281 total search results — Page 13 of 15
Loop – Sonancy
Review — April 5, 2022
The legends of old return! Loop were one of the visionaries acts of the late ‘80s, alongside other paragons like My Bloody Valentine and Spacemen 3. Despite their short-lived existence, Loop managed to shake the post-punk and indie rock scenes. Taking on many elements from the new wave lineage, …
GGGOLDDD – This Shame Should Not Be Mine
Review — April 19, 2022
GGGOLDDD (formerly known as Gold) have always resisted fitting into a single mold. While their vision has hovered around an alternative and indie rock foundation, they have freely explored adjacent spaces. Electronic components were introduced, metallic elements have been applied and a punk-ish fervor would now and then rear its …
Cremation Lily – Dreams Drenched In Static
Review — April 26, 2022
It has been quite a journey for Zen Zsigo and Cremation Lily, a path defined by constant flux. It was back in the early ‘10s, that the initial demos of the project appeared. Back then it was all about textural harshness, with Zsigo pushing the power electronics …
Dälek – Precipice
Review — May 3, 2022
It is easy to take for granted the excellent state of experimental hip-hop today. With Death Grips freely applying noise and electronica with a punk ethos, and clipping. doubling down on industrialized beats and Afro-futuristic narratives, it is easy to forget that this landscape was not always so rich. Traveling …
NYIÞ – ᛬ᚢᛁᛋᚿᛁ•ᚼᛆᛏᛁ•ᚼᚱᛅ᛬
Review — May 24, 2022
In recent years the Icelandic black metal scene has produced a stunning array of artists. From the dissonant majesty of Svartidauði, to the immediacy of Misþyrming and the psychedelic edge of Wormlust, the scene has truly blossomed. As it is usually the case, this tendency towards the extreme …
Ken Mode – Null
Review — November 15, 2022
KEN Mode have always favored a dark and oppressive path for their extreme music aspirations. From their early days up to the release of the seminal Entrench, the act from Winnipeg, Canada has not held anything back. In 2013 it would be difficult to imagine how KEN Mode could …
Public Speaking – An Apple Lodged In My Back
Review — September 27, 2023
It is always difficult to balance between creativity and immediacy. For Jason Anthony Harris, and his project Public Speaking, this is a much-welcomed challenge. Indeed, Harris’ new work An Apple Lodged In My Back does not shy away from its pop sensibilities. As “Swollen Feet” comes in, the soulful and …
Grischa Lichtenberger – Works for Last Work
Review — October 5, 2023
Grischa Lichtenberger’s works are defined not only by their experimental foundation but also by relentless energy. Be it through glitch and EBM components, or jazz injections, there always is a volatile core. This is now changing with Works for Last Work. While the abstract mindset still defines Grischa as …
The Stargazer's Assistant – Fire Worshipper
Review — October 3, 2023
Making their first appearance in 2007 with The Other Side of the Island, it felt like The Stargazer’s Assistant would just be a one-off. Luckily, David Smith, David Knight, and Michael J. York found something worth revisiting through the drone and ambient layers of their early release. Returning with …
Old Tower – Draconic Synthesis
Review — October 13, 2023
The line between dark ambient and dungeon synth has always been blurry. Since Mortiis’ departure from Emperor and his stellar, first-era works in Født til å Herske and Ånden som Gjorde Opprør, many have traveled the same path. Amongst the newest additions to this merry group is Old Tower, the …
Sprain – The Lamb As Effigy
Review — October 14, 2023
One of the many exciting acts introduced through The Flenser, Sprain delivered an impressive work with their debut record, As Lost Through Collision. Introduced during the dark times between lockdowns in 2020, the album is a tour de force through noise rock and post-hardcore. With an off-kilter element and an …
The End – Why Do You Mourn
Review — October 17, 2023
The End is assembled by stellar musicians of the Swedish and Norwegian avant-garde jazz scene, amongst them the likes of Mats Gustafsson and Sofia Jernberg. Their moment of origin with Svårmod Och Vemod Är Värdesinnen, found this collective relishing their all too familiar chaos. Crazed saxophone solos and frenetic …
Raspberry Bulbs – The World Is Empty, The Heart Is Full
Review — October 18, 2023
Raspberry Bulbs are an act that is seemingly allergic to bullshit. Since their inception, they have bounced between different scenes and sounds, but one thing that remained constant was their adherence to their punk roots. No matter if these were infused with a primal black metal spirit in Nature Tries …
Anton Ponomarev / Guillaume Cazelet – Pyrocene
Review — October 26, 2023
Another one for Guillaume Cazelet, the prolific artist from avant-garde icons Neptunian Maximalism and his solo black metal project Ôros Kaù. This time around Cazelet collaborates with Anton Ponomarev, a fellow maniac from free improvisational fiends P/O Massacre. With their new work, Pyrocene, the duo lets go …
The Telescopes – Experimental Health
Review — November 2, 2023
There has been a lot of excitement about The Telescopes’ latest record, Of Tomorrow, and rightly so. Yet earlier in the year, the historic act from England put out another record through the small, independent Aussie record label Weisskalt. Experimental Health is the ying to Of Tomorrow’s …
The Shits – You’re A Mess
Review — November 3, 2023
With their origin dating to the late ‘10s, I was quite amazed to find in Discogs that this is only the fifth instance of a band named The Shits. However, I am not taking into account the many out there who feel the need to adorn the famous noun with …
Ogives – La Mémoire des Orages
Review — November 10, 2023
Ogives are led by ambition. That is the easiest way to describe the newly formed, nine-piece from Belgium. Featuring members of the criminally underrated, and equally ambitious Helium Horse Fly, Ogives make a start to their discography with the 75-minute long opus, La Mémoire des Orages (roughly translated to …
The Immortal Samsara Travellers – Hanging Gardens In Glacial Apocha
Review — December 1, 2023
Drone music is a deceptively difficult genre to get right. Sure, anyone can play very slow and heavy, letting the feedback carry them into obscurity. But in truth, it is all about what happens in the space in between, and the feeling that the artists can transmit. The Immortal Samsara …
Lankum – False Lankum
Review — December 14, 2023
Dedication to tradition is tricky business. On one hand, adhering to existing norms carries on the legacy. On the other end, can this result in something novel? Folk music is, by definition, rooted in tradition. And while many have pushed its boundaries, they are instead labeled as experimentalists or neofolk. …
