178 total search results — Page 7 of 9
Poseidon – Prologue
Review — August 14, 2017
Concept albums aren’t a new trick but for Poseidon and their epic, sludged-out doom, the concept forms more than one story and instead will be stretched across a multitude of records in order to give the narrative the space it certainly needs. Hailing from London and having been members of …
Grave Pleasures – Motherblood
Review — October 2, 2017
The Grave Pleasures story is one that began many moons ago in 2010; beginning life as Beastmilk and led by black metal legend Mat McNerney the band were soon on the radar of the black metal scene despite their sound sitting firmly in the post punk aspect of the musical …
Monolord – Rust
Review — October 9, 2017
Sweden’s Monolord worship at the altar of the riff and on third effort Rust that riff comes downtuned, weighty and driven by bass. Vocals are hazy at best, which only adds to the ceremonial vibrations that Monolord deliver on a record that delves into darkness on its way to the …
Bell Witch – Mirror Reaper
Review — October 23, 2017
Beginning the dissection of a record is often the most difficult thing to do when it comes to writing a review. Knowing how to start, to draw in your reader and keep them interested is tough; you know what you want to say, how the record makes you feel and …
Watain – Trident Wolf Eclipse
Review — January 2, 2018
Spending any length of time with Watain will convince you of at least one thing: this is a band who means it. For this Swedish horde, black metal is life. It’s everything and for frontman Erik Danielsson it’s an integral part of his personality. Interviews with him always tend on …
Orphaned Land – Unsung Prophets & Dead Messiahs
Review — January 29, 2018
Music with a message has long been a starting point for many bands but for Orphaned Land that message is of the most extreme importance. Spreading the missive of peace and understanding has been at the root of the Israeli band and their output since the very beginning and over …
Portal – Ion
Review — February 5, 2018
There is no easy starting point with a record such as Ion. It’s an album that’s dense, almost to the point of being utterly impenetrable, with vocals from The Curator that swirl with crawling chaos and drums that march to an inhuman beat. Portal are not an easy band …
Balcanes – Carne Nueva EP
Review — February 19, 2018
Spain’s Balcanes tread a glorious path through noisy rock with a sound that is as filthy as it is consuming. Although minimally done, Balcanes still force through masses of power by using painful feedback and deep, rumbling bass to create strong textures in their work. Carne Nueva is only a …
Summoning – With Doom We Come
Review — March 19, 2018
Summoning have been at the forefront of Tolkien inspired metal for the twenty five years they’ve been a band. Formed in Austria in 1993, the duo take from the world of The Lord of the Rings – and its extended universe – to create music that is extraordinarily cinematic in …
Cloud – Plays With Fire
Review — March 26, 2018
Following on from Zen Summer in 2015 and 2013s Comfort Songs, Cloud’s Plays With Fire moves Tyler Taormina’s sound firmly into the assured category. Where his debut was weighed down with a little too much padding, Plays With Fire takes a somewhat sprightlier turn into sadness, reducing the runtime …
Dimmu Borgir – Eonian
Review — May 21, 2018
For Dimmu Borgir, who haven’t released a full length album in over seven years, Eonian marks a shift for a band that have kind of been the butt of many black metal jokes for the best part of a decade. Dimmu Borgir make no apologies for their bombastic sound and …
Monolithe – Nebula Septem
Review — June 25, 2018
Concept albums are hardly a new thing but for French band Monolithe and their seventh record, the conceptual aspect has been taken to the next level. Seven songs, exactly seven minutes long, each beginning with the first seven letters of the alphabet in sequence with each letter signalling the tonality …
Dinosaur Eyelids – Left Turn on Red
Review — July 9, 2018
Dinosaur Eyelids may have an bizarre moniker (where did they come up with it?) but their music is far from mysterious. Garage rock may have had its heyday long ago but the influences are still keenly felt through many projects kicking around today, Dinosaur Eyelids being one of them. Stating …
Immortal – Northern Chaos Gods
Review — July 30, 2018
Immortal’s career hasn't been the smoothest of rides their ninth full length comes after a protracted and tense battle with founding member Abbath, who finally left the band in 2015 before the Norwegian black metal masters could continue work on a follow up to 2009s All Shall Fall. The …
Benjamin Shaw – Megadead
Review — September 10, 2018
Goodbye, Cagoule World was a melancholy trip into the heart of someone who was trying to find their place in the world. On his previous record, Benjamin Shaw tread the path of experimentation, hoping to discover the place he belonged as well as that people aren’t really terrible deep down. …
Fórn – Rites of Despair
Review — October 15, 2018
Boston’s Fórn have been making slow, emotional music that rips your heart to pieces since 2012 and in that time the band have progressed into an entity that can make a simple guitar phrase induce introspection on a massive scale. “Manifestations of the Divine Root,” the first track after album …
Behemoth – I Loved You at Your Darkest
Review — October 22, 2018
The fanfare that surrounded 2014s The Satanist was not an unwarranted reaction and for Behemoth it marked a significant turning point. Hailed as a modern classic almost immediately and allowing the Polish band to reach the upper echelons of the extreme metal scene with huge tours both in Europe and …
Emma Ruth Rundle – On Dark Horses
Review — November 12, 2018
Where 2016's Marked for Death battled with Emma Ruth Rundle’s mortality and medical history, and allowed the artist to work through feelings of hopelessness and pain, On Dark Horses tries to take control of the shadows found in life. Instead of succumbing to the darkness, Rundle is now finding a …
Rome – Le Ceneri Di Heliodoro
Review — February 4, 2019
Rome’s musical output has been incredibly prolific over the last decade and a half of the project’s existence. Releasing albums at the rate of practically one every year, Rome has much to say and the band is Jerome Reuter’s way of expressing many emotions and opinions on revolution, love and …
