178 total search results — Page 9 of 9
Paradise Lost – Obsidian
Review — May 25, 2020
The darkest colours of our world are reflected in the glistening surface of Paradise Lost’s music; the shining pain of loss, the radiant horror of a God who has abandoned us or the bitter twist of hopelessness, Paradise Lost know our fears and they shine a light on who we …
Vile Creature – Glory, Glory! Apathy Took Helm!
Review — June 23, 2020
There has been a shift in recent years, in heavy music, and it’s one that has given bands and artists the opportunity to use their platform to speak out, to uplift those who need help and to talk about difficult topics more openly. Heavy music is changing, for the better, …
Ulver – Flowers of Evil
Review — September 7, 2020
It’s no secret that Ulver have long since moved on from their black metal past and while the Norwegians have firmly left the harsh, cold winters behind, their music still moves in less than positive circles – at least when it comes to the subject matter. The Ulver of 2020 …
Aseitas – False Peace
Review — September 14, 2020
Aseitas hail from the wilds of Portland, Oregon and while many bands from that region tend to dabble in the blackened side of the extreme metal spectrum, this group aim to create sonic dissonance via the technical aspects of death metal. Their second full-length, False Peace, is a demanding …
Enslaved – Utgard
Review — October 26, 2020
Experiencing a band grow and evolve is one of the most rewarding parts of being invested in music and for Enslaved, their fanbase has been given plenty of opportunities to be in awe of just how progressive and inventive the Norwegian's have been since their inception almost thirty years ago. …
Aidan Baker – An Instance of Rising/Liminoid
Review — November 3, 2020
Aidan Baker’s experience as a musician encompasses solo work, collaborations, bands, remixes writing books of poetry, and with this release, composing pieces to be performed by orchestras. His career is defined by experimentation and a willingness to explore new and diverse avenues for his sounds and while he may be …
Uniform – Shame
Review — November 9, 2020
Uniform’s music is aggressive; it’s harsh, noisy, power electronics with smatterings of industrial, metallic hardcore and rumbling chords and overseeing it all is Michael Berdan’s voice – a voice that has lived through more than most can ever imagine and one that underpins their fourth full-length, Shame, as its …
Pallbearer – Forgotten Days
Review — November 23, 2020
Pallbearer’s evolution from their early days as a dark, funeral doom leaning band into a prog-embracing emotive force is well documented in their back catalogue and as Forgotten Days expands the horizons of their sound, Pallbearer open up their hearts for all the world to see. This record is vulnerable …
Nothing – The Great Dismal
Review — November 30, 2020
It’s strange, how the metal scene embraces certain genres as one of its own, enabling said genre to become “metal adjacent” and enjoy a somewhat wider audience in the long-term. Genres such as synthwave, shoegaze or dreampop, post-punk – all have a solid following from fans of much more extreme …
Paysage d'Hiver – Im Wald
Review — December 21, 2020
Im Wald begins on the slow, crunching footsteps of "Im Winterwald," while howling winds build a canopy of sound, offering a vision of how the succeeding time will unfold. That crackling, blanket of snow motif is one that will be familiar to anyone who has spent many a solitary evening …
The Body – I’ve Seen All I Need To See
Review — February 9, 2021
Where to start with The Body? The duo has been creating harsh, noise-filled music for well over two decades and have a release schedule that is, frankly, terrifying to look at. The sheer number of albums, splits, EPs and stand-alone collaborations that The Body has produced is insane and the …
Senyawa – Alkisah
Review — June 14, 2021
Indonesian duo Senyawa are experimentalists of the highest order on Alkisah, a record the dives head-first into the strange and unusual through improvisation with homemade instruments from Wukir Suryadi and a voice that ranges from the manic to the beautiful from Rully Shabara. Senyawa link the traditional to the …
thisquietarmy X Away – The Singularity, Phase I
Review — June 21, 2021
Imagine a highway, stripped of all life and containing their minute particles, each one full of information and colour, sound and breath. Imagine the highway reaching to the sky, its steps as notes and stretches of sound as the straights. thisquietarmy have created such an image in their collaboration with …
Amenra – De Doorn
Review — June 29, 2021
Memories burn in the flames while onlookers stare on. Relief washes over those present as though cleansed in the fires and reborn. Screams of catharsis spill from the lips of the watchers, emptying their souls of all the hurt and pain that has brought them to this point. Letting go …
Inhumanity Vortex – Reverse Engineering
Review — July 6, 2021
Inhumanity Vortex started life in Poland in 2008 as the project of Tomasz Dziekoński and has slowly evolved over time into a sort of cyber tech-death metal band that has grown beyond the initial seeds of inspiration from those early days. Having released a handful of pre-production demos and EPs …
Cult of Luna – The Long Road North
Review — May 3, 2022
It’s always a joy to learn Cult of Luna will be releasing something new and as the Swedes have proved time and time again, their passion for their craft is far from waning. Through atmospheric post-metal, the band create textures that range from heightened drama to serene vocal passages to …
Katatonia – Sky Void of Stars
Review — March 22, 2023
Forgive me, for a moment, while I take some time to explain that sitting down to write this piece was difficult. I stopped and started several times and that’s not counting the amount of days I spent just thinking about writing a review. You see, Katatonia are an institution and …
