I’ll be honest, I missed Roads Bridges & Ruins, even after guitarist Chris Matulich said it would be quite a transition from All In. While I liked All In, for whatever reason I never got to its follow-up. 2011’s Borrowed Time is surely a reflection of the evolution in between. The Social Distortion influence is more tempered (though it’s still prevalent) and Nothington has come into their own in terms of writing songs. Sure, there’s a familiar genre-type feeling to the record, but this is its own band. There’s a maturity and a confidence in their voice that wasn’t as pronounced earlier, with more nuance and interplay between the instruments and voices.Things get going quickly with “Captive Audience” and the record holds a steady tone throughout. That’s not to say individual tracks don’t stand out—“End of the Day” and “The Escapist” come to mind—but the record has a consistent album feel that’s lacking on a lot of releases. Playing Borrowed Time from start to finish, it will bear a stronger response than by playing the songs as isolated tracks. And for that Nothington should be commended. The songs conjure a tone that blends hardship with positivity, and the vocal tradeoffs … Read more
Negative Plane are certainly not a new band. Having released their prior full length 5 years ago the band seemed … Read more
“Psychic Teens Are Regular Adults”Let that sink in to your thick skull bit (I know it took me a bit … Read more
Bear with me here as I am in the middle of sonically orgasming while listening to this tape from Cremation … Read more
Andrew Jackson Jihad runs the folk-punk gamut—they’ve put out a split with Ghost Mice, play The Fest more or less … Read more
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I came across Infera Bruo a couple of years back when they were releasing their debut album, Desolate Unknown. The perspective of the band on the black metal genre was intriguing, remaining true to the roots of the genre, but also building on top of its traditional outlook. The dissonant quality was overflowing in the record, while the inclusion of synths and effects to their fiery compositions was a solid combination. Couple of years later, and Infera Bruo are putting out their sophomore album, In Conjuration. This time around, it is not an independent release, with the record coming out from Bindrune Recordings, home of other great extreme metal acts, such as Panopticon, Seidr and Blood of the Black Owl. At least that seems to be settled because listening to … Read more
Brooklyn's Smother Party come armed with an intriguing name and an interesting sound. Apparently gaining the band name from an old English custom of literally covering bedridden family members with mattresses and, well, smothering them. This loving ritual was deemed "a smother party." How perfectly morbid. It's the fascinating nom de plume that piqued my interest in the band, and … Read more
There’s no wasting time on X File on Main St. Within the first few lines, singer Daniel Pujol has taken his stance on careers, art, children, and life in general. I don’t know much, if anything, about his previous acts Meemaw and Saigon Baby, but Pujol plays noisy, stripped down garage that celebrates a DIY punk ethic. His vocals are … Read more
Bradford Cox is in many ways like a ghost. There’s his whispery vocal style, like that of a specter, haunting and evanescent. And the glaring image of himself on the cover of his side project, Atlas Sound’s, second release, Logos. Or for instance his entire musical catalogue; a seamless spawn of translucent albums that are distinct, yet share vivid familiarity. … Read more
Aptly-titled, Monumental brings together a legendary producer and two of the underground’s most revered MCs: Pete Rock—half of the duo (along with CL Smooth) responsible for early ‘90s classic Mecca and the Soul Brother—has been the monster behind the boards of your favorite rapper’s favorite rapper for a long-ass time; and Boot Camp Click members Tek and Steele— known collectively … Read more
Many wondered what was next for Justin Pearson. The man known for many project (Swing Kids, The Locust, 31G Records, etc) had been out of the musical limelight for awhile. Late last year Retox announced their formation and released a demo. The demo was a nice surprise as it was similar to the early material of The Locust but with … Read more
I'd like to invite you to look at the cover art of Forge of Clouds for just a moment. This is one of the few times I've ever looked at a cover for an album and said to myself “Yes, this is exactly what this music sounds like.” Every detail of this Polish quartet's music is captured in this image—the … Read more
A dramatic turn of events, indeed. Anyone who's been following the soap opera that has been Dream Theater's existence over the past year would believe that to be an understatement. It began with founding drummer Mike Portnoy's agreeing to work with Avenged Sevenfold after the sudden passing of their drummer, The Rev. Sometime afterwards, Portnoy (OSI, Liquid Tension Experiment, Neal … Read more
I, for one, thought Primus were officially dead in regards to new material. Their last studio album was 1999's Antipop before they went on hiatus, and since their reformation, the only new material we've gotten is the so-so 2003 EP Animals Should Not Try to Act Like People. The fact that they could somehow get it together enough to actually … Read more
We all have artists we love, artists we want to emulate. That's part of what makes each person's music unique: we bring in elements of a wide array of influences, and the music we create is decidedly original. That's why two artists can be in the same genre and sound almost nothing alike. Of course, sometimes a band can get … Read more
Reclusa has joined the ranks of the crucial blaze releases and take little time to make their intentions known. While the group released a few short run cassettes this is their first big project. Their style matches seamlessly to the labels' general modus operandi revelling in a strained and disturbed combination of noise, industrial and black metal. The press release … Read more
At the rate I'm going, I'm going to seriously depreciate the value of the phrase "like Mogwai, only better." Then again, it's not exactly my fault that it's such an easy status to obtain (*zing*). The latest band to fall under this label, Kent-based post-rockers up-c down-c left-c right-c abc + start (thank god they're now going by simply UpCDownC), … Read more
Even in this so-called digital age of information where anyone can have anything delivered right to their mobile phones in the blink of an eye, there are still moments where items, music, movies from outside of your physical domain slip by completely unnoticed; and, quite frankly, this whole circumstance is proof to me that there is still some mystery left … Read more
Gloomlights appears as a double disc spectacular. One hour forty-two minutes, and eighteen tracks of pure pop/shoegazey/synthy melancholia - each disc bringing a distinct taste and sound to the table. Airs are a duo based on opposing sides of America, making music in the rawest sense and recording everything themselves. Each release being something a little bit special considering the … Read more
With guest spots from Brian Fallon (Gaslight Anthem), Chris Phillips (Squirrel Nut Zippers), Frank Turner, Audra Mae, Rick Steff and Todd Neene (Lucero), and Christopher Thorn (Blind Melon), it would be easy to think of Covering Ground as one of those records that builds itself around special appearances and musical specialties that can’t be re-produced live. Instead, Chuck Ragan’s lengthy … Read more
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