I'm just gonna say right now that I'm a huge fan of The Format and fun. I could go on and on about how easily I can gush over either band. Aim & Ignite was one of my favorite albums in years. I became overly excited and anxious anticipating Some Nights. I was interested in seeing how a hip-hop influenced album from a band like fun. could turn out, but did it live up to my expectations? The album opens with the "Some Nights (Intro)." Right off the bat, I'm getting increasingly more giddy for the rest of the album mostly because this song reminds me of "Matches" off of The Format's, Dog Problems. It serves as an overture and leads into "Some Nights," which is quickly becoming one of my favorite fun. tracks. It's something fresh and different while still maintaining the band's identity. However, I do have a bone to pick with it: the auto-tune. If there is one vocalist I know that doesn't need auto-tune, it's Nate Ruess. That's not to say I'm completely against auto-tune. I was in the minority who agreed with its usage on 808s & Heartbreaks. The problem is that it's use in … Read more
It’s truly a pleasure to be listening to new music from Tyburn Saints. Their last full length, 2010’s For the … Read more
I've reached the point where most post-rock albums start to sound the same. While I won't say I'm completely blasé, … Read more
Splits are, in general, a simultaneously good and bad thing. For each split that flows and feels strong through out … Read more
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OK, here we are dealing with an absolutely stunning collaboration. In a live setting, cellist Okkyung Lee, an excellent improviser who has worked alongside artists such as Jenny Hval, Swans, John Zorn and Cecil Taylor, and Christian Marclay, a visual artist and composer, master of turntablism, meet to create an Amalgam, a combination of the most strange, bizarre metals that the two can unearth.The frantic playing of Lee kicks fiercely comes into view with a sense of urgency. Something is always transpiring when Lee is playing her cello, a feeling that never stops evolving. Continuous and disruptive, describing her playing as free-jazz does not even begin to scratch the surface of what is actually going on here. The performance travels beyond the musical domain, and dwells in an actual, realistic … Read more
Enabler play a style of hardcore that takes clear influence from crust and metal (ala His Hero Is Gone). Over their first year they managed to release two EPs. Now to help those that lack tape decks and record players, Creator-Destructor has compiled these releases for the greater public. Year One contains the EPs Eden Sank to Grief and War … Read more
OSI are extremely tough to nail down, and that's not just because they seem to have ins with every major progressive band in the books. Jim Matheos and Kevin Moore, the only two actual members of the band, come from such Fates Warning and Dream Theater respectively, and their guest musicians over their career have included names like Mike Portnoy … Read more
Debut 7”, At War for Youth (the band has also released a split cassette) seems totally off-putting. It’s brash, terribly lo-fi, and haunting. There is a strong, almost mesmerising quality that springs forth from its murky depths of whatever genre you might classify it as. And to make it easy on you, let’s just say its post-punk/lo-fi/electronic/no-wave whatever music.Akin to … Read more
It’s already been four plus years since the last Weakerthans record. If I weren’t aging quickly myself, that would feel like a long time. While I’m not sure what’s up with their status as a band, ringleader John K. Samson set aside time in early 2011 to record his first solo record, Provincial. The frontman, known for his somewhat nasal … Read more
It's hard to categorize female-fronted, Fat Shadow. They blend a mix of indie-rock with late 60s-psychedelia, while bleeding over into punk-rock as well. They do a pretty fine job of it, no doubt. The band's debut full length, Foot of Love, is bringing back a sound and tweaking it into something quite satisfying.The first half of the album is new … Read more
The Book Of Knots are an anomaly in music. They are a super group of sorts entailing members of many different groups (Including Skeleton Key, Sleepytime Gorilla Museum, Shiner, Battle of Mice, Sparklehorse, Elvis Costello, Unsane, Pere Ubu, Frank Black, They Might Be Giants) and using members of a number of guests including one Blixa Bargled (of Nick Cave And … Read more
I’ve read a lot of mixed reviews about this record, and based on the feedback received, I think it’s a really underrated album. Is it perfect? No, but it’s very rare to find a completely flawless album. Is it worth listening to? Of course, this is Tomas Kalnoky we’re talking about here. If you haven’t heard by now Streetlight Lullabies … Read more
It’s been three years since Shawn Foree’s one man synth-punk project Digital Leather released the critically acclaimed album Warm Brother. In that time he’s seen the untimely passing of his friend-turned-manager Jay Reatard, and—after one-off stints on Goner and Fat Possum—has returned to the smaller label he was with before that, FDH. The latest outing, Modern Problems, was recorded to … Read more
Though a lot of post-anything music can, using a single theme, reach past the 10 minute mark without necessarily becoming repetitive or stale, there is still a point where too much is too much. You can only listen to embellishment and variation on one theme for so long before you start to go mad and beg for some variety. I'll … Read more
Over several very under the radar releases (EPs, splits, half lengths, etc.), the dynamic duo that makes up Bubonic Bear unleash Fleshworld on a mostly unsuspecting audience that (despite lots of touring and tons of shows) still have yet to experience the crushing doom-y noise-y sludge that has become this group’s trademark for audience destruction (I always thought of the … Read more
Placing the band Signals Midwest into a genre is a difficult task; their latest release Longitudes and Latitudes is a beautiful mesh of melodic interludes, upbeat pop punk and gritty punk rock. Having this many influences in your work can often lead to great things being lost in translation and the overall result being muddled. However, you can fully appreciate … Read more
When I heard California's After described to me with phrases like "Soundgarden meets Rush" and "progressive pop", I knew I had to give them a try. Any band willing to reach back and recapture some of the classic rock sound that you just can't hear today definitely gets my interest, and I gave this EP a listen as soon as … Read more
Spring has arrived. The sun pours through the sky. Pollen blankets the surroundings. The streets suddenly become more occupied. Much has happened in the world since last spring. Even more has occurred in the five years passed since we were last offered a new album from The Shins, a band whose spring-like sound sonically reflects the seasonal transference.In the world … Read more
I will say this: Junius' newest album Reports from the Threshold of Death is certainly a unique release. But that's really the totality of positive things I have to say about it. Believe me, I really want to like this album. And, to their credit, Junius certainly do a lot of things that entice my interest. But here's the issue: … Read more
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