-length. The band recently made some internet waves with the mash-up Wugazi project—which is where I’ll start since the opening track, “No Way,” begins with a guitar … Read more
Die Æsthetik der Herrschaftsfreiheit. A three disc journey into the hearts and minds of the oppressed. An album that has become more relevant to the happenings of this past year than band founder Jerome Reuter could possibly ever imagine. At it's core, it's a record of struggle and of overcoming the boundaries set by those in positions of power. Could … Read more
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