Fatal Birth are a relatively new band. This being their first major release one could assume any number of things from the bands' artwork alone. Presented in a simple black and white sleeve With a dark picture of a hallways and a hanger lying on an otherwise empty floor the band gives off an idea of something sinister. The record itself starts with a slow building riff followed by a demonic yell and sludgy trudge into the main part of the song and the band only slows occasionally afterwards. There are a couple of the songs that follow this formula mind you even with that they are not over a minute and half long at any point. The band refuses to overstay their welcome. Instead they take cues from early power violence playing nasty a fast as they can. So needless to say, the band is uninterested in subtlety. The recording remains nasty and grimy throughout. Never allowing any type of light to shine through the music at all. The feeling remains angry and overbearing. Maybe a better word would be suffocating as you can feel the anger seeping through the songs. Overall the band use this to their advantage … Read more
Now, I'm no stranger to long music, but it still astounds me that there are only three pieces on this … Read more
From the getgo, the transitions on My Heart and the Real World could be smoother—but that’s no surprise on a … Read more
The first time I heard Good Old War, I heard them live - probably the best way to listen to … Read more
The internet contains some weird ways to discover music, and this aspect is a double edged sword because now everyone … Read more
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Has it really been 12 years since Cognicide? Well, Western Addiction are back with another single word, make-you-think album title in Tremulous. They may have skipped releasing records for the entire Obama presidency (plus some), but the band didn’t mellow with age.Tremulous is 11 songs of melodic hardcore. Led by Chad Williams’ power drumming, Williams punctuates the sound while the riffs chug and the vocals swoon, sway and, sometimes, punch. The riffs dominate at times, like in the right-at-you “Red Emeralds,” and other times the melody shines bring, such as with “Righteous Lightning,” which alternates between big chords and lead guitar passages from Ken Yamazaki. That’s how it works throughout the record, spewing anger and frustration, but sometimes taking a deep breath and settling the (tremulous) nerves before the next … Read more
From what I gather, I’m supposed to love Andy Falkous and his body of work. For a man who talks so much shit, he sure has a lot of admirers. But, whatever…I’m reviewing Polymers Are Forever here, not writing as essay on ego worship. This EP is the latest from his post-Mclusky group, and something of a teaser for an … Read more
The first thing that hits you is how beautiful the album looks. You haven't even begun to listen to it and already you're fawning over the beautiful cover art. It only gets more enthralling as you open it up and revel in the stunning beauty of Thomas Hack's artwork. As you take your time flipping through the massive booklet of … Read more
Planet Asia has built a long history in underground hip hop. While certainly not the best known to most he has built his career from the ground up. Through failed major label deals and a lack of recognition he has made himself known through his hard work and consistency. Most rappers couldn't be bothered with the struggles he has gone … Read more
I will say, right off the bat, the composition ability of Paul Ortiz, a.k.a. Chimp Spanner, is undeniably top-notch, as is his musicality. Sure, he can be a bit self-indulgent at times, but then again, as a solo artist, isn't that more or less the point? Regardless, it's clear that his latest album, All Roads Lead Here, is a visionary … Read more
Do you like songs about gender issues, white male privilege, masculinity, and society in general? If not, you may want to quit reading here. Spoonboy, led by David Combs, is dedicated and upfront about these causes. Much like his other band, The Max Levine Ensemble, the general tone is preachy (to the choir), with pop song structures, direct lyrics, and … Read more
Maker have been a band for a few years now crawling out of the Massachusetts hardcore scene. The band play a style of pop punk that relies on speed and bolstered by breakdowns and gang vocals. The band had signed to 6131 records about a year ago after a handful of EPs and Split records. So far nothing particularly different … Read more
France's Les Discrets have been active for nigh on nine years, yet are only on the cusp of their second full length release. Driving force Fursy Teyssier has had a hand in one of the greatest exports of the majestic French scene, Amesoeurs (unfortunately a band no longer in existence), and once upon a time toured with Alcest as their … Read more
Derek Edward Miller and Alexis Krauss start this record like it's a Van Halen concert. They're tricking you into thinking that maybe after the Skins commercials that had everyone humming "Kids," after the Williamsburg and Pitchfork royalty fame, and after all the music festivals they attended last year, they were going to take things in a different direction - maybe … Read more
When I was asked to write a review for the band Let Me In’s debut album, The Bag and they were categorized as an Italian pop/punk band I was a bit intrigued. One thing that jumps at the listener from the start of the record is that these guys know how to rock. Italy isn’t known for producing pop-punk bands … Read more
Arkansas residents Pallbearer have been a band to watch out for ever since the release of a fantastic three track demo in 2010. Featuring two original compositions ("Devoid of Redemption" and "The Legend" having been re-recorded for this release) and a cover track, this demo served to have many take note of this doom-laden quartet and the hopes for a … Read more
What if you could have all the great hits of the early 90s on one record: Liz Phair, INXS, Archers of Loaf all on one easy-to-manage collection? Okay, so this cover set from Brooklyn’s Shell Shag also includes DIY punk like Underground Railroad to Candyland and AK77, as well as songs from The Descendents, The Wipers, Warsaw, and The Undertones. … Read more
Oh, our beloved Cursive--shall we never hear another Ugly Organ from you? No, we shall not, so stop asking for one. For three albums now, Cursive have been bounded to their undeniable masterpiece, The Ugly Organ, and have been expected to reach that plateau with each subsequent release. I'd be lying if I said I wasn't one of those fans, … Read more
There has been a resurgence over the past few years of Shoegaze style rock. While many of the more known bands of this style tend to mix it with other genres at this point (Alcest mixing black metal or Ringo Deathstar with some electronic music). Needless to say most bands take what is useful to them from the genre and … Read more
Since the rise of Brand New out of the emo scene (around the time Deja Entendu was released) there have been a number of bands trying to make the most of that style. While said style isn't complicated it does require a few things that most bands that copy them can't quite pull off. Settle For Less at times seem … Read more
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