The things I like about this album start with the art itself; guitarist Mick Turner's beautiful artwork perfectly captures his music's mood and sound. In fact, it's the best visual summary I can give of Dirty Three's newest album, Toward the Low Sun.Primarily, the album seeks to obtain this extremely casual, laid-back atmosphere, as if just a collection of rough sketches. Dirty Three take this loose, free-form, jazzy ambience and blend it extremely well with quite beautiful and folk-like melodies. Warren Ellis's violin in particular definitely adds a nostalgic, old-country touch to the music that borders on the sublime. It reminds a lot of Genesis's Selling England by the Pound with its pastoral yearnings, possibly even hinting at some of Beethoven's Symphony No. 6: Pastorale. By way of specifics, the violin swells on "Moon on the Land" are tear-jerking with their rusticity, and the restrained, understated drumming on "Rising Below" effects a sense of artful primitiveness really well, contrasting effectively with the rest of the music swelling to huge proportions. The song structures do tend more towards the standard post-rock form, but they still feel much looser than what you'd normally expect. It feels like listening to songs that have … Read more
Young And In The Way is a band from North Carolina with some influence from second wave black metal as … Read more
It’s truly a pleasure to be listening to new music from Tyburn Saints. Their last full length, 2010’s For the … Read more
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The majority of punk bands seem to have a hard time to stay together for more than a handful of releases. I can see positive sides of this as loads of musicians just go on to form a new band where new sparks of creativity can be released upon an unsuspecting world. Sometimes it hurts a bit when a band decides to disband. Either because their output was already greatly satisfying or because you suspect their best material is yet to come. In comes New Gods. I’ve been looking forward to their new release quite a while, but somehow missed it last fall. (But here I am, repairing the damage!) I was happy to see the band had a new EP out, but was a bit let down after reading … Read more
I've reached the point where most post-rock albums start to sound the same. While I won't say I'm completely blasé, unless a band is pulling something out of left field, it's really difficult for a band to stand out. Alas, that is where British rockers Killington Fall find themselves with their 2011 release Keep Your Eyes to the Sea.Don't get … Read more
Splits are, in general, a simultaneously good and bad thing. For each split that flows and feels strong through out (maybe even introduces you to a new band) there are probably 10 more that feel more like a way for bands to get rid of otherwise discarded songs. So with a bit of trepidation i grabbed this split and put … Read more
Enabler play a style of hardcore that takes clear influence from crust and metal (ala His Hero Is Gone). Over their first year they managed to release two EPs. Now to help those that lack tape decks and record players, Creator-Destructor has compiled these releases for the greater public. Year One contains the EPs Eden Sank to Grief and War … Read more
OSI are extremely tough to nail down, and that's not just because they seem to have ins with every major progressive band in the books. Jim Matheos and Kevin Moore, the only two actual members of the band, come from such Fates Warning and Dream Theater respectively, and their guest musicians over their career have included names like Mike Portnoy … Read more
Debut 7”, At War for Youth (the band has also released a split cassette) seems totally off-putting. It’s brash, terribly lo-fi, and haunting. There is a strong, almost mesmerising quality that springs forth from its murky depths of whatever genre you might classify it as. And to make it easy on you, let’s just say its post-punk/lo-fi/electronic/no-wave whatever music.Akin to … Read more
It’s already been four plus years since the last Weakerthans record. If I weren’t aging quickly myself, that would feel like a long time. While I’m not sure what’s up with their status as a band, ringleader John K. Samson set aside time in early 2011 to record his first solo record, Provincial. The frontman, known for his somewhat nasal … Read more
It's hard to categorize female-fronted, Fat Shadow. They blend a mix of indie-rock with late 60s-psychedelia, while bleeding over into punk-rock as well. They do a pretty fine job of it, no doubt. The band's debut full length, Foot of Love, is bringing back a sound and tweaking it into something quite satisfying.The first half of the album is new … Read more
The Book Of Knots are an anomaly in music. They are a super group of sorts entailing members of many different groups (Including Skeleton Key, Sleepytime Gorilla Museum, Shiner, Battle of Mice, Sparklehorse, Elvis Costello, Unsane, Pere Ubu, Frank Black, They Might Be Giants) and using members of a number of guests including one Blixa Bargled (of Nick Cave And … Read more
I’ve read a lot of mixed reviews about this record, and based on the feedback received, I think it’s a really underrated album. Is it perfect? No, but it’s very rare to find a completely flawless album. Is it worth listening to? Of course, this is Tomas Kalnoky we’re talking about here. If you haven’t heard by now Streetlight Lullabies … Read more
It’s been three years since Shawn Foree’s one man synth-punk project Digital Leather released the critically acclaimed album Warm Brother. In that time he’s seen the untimely passing of his friend-turned-manager Jay Reatard, and—after one-off stints on Goner and Fat Possum—has returned to the smaller label he was with before that, FDH. The latest outing, Modern Problems, was recorded to … Read more
Though a lot of post-anything music can, using a single theme, reach past the 10 minute mark without necessarily becoming repetitive or stale, there is still a point where too much is too much. You can only listen to embellishment and variation on one theme for so long before you start to go mad and beg for some variety. I'll … Read more
Over several very under the radar releases (EPs, splits, half lengths, etc.), the dynamic duo that makes up Bubonic Bear unleash Fleshworld on a mostly unsuspecting audience that (despite lots of touring and tons of shows) still have yet to experience the crushing doom-y noise-y sludge that has become this group’s trademark for audience destruction (I always thought of the … Read more
Placing the band Signals Midwest into a genre is a difficult task; their latest release Longitudes and Latitudes is a beautiful mesh of melodic interludes, upbeat pop punk and gritty punk rock. Having this many influences in your work can often lead to great things being lost in translation and the overall result being muddled. However, you can fully appreciate … Read more
When I heard California's After described to me with phrases like "Soundgarden meets Rush" and "progressive pop", I knew I had to give them a try. Any band willing to reach back and recapture some of the classic rock sound that you just can't hear today definitely gets my interest, and I gave this EP a listen as soon as … Read more
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