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Reviews by Sarah

219 total search results — Page 11 of 11

Arsis – Unwelcome

Review — August 12, 2013

Arsis have gotten a lot of flack recently--many folks haven't liked their turn away from the frantically technical towards the heavily melodic. And while I personally liked Starve for the Devil, there's no denying that substantial change has occurred in Arsis's sound, and despite a few bright moments here …

Grey Storia – Martonic

Review — August 12, 2013

With their humble roots set in friendly jam sessions, American post-rock band theLakeSuperior recorded their first three demos back in the spring of 2011. Just a year later, bolstered by their warm reception, the band took a new name, Grey Storia, and was ready to cut their first release. Those …

From Oceans to Autumn – Pareto Analysis II: The Vital Few

Review — August 12, 2013

From Oceans to Autumn is a band that I was surprised was not on my post-metal radar. They have a surprisingly prolific (and notably high-quality) output for a band that was just formed in 2006, and with the release of the second volume in their Pareto Analysis series, The Vital …

Amplifier – Echo Street

Review — August 12, 2013

This review is part of my coverage of the 2013 Progressive Music Awards, on 3 September. Amplifier is one of the few bands in the small but noticeably growing post-progressive scene (proving, once and for all, that "post-" can be appended to anything). It's music that firmly falls into …

The Enid – Invicta

Review — August 19, 2013

The Enid aren't your average '70s-era progressive legacy act. Far from abandoning experimentation and growth in their age as so many of their peers are wont to do, these guys seem dedicated to upholding a standard of quality that would be the envy of most. And though it's not their …

Kayo Dot – Hubardo

Review — August 26, 2013

It starts off inconspicuously enough, a series of instrumental swells that set the sombre and dark mood for the rest of the album. And then the growls enter, delivered as if part of a spoken word piece, each individual syllable pronounced as if there was all the time in the …

Marillion – Sounds That Can't Be Made

Review — August 26, 2013

All bands have an expiry date; some bands are just more aware of that fact than others. And when an act has been around as long as Marillion has, it's not uncommon for their age to begin to show. Whether or not that is a bad thing is uncertain--some classic …

Ef – Ceremonies

Review — August 26, 2013

Ef are an unusual band, and not just for their inexplicable fear of breaking their precious consonant-to-vowel ratio. Their take on the inexorably-expanding post-rock scene is a highly unique one, especially at a time when more and more bands are starting to sound suspiciously homogenous. And as if any more …

Temple – On the Steps of the Temple

Review — September 2, 2013

There is one readily surprising thing about Arizonan post-metallers Temple: despite the loud ensemble sound projected in their music, the entire album is the result of the work of just two musicians. Unfortunately, that's just about the only surprise to be found on their otherwise unremarkable 2012 debut, On …

Princess Music – Odobenidae

Review — September 2, 2013

Princess Music's members all hail from various chamber orchestras, which would lead you to believe that their debut would be a collection of classical recordings. The album cover, however, seems to suggest something else entirely--it looks like it'd be more at home on the cover of a kitschy indie rock …

Sigur Rós – Kveikur

Review — September 2, 2013

I came to know Sigur Rós through their early material, all very long, dreamy recordings with just a hint of pop rock bliss to ground them. Ágætis byrjun and ( ) are the albums that made the band a household name, and it's difficult not to look back on …

Ormen Lange – Black

Review — September 2, 2013

Chicagoan quartet Ormen Lange (probably named after the mightiest Viking longship, not the natural gas field on the Norwegian continental shelf) are far from a unique band--how many lightly progressive sorta instrumental artists can you name off the top of your head? Probably enough to feel as disillusioned as I. …

Isis – Celestial (Re-Issue)

Review — September 9, 2013

I could make a career out of doing reviews of Isis reissues. But what makes reviewing Celestial so difficult is that it is already a legendary album, to the point where everything to be said about it from a critical standpoint has been said before. …

Haiku Salut – Tricolore

Review — September 16, 2013

To say Haiku Salut are an odd ensemble would fall several metres short of the mark, judging by their 2013 release Tricolore.Their music has influences from all over the map, unifying elements of indie, post-rock, electronic music, and even baroque pop. Their compositions, largely instrumental, rarely conform to …

Orchestre de Trenos – Critique of Musical Reason

Review — September 16, 2013

Let's talk about cajones for a minute.Immanuel Kant's Critique of Pure Reason, aside from being a formidable, densely written, obtuse tome, is one of the most important books in the history of philosophy. But the reason philosophy students still struggle through semester-long courses in order to scratch the …

A Storm of Light – Nations To Flames

Review — September 23, 2013

A band reinventing itself is not an uncommon occurrence, but a successful reinvention is, and the more drastic the shift, the less likely it is to succeed. There are some notable success stories, but let's face it, not every band can have the graceful chance of being, say, Anathema. …

Ulcerate – Vermis

Review — September 23, 2013

Ulcerate are one of the few bands that can honestly claim to have invented a genre. (Well, a subgenre at any rate.) Blending equal parts atmospheric sludge and technical death metals, the freaky Kiwis sparked a huge following of bands eager to try the same thing. And though they haven't …

Fragarak – Crypts of Dissimulation

Review — October 7, 2013

Indian quintet Fragark have one of the bossest names for a death metal band ever. (Cheat sheet: it comes from the name of the sword wielded by Irish sea deity Manannán mac Lir, and literally means 'The Retaliator' or 'The Answerer'. Chills, I tell you.) But when it comes to …

The Tangent – Le Sacre du Travail

Review — October 29, 2013

If there's anyone who can make the mundane interesting, it'd have to be progressive rockers The Tangent. As evidence, I cite their newest album, Le Sacre du Travail (The Rite of Work), which is a five-movement, hour-long piece of music encapsulating the variety of emotions in the typical …