Review — August 6, 2007
In recent years, post-rock has become the urban sprawl of independent music. Invasive, bloated, and undeniably comfortable, it has steadily, albeit consciously, delineated from its richer, more substantive origins to assume the role of pleasant background music, antiseptically reliable but hopelessly predictable. Tortoise's feral meanderings and Mogwai's bulky, aggressive overtones …