Sexless Merit is a release that I have been fixating on for some time (listening to all three tapes over and over again, much to the annoyance of some people that may or may not live in my house anymore) all the while enjoying every minute but not quite having anything to say about the six pieces that inhabit these tapes, and, as a matter of fact, I feel almost like my every conscious thought is completely obliterated whenever I start the cycle over again; while I would not necessarily term Sexless Merit as the definitive soundtrack to the oblivion at the edges of the known universe (you know, where Yog-Sothoth may or may not sleep), this Cremation Lily, this enigma of sound is equal parts mesmerizing and claustrophobic with just the tiniest dash of unease or discomfort thrown in for good measure. Cremation Lily certainly is adept at bringing some churning, mechanistic sounds together to create something supremely entrancing (the low-end rumble of “Cotton Whispering” or the almost wall of noise that is “Dressing Like A Doll” perfectly illustrate this aspect), and even when it may seem like the compositions sound similar, Cremation Lily turns that thought into a … Read more
Twilight Haunt is an album that has been affecting me since before it was originally released in 1999 on CD … Read more
Good hardcore bands from the UK are a rare occurrence. Dead Swans, however, are one of the few exceptions. With … Read more
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Sometimes one needs a good reminder not to let expectations run amok in order to avoid disappointment. In general I always try to get positively surprised rather than the other way around, but you can't always be at the top of your game. Sometime you let yourself hope of something good only to be let down. This may sound more serious than the situation would suggest but Ghost in the House's self-titled recording is one of those reminders. I knew nothing of this band but the description of the music let me expect more than I eventually got. Instrumental music is something I generally hold in high esteem as a lot of great bands manage to convey the best emotions usually let their instruments do all the talking. Unfortunately, instead … Read more
I wanted to write an introduction that accurately conveyed the sound of Blueneck's new album Repetitions, but my editor wouldn't let me write in size 2 font. Stupid "legibility" rules.I'm not kidding about the comparison, though; Blueneck's brand of post-rock is even lighter than Sigur Rós, featuring incredibly minimalist instrumental and vocal arrangements. Sure, the pieces swell and (eventually) get … Read more
Sitting down and listening to Servile Sect’s companion album to the great TRVTH has been a sincerely surreal experience in part because I have only just started diving into TRVTH on a regular basis in the attempts to suck all the marrow of its impressive soul and for the other part due to a nagging feeling in the back of … Read more
Buildings. Two syllables. Direct and immovable. It seems a fitting name for this Minneapolis three-piece and their second album Melt, Cry, Sleep. Their sound is tough to pin to a genre but, make no bones about it, the dudes are angry and loud. There are a lot of familiar elements at play in their work. The shout-speak vocals and headbanging … Read more
Bloodlet seem to be a sadly forgotten band. Even in their time they were overshadowed by the other bands Victory Records released. Sadly a band ahead of their time in a sense and far beyond typical hardcore constraints. What does this have to do with Junior Bruce? Well the booming voice of Bloodlet has returned as Scott Angelacos once again … Read more
La Dispute is a band that catches a lot of flak. People tend to jump to conclusions about their “whiney” sound, and the infamous song “Such Small Hands” doesn’t help their case. I myself took early judgment on the band and chose to dislike them. But once I checked my ego at the door and gave Wildlife a real shot, … Read more
Everyone's favourite thrash metal duo turned acoustic, Rodrigo y Gabriela stand out amongst their peers not only for their heavily metal-influenced Latin pieces, but also for their impeccable proficiency and astounding musicianship. Their latest album, Area 52, pairs the fiery duo alongside the ensemble C.U.B.A., the first time they've recorded their work with such full instrumentation.Let me tell you, the … Read more
In a genre of little distinction, Anne’s Dream Punx delves deeper into their own capabilities than most would’ve thought possible. The melodies used and the intertwining riffs create a wall of sound that evoke a sense of nostalgia for when Slowdive was around without having the feeling of a cheap knock off. The most captivating thing about this album is … Read more
If you have ever heard any Sutekh Hexen release prior to Larvae (and there is a multitude), than there is definitely a surprise in store for you because Larvae is a complete re-imagining of what this outfit has done from their first tape that they unleashed on the world; the mind bending riffing (of the black metal style) and the … Read more
I’ll admit it; any band that requires key strokes to properly type their name has a good chance of ending up in my review pile. The reason is two-fold: It stems from my days as a Motley Crüe -worshiping adolescent, and the simple fact that I am a sucker for Scandinavian hardcore. Thus we have here the latest vinyl by … Read more
Debut EPs rarely tend to be that standout. Most of the time, it will just present a band's core sound, as if to say “here is what we are capable of,” and then abruptly end. They almost never wind up being good albums in their own right. They often act as barometers, telling us what to expect in the future. … Read more
There's something odd about Anneke van Giersbergen. I keep hearing her name tossed around next to acts like Napalm Death, Moonspell and Within Temptaion, and I've heard her collaborations with other artists scores of times. And yet I've never heard what her solo music sounds like. Let me tell you, I wasn't expecting an alternarock album when I first played … Read more
Holy shit.Let me put the rest of this review in context. The day I discovered post-metal was the day I was told to listen to Isis' seminal album Oceanic. For an hour I could do nothing but sit still and listen in awe to such beauty. It started my long-standing interest in the genre, though to this day no album … Read more
Steven Wilson is a man of many talents--and more than three dozen of them are just different ways of making music. Though he's known mostly for his more complex work, his progressive conquests all take a side seat for a moment as he again sits down with Aviv Geffen on the third album from his pop rock project Blackfield, titled … Read more
I'm still not completely sold on hardcore music, but if The May 4th Massacre's latest offering All Guilty is any indication, I may still be swayed on the genre yet.Before I get to the good stuff, however, I have to mention one thing that immediately jumps out about this album: sometimes I just cannot tell if these guys are being … Read more
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