Low Places have done much in a short time. Coming out of California with a style that is unlikeable to most and building on said style till it makes sense while still remaining well outside of the norm. The band go from lurching Eyehategod inspired pieces to what can be either powerviolence inspired hardcore or what sounds like EHG on a meth bender. The same grimy chilling feeling that EHG built around themselves and their music for years is the same that Low Places seem to embody. Most of the time the band reside in the second category employing fast distinct and disturbing bursts that leave little time to breathe. However, this album opens with something of the first category. The nearly 8 minute opener "Opfer" stomps around with no vocals and all kinds of power. The at times noisy, and sludgy riffs move slowly like a mammoth chasing prey. This is something different for the band as no minute feels wasted or out place but even through the songs long running time feels like it won't end, but in the best way possible. This does little to prepare one for what is coming next the 3/4s of a minute … Read more
Bad Sports made a smart sequencing decision by opening Kings of the Weekend with “Off Switch.” The punk burner has … Read more
All hail the Cult of the Seven Crowns! Witch-Lord is one of a number of destructive musical forces that is … Read more
I went into this review fully intending to give this band the middle finger. I can't exactly explain my thoughts … Read more
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Memories of listening to Lifetime and hanging out with the crew every day of the week, skating, partying, or what have you, will always be there for me. It was undoubtedly some of the best times of my life. So when I heard about The Loved Ones and their comparisons to Lifetime, I was very intrigued. I hadn't had such a band in my life in some time, so how could I not give them a shot, considering the same label that put out those great Lifetime records was telling me to do so. So with that, I put in The Loved Ones new self titled EP with open arms and ears. It's true that the Loved Ones have some of the more infectious hooks around right now. Right out … Read more
So far, 2011 is proving to be a great year for music, and a great year for Indie-Rock. Des Ark's second full length, Don't Rock the Boat, Sink the Fucker, is surely doing its part to earn the genre's such high acclaim. It's an album that took 3 years to record, but the time spent on it paid off. Aimee … Read more
Over the past year or so A389 Records has put out a staggering amount of releases that sit just barely within the confines of metal and hardcore. For every label that insists on putting out breakdown heavy, mosh exercises there are much fewer that choose to stay outside of the simplicity of that. Full Of Hell are one of the … Read more
Before we get into this, there is always the question that you have to ask yourself; and, with Gehenna, it is a wholly legitimate question that will in a very real sense determine your take on bands or music such as this because, truthfully, this is some of the dirtiest smack of reality and desperation that you probably would ever … Read more
Small Pleasures is the first proper full-length from Cornwall, England trio Bangers. To shortcut straight to the point, it’s fitting that this record is released in the US on Kiss of Death, as it fits in well with artists such as New Bruises and Mayflower. They bring straight forward, mid-tempo punk to the forefront, with a focus on melodic gang … Read more
Sutekh Hexen, the name alone has an undeniable air of mystery and darkness that while you may not know exactly what they sound like at this minute but whatever that sound is, you feel in the darkest recesses of your subconscious something telling you to stay away from it; and that little voice in your head might be a smart … Read more
Clinging To The Tress Of A Forest Fire (hereafter referred to as CTTTOAFF for ease) hail from Denver, Colorado and deal in heavy as hell grind in all it's misanthropic glory. Coming to my attention only recently (sorry, I completely missed the boat on this band initially), they just released this split with French group Nesseria on Throatruiner Records. About … Read more
Diarrhea Planet are a garage punk band simple as that. The band make a raucous noise that fits neatly into that basic genre with hints of pop in its structures. Everything is overdriven and sounds like it is on the verge of falling apart any second. The guitars are catchy but nowhere close to clean sounding. The vocals are snotty … Read more
Answer Key Records, the new record label formed by Bridge & Tunnel's, Jeff Cunningham, chose How Do We Jump This High's, Funny/Not Funny, for the label's first release--a quartet comprised of members of the short lived Get Bent and Frame. Together, they blend their sound into one melodic-punk explosion. Funny/Not Funny picks up where the band's first EP, Deep Stationary, … Read more
Evil can come in many forms. Everyone can explain the evil in any number of things man can perceive. More rare than that is a true embodiment of evil within a musical context. Many times this gets narrowed to various types of metal. While bands like Slayer seem evil on the outside a look below the surface makes it clear … Read more
The hype had been building for Night Birds’ debut. They’ve released three 7”s and the band, feature ex-members of The Ergs!, Hunchback, and Psyched to Die, and put on a great show at Fest 9 in Gainesville. When that much hype builds, often it comes tumbling back to earth when the actual product is released. Not so for The Other … Read more
After a quiet five years of whispers, rumors, questions, confirming of rumors and, at last, the revealing of exactly what the fuck The Red Hot Chili Peppers have been up to, they finally release an album. Featuring a new guitarist. And a fly mounting a pill capsule as cover art. Let there be no doubt; the four chili peppers have … Read more
I lost part of my virginity to Jeff Caxide.No, not that virginity. Go get a dictionary, you sleaze. I meant that listening to Oceanic for the first time took just a bit of my naïve concepts of musical perception away. Though I had been a fan of metal albums long before then, that was the first I wanted to describe … Read more
Do you know why I find collaborative efforts so appealing in musical and other such sonic arenas (besides that they signal more work by artists that I follow / collect / obsess over)? There is an element of wonder and anticipation surrounding what exactly the final work will sound like once either collaborators or sets of collaborators work their respective … Read more
London's Palehorse, a band so loud that after seeing them live recently my ears would not stop ringing for approximately two days. Was it worth it ? Completely.Palehorse take all that they established on previous full length, Gee, Ain't That Swell released way back in 2003 and firmly thrust it into the present. A line up change here, an addition … Read more
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