Aelter, like most bands, have a backstory. Unlike most they can be explained through their other projects without fully describing what they are about. The band acts as an offshoot of the doom band WolvSerpent (formerly known as Pussygutt). Wolvserpent deal in massive undulating walls of sludge with use of uncommon (for their style) instruments, namely violin. This tends to add a certain menacing quality to Wolvserpents' brand of doom where as within Aelter it takes a more pronounced role. Aelter acts as the other side of the coin to the striking heaviness of the members other band. The band calmly creates atmospheres with clean reverberating guitar riffs and sweeping violin. Everything with the band moves a glacial paces. Where with most bands, including their main project, tend to rely on the distortion of the guitars to help create climaxes Aelter rely strictly on feeling. The opener in this set is "I Beloved" and the song does a great job of letting the listener in on what the band is about. Starting calmly with the aforementioned reverb heavy guitars, slight drums and a quiet voice calling out. The song helps to evoke feelings of longing, loss and general darkness all … Read more
After listening to Dead To Me’s latest release Moscow Penny Ante it made me think about something bassist/vocalist Chicken said … Read more
Reissues tend to be a funny thing. Sometimes they are done in good taste. To help fans get a hold … Read more
Many people (I was going to say all but did not want to over generalize) seem to have certain touchstones … Read more
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I'm not quite certain what the cover art for Ancestors's new release In Dreams and Time is supposed to represent, but one thing is for certain: it doesn't prime you for what the album actually sounds like. Depending on your artistic interpretation, that may actually be a good thing—but let me actually tell you about this odd album.In Dreams and Time sounds like a weird combination of sludgy doom and progressive metals, and it's actually done better than I probably just made it sound. The songwriting is solid and engaging, even though on the surface Ancestors are just remodeling familiar ideas—fans of Neurosis and A Storm of Light will find a lot of the sounds here to be familiar. The songs regularly stretch out past the nine-minute mark and feature … Read more
'Oh great,' you're probably thinking, 'another critic on the Internet with her head up her own ass talking about this fucking Pink Floyd album again. How droll.' Let me assuage your concerns: I'm not here to review or otherwise convince you either way on The Dark Side of the Moon itself. You've already heard it by now, and you're already … Read more
Despite what they may want you to think, We're Doomed don't sound like the end of the world. They sound more like Muse took some Adderall and borrowed whatever illegal-drug-based songwriting method I highly suspect that Battles uses. If their debut EP Like a Machine is the apocalypse, it's certainly the most enjoyable one since we on Earth failed to … Read more
Despite what they may want you to think, We're Doomed don't sound like the end of the world. They sound more like Muse took some Adderall and borrowed whatever illegal-drug-based songwriting method I highly suspect that Battles uses. If their debut EP Like a Machine is the apocalypse, it's certainly the most enjoyable one since we on Earth failed to … Read more
Swiss post-rockers Kovlo have quietly released two albums over their career, beginning with their debut A new position for the second degree burn in 2005 and followed up with I’m so happy on this boat in 2007. For a band that has (rather unfortunately) seen as little notice on the world stage as they have, they’ve actually done a very … Read more
All right, Traveler don't waste time, so neither will I. The Cleveland punk/melodic hardcore group write short, enjoyable pieces that are stripped down to their absolute bare essentials. The four tracks of their debut EP Going Home take only around seven minutes of your time to listen to. The songs are chock full of happy melodies, major chords, and general … Read more
Every once in a while, an album comes along that makes you rethink an entire genre. It's an album that makes you step back and rethink your musical expectations, as well as casting your future thoughts in an entirely new light. City of Ships' newest album, Minor World, is one of these albums. The only issue is that my entire … Read more
Bohren & Der Club Of Gore is a band that has always sat outside of any distinct genre. Clearly influenced by both jazz and doom metal the band have always played in away that evokes both without fully giving into either side of their coin. Although they have reached closer towards jazz over the past few years when they replaced … Read more
Apologies are in order, and before we even get into this, let me be perfectly frank; Helms Alee is a great and terribly underrated band that ensnared me the minute that I heard their 4 song EP, and when Weatherhead was announced, I could barely contain my excitement at hearing a second album from this three piece from the land … Read more
I'm really quite thankful that the Why Pink Floyd...? remaster campaign has made it to Wish You Were Here so soon. It has aged incredibly well, and is every bit as perfect of an album today as it was when it was first released. It even holds up favourably in comparison to the first album to be reissued, which was … Read more
Wow, just wow is about the best that I can come up with to describe Ten Horned Moses Descended The Mountain from Tenhornedbeast (yes all one word and possibly erroneously capitalized), the solo project of one, Christopher Walton; and, to be completely truthful, that wow might not actually describe this massive album in an accurate enough manner because every time … Read more
The ex members game is a precarious one to play. For every band that bares similarity to it's members past exploit there are just as many that don't bare that mark. So to tell you that Bringers Of Disease share members with Acheron and Mouth Of The Architect should only say a minimal amount as to what this band is … Read more
There are a number of adjectives that would accurately describe Tempe, AZ’s Nightgaun—noisy, filthy, retching, etc.—but perhaps none more fitting than “raw.” Continuing the chiropteran-themed imagery first displayed on their impressive self-titled 7” debut, the cover art for Absurdity of Meaning— a crude depiction of a bat being stabbed through the sternum with a switchblade—provides a strong indication of the … Read more
When The Soviettes’ Annie Sparrows voice starts Born Ugly, Got Worse devoid of instrumentation, it’s a crisp and honest delivery that complements leader Jesse Thorson’s heart-wrenching style. But once the full band kicks in for the second verse, it’s clear that The Slow Death have driving punk rock at their heart and soul, with as many singalongs and middle-fingers as … Read more
Michael Yonkers has a fascinating story: getting dropped by the majors, personal injury, and being rediscovered a generation later. That story has already been told in almost every review I’ve read, though. Instead, let’s talk about the rock. Period marks his third record with Minneapolis trio The Blind Shake, and the two forces offer a full collaboration when they get … Read more
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