281 total search results — Page 7 of 15
Hexvessel – When We Are Death
Review — February 22, 2016
Mat McNerley is sure keeping himself busy. A few months back the new Grave Pleasures (ex-Beastmilk) album came along, and soon enough a Hexvessel album would follow. That would mark the third full-length record that Hexvessel would release, coming after Dawnbringer and No Holier Temple, and …
Agoraphobic Nosebleed – Arc
Review — February 29, 2016
Led by Scott Hull, Agoraphobic Nosebleed is one of the quintessential grindcore acts out there, and probably the most prominent band in the genre to make use of a drum machine, leading to hundreds of followers. Their style is dictated by ferocity and speed, albums filled with bursts of violence …
The Body – No One Deserves Happiness
Review — March 7, 2016
Since 2010 and the release of their album All The Waters of the Earth Turn to Blood, sludge outfit The Body have really taken off. Originally found back in 1999, the band from Oregon did not seem to be very active, releasing a good debut album in 2004, but …
Wolvserpent – Aporia: Kala: Ananta
Review — March 21, 2016
When it comes to mystical vibes, few can challenge the music of Wolvserpent. The duo consisting of Blake Green and Brittany McConnell in the past six years has been putting out a series excellent works. From their debut, Blood Seed, their drone/doom vision started coming into view, a concept …
Tombs – All Empires Fall
Review — March 28, 2016
Since their inception back in 2007, Tombs have been in a phase of constant turmoil. Band members have been changed multiple times, with mainman Mike Hill the only original member still in the band. A similar sort of change has been undergoing along the works of the band, with their …
Graves At Sea – The Curse That Is
Review — April 4, 2016
During the early to mid '00s, Graves at Sea had acquired a legendary stature. Their first demo, Documents of Grief, revealed a band that had an exceptional handle on sludge, retaining the weight and extremity of the genre, combined with a sickening perspective. A single, Cirrhosis/Atavist Arise, was …
Tim Hecker – Love Streams
Review — April 11, 2016
Since 2001 Tim Hecker has been exploring the more adventurous sides of electronic music. The experimental scope of the artist has moved through dark territories, taking on elements of drone, noise, power electronics, constructing unique soundscapes of immense beauty. Haunt Me, Haunt Me Do It Again, Ravedeath, 1972 and …
Cobalt – Slow Forever
Review — April 18, 2016
The future looked very dark for Cobalt, following the release of 2009's Gin. Wunder and McSorley seemed to have perfected their recipe for the black metal outfit, following the release of their debut album, War Metal, and especially their sophomore full-length, Eater of Birds. The band seized …
Wrong – Wrong
Review — April 18, 2016
Coming out of Miami, Wrong rose from the ashes of hardcore/punk band Capsule, who released a couple of great albums, including their self-titled record and Blue, before calling it quits. Well, Eric Hernandez (guitars and vocals) bounced back brilliantly, forming the new band, with the inclusion of Ryan …
Lord Mantis – NTW
Review — April 26, 2016
Line-up changes are a scary thought. When it was first announced that vocalist Charlie Fell and guitarist Ken Sorceron were leaving Lord Mantis, it indeed felt like a devastating blow for the band. And the timing was just so depressing, just a little while after the band had released its …
Marissa Nadler – Strangers
Review — May 23, 2016
Marissa Nadler has been releasing albums since 2004, and her meticulous constructions of dream states has been astonishing since the first notes of “Fifty Five Falls.” Through the years, Nadler has shown her aptitude in songwriting, not solely by awakening an emotional response with her music, but also with a …
Sumac – What One Becomes
Review — June 6, 2016
The announcement on the newest band from Aaron Turner (Isis, Old Man Gloom) was one of the most intriguing news in 2014. And things only got more exciting as the line-up of the new band was confirmed to include bassist Brian Cook (Russian Circles) and …
Perturbator – The Uncanny Valley
Review — June 6, 2016
James Kent, known as Perturbator, has been meticulously constructing whole worlds with his dark synthwave music, one album at a time. His love of cyberpunk concepts has been the driving force for all his releases, and coupled with a strong '80s aesthetic, he has been able to breathe life into …
Sun Worship – Pale Dawn
Review — June 13, 2016
Sun Worship made a grand, and quite unexpected, appearance in the black metal scene with their debut full-length, Elder Giants. The album was supposed to be released just in digital format and on a limited tape release, but, the quality of this work saw an additional CD release coming …
Swans – The Glowing Man
Review — June 20, 2016
Bands returning after a prolonged hiatus, or re-forming after a break, are rarely able to recapture the essence and/or quality of their earlier existence. When Michael Gira announced the return of Swans it seemed that it would solely be a repeat of the band's earliest style at best. My Father …
Ithi – Chapel Perilous
Review — June 27, 2016
Ithi is a Brooklyn based duo, that had been so far exploring the experimental drone domain. Their 2011 release, The Persistence of Meaning, was based around the big drones, immense feedback and noise elements that they were able to conjure. A slight shift came with their next album, Within …
Psalm Zero – Stranger to Violence
Review — July 11, 2016
The main man of Psalm Zero, Charlie Looker, has been/still is part of some great bands. The avant-garde mentality of Zs, with their merge of neo-classical, noise and free-jazz shows a great allure towards experimental music, while his presence in the mathcore trio Period, reveal a high-level of …
Vektor – Terminal Redux
Review — July 18, 2016
The progressive thrash band from Pennsylvania is definitely very ambitious with their concept in their latest album, Terminal Redux. Their two previous full-lengths,Black Future and Outer Isolation, have already established this ambition, and the fact that their logo looks suspiciously similar to (both) Voivod used, fuels the …
Switchblade – Switchblade (2016)
Review — July 25, 2016
Originally formed back in the late '90s, through the years Switchblade have managed to attain a cult status. Flying a bit under the radar, this hybrid drone/sludge band remained very prolific in the fist half of their career, but their output has since become sparser. In 2012 they released another …
