It may have been six years since Toys That Kill put out a full-length, but Fambly 42 sounds like it could have been released immediately after Shanked. The melodies are seamless and the precision between band members sounds like they haven’t missed a beat—maybe that’s because the band plays sporadic shows and the pieces of their line-up comprise a number of other San Pedro, CA bands that have released items on Recess Records in the meantime. Anyway, Fambly 42 is a rocker, and it totally lives up to the wait. “Mobbed by the 3’s” is a quick reminder of what sets Toys That Kill apart from their related projects: the upbeat energy and singalong nature of the songs and the subtle changes therein that alter the progression without hindering the flow. Halfway through most the songs, the listener can already sing along to the refrain, but the songs still avoid feeling repetitive or samey, as singer Todd Congelliere mixes up his versus just enough to throw a wrench into the predictable cycles while the guitars typically throw a changeup as well. Sean Cole steps to the mic periodically, as in “Waltz in a Million.” The new voice doesn’t alter the … Read more
Let's face it: a lot of the music we listen to is just plain ol' forgettable. Of course, every once … Read more
Drivin’ N Cryin’ formed in Atlanta back in 1985 have announced their plans to release four EPs over the next … Read more
Seeing how I feel about Youth Of Today (i.e. I do not really care for them at all), it may … Read more
Please allow me to drop this little disclaimer here before we delve any further; I am not nor was ever … Read more
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I thought rock was a dead scene. The radio repeatedly fed me the term since my early teens, pushing different versions of the same band on the airways. Everything sounded like a watered down rendition of some seventies ideal I never cared about. Nothing I'd ever heard described as rock had any heart, let alone any balls. Ladyfinger (ne) are not some kind of saviors to the genre, but their latest release Dusk embodies what a rock record should be: a direct and energetic sound with a fuck you attitude. Dusk is made up of ten tracks, and if somewhat brash, the album uses of the straight guitar/bass combo to an assaulting end. The record is devoid of bells and whistles, but rather sees Ladyfinger(ne) use their instruments to the … Read more
Waiting for a follow up record from Kiss It Goodbye felt like an eternity, and rumors were rampant regarding a single recorded for Seattle based record label Sub Pop; when the band decided to call it quits (prematurely I might add), that single was scrapped by Sub Pop and left unheard until it was released by Revelation (who released the … Read more
Now a days, seeing a bunch of dudes with weird looking tufts of hair sticking out of the back of their otherwise bald heads jumping around on stage making a weird version of punk rock while yelling about the Krishna (the focus deity from the sect of Hinduism called Hare Krishna) probably would not be met with much controversy or … Read more
Who has never seen the iconic (OK, iconic in the hardcore punk scene) crossed hammers logo (that shaped an “X” ) of the band Judge? Judge ultimately proved to be a short lived musical unit that produced just one album Bringin’ It Down (discounting the very limited release of Chung King Can Suck It which in it of itself has … Read more
Texan duo Pinkish Black employ synthesised loops of terrifying, droning pulses and a deliciously dangerous swagger filters through this debut. Daron Beck’s clouded voice dips in and out of throbbing electronic beats whilst currents of perilous doom cut through the loaded atmosphere, Beck’s voice often hidden in the murky depths of the all consuming sounds layered by cohort Jon Teague … Read more
Touche Amore have made a name for themselves in the hardcore scene with the release of their past record To The Beat Of A Dead Horse and a slough of 7inches and splits. While some Internet drama has led to a backlash against the band, this new full length Parting the Sea Between Brightness and Me can be held as … Read more
Struck By Lightning came out the gate hard and fast about 3 years ago with their first LP "Serpents". That record truly set them apart from the ex-members of... tag that they could've carried. Instead of playing the post metal of past projects they built a sound that was more indebted to Discharge than Isis. This worked well for them … Read more
Imagine, if you will, that doom rock band Om and a still-young drone metal band Boris got together in a hallucinogen-induced haze one night. Their inevitable pothead lovechild would undoubtedly be doom/stoner outfit Sleep, as evidenced by their final album, Dopesmoker.Having been released at least four different times (with four different running times, not to mention two different names), this … Read more
I really hate being heavily reliant on comparisons to past work in order to form a judgement, but in the case of Paul D'Amour (aka Feersum Ennjin), it's hard not to. As the former bassist for Tool, one of most prolific and undeniably best progressive bands today, it's difficult to take him on his own terms and out from under … Read more
I rarely listen to music that isn't at least fifteen minutes long per song or lacks internal movement titles, so when I received Lionize's Superczar and the Vulture, understand I was stepping pretty far outside of my normal purview--I was pretty much giving this album a chance based on the incredibly intriguing title alone. Much to my surprise, I wound … Read more
Hot off the heels his underappreciated 2011 debut full-length Shotgun & Sleek Rifle, Detroit MC/producer Quelle Chris drops his latest EP, 2Dirt4TV. This time around Quelle steps from behind the boards, leaving the production to “Legendary underground MySpace producer” Mr. Dibia$e. The result couldn’t be more seamlessly harmonized, as Dibia$e’s laid-back boom-bap balances Quelle’s nonconformist flow in way that recalls … Read more
Attrition brings together two punk bands from opposing sides of the Atlantic Ocean—England’s Police Bastard and the United States' War//Plague. Most of the material was recorded at various points in 2009 but not released on vinyl until May of 2011, when Profane Existence Records pressed up a couple thousand slabs of wax to unleash to patched-up masses. Former members of … Read more
Without a doubt, As Tradition Dies Slowly is easily the most metal record that Revelation ever put out (at least so far); and the idea of them even touching this album and even Morning Again as a whole with a ten foot pole really just blew me away back in the day (when this came out), and, at the time, … Read more
There are those records out there where people can point to them as a turning point in their musical taste or a shift in their musical aesthetic and say that the record really changed how they viewed entire swathes of music or entire genres, and I will never forget the day that I bought False Cathedrals from Elliott in part … Read more
Now this is a classic Revelation release and for some, the classic Revelation release; Burn kind of blew up some people’s sense of what a hardcore record could be, springing from a New York hardcore scene with what at the time were some pretty known names in that scene (members of Absolution and Beyond comprise this group’s make up or … Read more
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