A year after their dissolution, post-metal powerhouse Isis is preparing to digitally re-release its entire live discography on a fortnightly basis throughout the summer of 2011. The set of five—wait, hold up a moment. I finished those last summer. What's with the new release?Turns out Isis still have a few cards left to play despite, you know, not actually being together anymore. In addition to the project of digitally rereleasing their entire discography (which thankfully includes some of their older and hard-to-find EPs), they released an additional live album earlier this year, the appropriately titled Live VI.One of the complaints I had about the original reissue series was the lack of diversity in the track selections. For a band with such a deep discography as Isis has, they sure didn't want to branch out very far beyond Oceanic when selecting concerts to release. That's one thing I'm glad to report that this great set improves on, as it features (incredibly good) tracks from all four of their studio albums to the date of the performance. In addition, Isis reach far back into their sizable catalogue to pull out “Hive Destruction” and “Red Sea”, a couple of deep cuts from their … Read more
It’s always curious to see a veteran musician team up with their junior. Last year Jimmy Cliff joined with producer … Read more
Doom quartet Samothrace follow up 2008’s widely acclaimed Life’s Trade with the majestic and tragedy filled Reverence to Stone. Comprised … Read more
If you were a fan of White Lung's debut album, It's The Evil, for it's raw and straight forward approach, … Read more
Hope in Dirt City is the third release from Edmonton, Alberta’s Cadence Weapon. With a smooth flow and an ear … Read more
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Think of Ink and Dagger. Then think of Ink and Dagger without their great singer. Then mix in a bit of Adult and you'll have Hint-Hint. The first song starts it off well, but it isn't really a sign of anything. The second song is anti-climatic, which would be fine if it weren't building up to anything, but it seems to build up and then let go. This anti-climaticism seems to be the theme of the EP, as well as monotony. I confuse songs because they can't seem to make different guitar riffs and organ sounds for each song. It's somewhat annoying. Despite this, I listened to this album many times, and this stuff is decent. I mean, of all the crap out there these days, this is better than … Read more
What I love most about French metaller Alcest's newest release Les Voyages de l'Âme (roughly, The Journeys of the Soul) is how it invites your impressions to shift and change as you listen to it. At first, I picked out mostly the folk elements, comparing it to Opeth, except much more melodic in nature. Then I started hearing the ever-so-slight … Read more
Royal Headache has been gathering some hype lately. Their self-titled record is a twelve track piece of high energy garage-punk, blazing past in twenty-six minutes. It’s clean; it’s crisp; yet, it’s also got a driving rhythm section and more than its share of aggression. While the genredrop isn’t necessarily difficult based on their sound, it feels unfair to pigeonhole them, … Read more
In 1988 Dinosaur Jr. released their third record Bug. Despite it being lead singer/guitarists and band leader J.Mascis’ least favorite outing, it was their most successful album up to that point. While touring in support of it, tension between Mascis and bassist Lou Barlow, who had known each other since high school and played together in hardcore band Deep Wound … Read more
Fiona Apple's brutal honesty can be summed up in one lyric: "Every single night's a fight with my brain." She keeps howling this on "Every Single Night," the introductory song to The Idler Wheel.. (there's more to that album title, but I'm not attempting to type that all out).Because she possesses this honesty and because she is able to express … Read more
There aren't many ways that I can describe the emotions I get from Indian djentlemen Skyharbor's debut album, and part of the reason is that the cumbersomely titled Blinding White Noise: Illusion & Chaos brings with it some incredibly polarizing feelings. On the one hand, it's one of the most pleasurable aural experiences I've had the pleasure to receive. On … Read more
Formed in Nashville, Tennessee during the mid-‘90s American crust punk swell, From Ashes Rise later relocated to their current base in Portland, Oregon, where alongside fellow scene forerunners His Hero Is Gone, Tragedy and Hellshock, they helped cast the prototype for modern-day “epic crust punk”—a big sound that, while still rooted in anarcho-minded lyricism, apocalyptic imagery and D-beat, displays a … Read more
When a band decides (yes, the band, not you and your fanboy mates) to make a little change in their musical approach and try out something new, a couple of things happen. Aforementioned fanboys get up in arms and take to the internet in droves or have the same conversation with different people over and over and over again about … Read more
As far as supergroups go, I could probably count the number of successful ones on one hand. And, quite frankly, that's using as broad and weighted a definition of "successful" as a sufficiently drunk reading of the dictionary could possibly allow. That's because no one wants to hear a group of otherwise successful musicians get together and simply rehash the … Read more
Five years after their first EP was released, English band The Pirate Ship Quintet have finally released their debut album, 2012's Rope for No-Hopers. But how well does it hold up in comparison to the modern post-rock scene?Right from the get-go, it sounds like they're trying to re-create that symphonic-based minimalist sound of the Montréal post-rock scene, mixed with just … Read more
This is the first physical release from Bird Sounds and the four years it took them to put together a 7” has given them time to develop their sound. The songs on their digital EP, Girl Sounds (2008) were rougher and dirtier, while the New 7” has a tighter and more crisp sound and production. Musically, it’s something of a … Read more
I'll admit, I wasn't expecting to enjoy this album quite as much as I did. Though it's not perfect, Lockerbie's 2011 release Ólgusjór is something that pretty much everyone will find something to like about.They have the same kitschy Icelandic appeal and post-rock sound of Sigur Rós combined with the accessibility and songwriting of Coldplay. There are tons of bright … Read more
Philm is not Slayer. Yes, it is a side project of Slayer drummer/legend Dave Lombardo, but it is not Slayer. Lombardo’s other side projects Fantômas and Grip Inc. were not Slayer, either, but for whatever reason whenever this poor bastard does anything outside of Slayer, pissers and moaners alike, shamble out of the woodwork and complain that it isn’t. Grow … Read more
It may be safe to say that since the Holy Terror Record label has been revived they have managed to get on quite a roll. The records they have released have all managed to be a bit different while still carrying a certain aesthetic darkness. With label mates such as Sutekh Hexen and Cape of Bats gaining more and more … Read more
I am not the most qualified reviewer when it comes to modern-day Oi! music. Yes, I am familiar with the genre in general—I still spin The 4 Skins, The Business, The Oppressed, Blitz, or Sham 69 from time to time, and Cock Sparrer is the one band that has never been deleted from any of my iPods—but for the most … Read more
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