19 total search results
Explosions in the Sky – Take Care, Take Care, Take Care
Review — May 23, 2011
Explosions In The Sky proudly create post-rock music that, though sounding simple, is far from being simplistic. Consistency remains a key element in their vast, instrumental sound, comprised of atmospheric rhythms, lofty dynamics and the band’s ability to produce colorful, emotional soundscapes. Sonics aside, even the illustrious art works of …
Arctic Monkeys – Suck It And See
Review — June 17, 2011
Alex Turner has a captivating way of churning seemingly simple rock tunes into lyrically fueled fits of manic moods, lost lovers and “syncing hearts.” The 25-year-old front man of the British based quartet, Arctic Monkeys, is at the top of his songwriting game on this full-length album, Suck It and …
Portugal. The Man – In The Mountain, In The Cloud
Review — July 25, 2011
Few bands have the creative power, material, and time to put out an album annually since its inception. Portugal. The Man do just this, having released their sixth full length album since their 2006 debut, Waiter: “You Vultures!” For such little time between each release, lack of evolvement is of …
Red Hot Chili Peppers – I'm With You
Review — September 12, 2011
After a quiet five years of whispers, rumors, questions, confirming of rumors and, at last, the revealing of exactly what the fuck The Red Hot Chili Peppers have been up to, they finally release an album. Featuring a new guitarist. And a fly mounting a pill capsule as cover art. …
Alberta Cross – The Rolling Thunder
Review — October 31, 2011
Approaching the closure to their set last weekend at the Electric Factory in Philadelphia, the London born Alberta Cross kept spirits alive, playing “…one from the new album.” The rejuvenating “Money For the Weekend” boosted energy throughout the venue, and does just that as the opener to the band’s recent …
Atlas Sound – Parallax
Review — November 14, 2011
Bradford Cox is in many ways like a ghost. There’s his whispery vocal style, like that of a specter, haunting and evanescent. And the glaring image of himself on the cover of his side project, Atlas Sound’s, second release, Logos. Or for instance his entire musical catalogue; a seamless …
The Black Keys – El Camino
Review — January 16, 2012
By now, the Black Keys have released enough material to seemingly exist since the early nineties. This is not the case, however, only having released their gritty debut, The Big Come Up, in May 2002. Since then, amidst a steady growth in production efforts and more polished recordings, The Black …
Dr. Dog – Be The Void
Review — February 13, 2012
These days, few musicians are fortunate enough to have released seven consistently pleasing albums, thrive on live performance, partake in the DIY method of surviving making music for a living and have a blast doing so. The Philadelphia bred Dr. Dog manage to do just this.Anyone can compare a …
The Shins – Port Of Morrow
Review — March 26, 2012
Spring has arrived. The sun pours through the sky. Pollen blankets the surroundings. The streets suddenly become more occupied. Much has happened in the world since last spring. Even more has occurred in the five years passed since we were last offered a new album from The Shins, a band …
Jack White – Blunderbuss
Review — April 30, 2012
Ever notice the similarity between Jack White III and the modern-day Willy Wonka, portrayed by Johnny Depp? Put a top hat on Jack White and suddenly to the eye he appears to be this musical magician. Pulling stunts like launching 1000 helium balloons tied to flexi-discs containing the Blunderbuss highlight, …
Drop Tank – Domina
Review — April 30, 2012
Playing rock and roll, and playing it well, isn’t easy these days. So much has been produced and rehashed of the genre, its best days having existed mostly in the 60’s and 70’s. Don’t get me wrong; rock and roll is still very much alive. It’s the distinction between the …
DIIV – Oshin
Review — July 9, 2012
Before reading any further, know that DIIV are anything but overwrought. The NYC band’s debut, Oshin, reflects the sort of open air, free-flowing rhythms and harmonics fluent in the thriving genre of dream pop. Naturally, the music isn’t about following along or thinking too hard about it. Everything here …
Fang Island – Major
Review — August 20, 2012
Two years since the release of their eccentric eponymous debut, Fang Island return with Major, the band’s second album on LA record label, Sargent House. It’s quite evident that their self-proclaimed pursuit to “make music for people who like music” ensues. Picking up right where Fang Island left off, Major …
Pinback – Information Retrieved
Review — October 22, 2012
Authenticity goes a long way these days in the music industry. It’s most desired in any aspiring musician and sets artists apart from a sea of others chomping at the bit. Using primarily programmed percussion only toughens the playing field; yet, when your band consists of two members playing the …
Local Natives – Hummingbird
Review — February 26, 2013
Three years since their infectious first effort, Gorilla Manor, LA's Local Natives return in folk-frenzied fashion. The quartet spawned attention and praise for the self-funded debut, going on to build the studio in which the band's latest, Hummingbird, was recorded. Subsequently, their sound is fuller and refined, ripening …
Atoms For Peace – Amok
Review — April 1, 2013
Every so often an unusual group of veteran musicians gather to form what was coined in the late ‘60s as a supergroup. There have been exceptional creative ventures, from the early Crosby, Stills & Nash, to the more recent Them Crooked Vultures and various Jack White endeavors, while others …
The Strokes – Comedown Machine
Review — May 6, 2013
The Strokes have paved way since brushing the scene in 2001 with their instant garage pop classic, Is This It. What was an unlikely return a decade later, releasing Angles after a near five-year hiatus, the band evolved electronically. Undoubtedly influenced by frontman Julian Casablancas - following his …
Portugal. The Man – Evil Friends
Review — July 8, 2013
Portugal. The Man thrives in a music scene often reluctant of drastic change in a band's sound. Meanwhile, the Alaskan natives have spent the last seven years transcending and switching gears entirely with each new release, and pulling it off well. Having originally dabbled in experimental prog, Portugal went on …
