281 total search results — Page 10 of 15
Oxbow – Thin Black Duke
Review — May 8, 2017
I first saw Oxbow perform live back in 2007. The band has just released their then new album, The Narcotic Story, and the experience was simply beyond words. I was not familiar with their back catalogue and they completely stunned me, apart from the vocalist methodically removing his items …
Svart Crown – Abreaction
Review — May 15, 2017
Blackened death metal requires a complex formula. It is not a hybrid state between black and death metal, where 50% of each individual component will give you the appropriate result. Svart Crown belongs in the few bands that understand how to get his sound right, and they have been traveling …
Ian William Craig – Slow Vessels
Review — May 15, 2017
The classically trained Ian William Craig released in 2016 one of the best experimental works of the year in Centres. Applying ample processing to his vocals, in effect enhancing the performance, he created an adventurous record without tempering with the underlying emotion. Today he returns with Slow Vessels, …
Teleplasmite – Frequency Is The New Ecstasy
Review — May 22, 2017
Another excellent release coming through the House of Mythology label, Teleplasmite is the brainchild of an unholy alliance between Mark O. Pillington, musician known from his work in Urthona and author publishing interesting countercultural and cryptic literature through Strange Attractor, and Michael J. York, expert in wind instruments and member/collaborator …
TenHornedBeast – Death Has No Companion
Review — May 29, 2017
A master of dark ambient, Christopher Walton became first known through his time as one-half of Endvra. The duo released a series of excellent albums, with The Great God Pan standing out, infusing neo-classical perspectives and tribal rhythms into their dark ambient core. Since the end of Endvra, Walton …
The Necks – Unfold
Review — June 5, 2017
There is always this feeling of being amid a quiet storm when one experiences an album by The Necks. The experimental jazz band from Australia has proven record after record how their long form compositions can invoke serenity and chaos at the same time. This free flowing quality by which …
Harvestman – Music For Megaliths
Review — June 5, 2017
Harvestman is Steve Von Till's musical bridge. Through his main band, Neurosis, he explores the experimental side of heavy music, while with his solo project, under his own name, he regresses back to the folk origin. Harvestman connects the two, firmly standing on folk ground, but also with an …
Demen – Nektyr
Review — June 12, 2017
To get a label's attention in this age is hard. Especially trying to do so through the traditional email approach. But for Demen, that method worked, and the folks over at Kranky were taken aback by the solo project of Irna Orm. Not much is known about Orm, other than …
Gold – Optimist
Review — June 12, 2017
GOLD is the brainchild of Thomas Sciarone, known from his work with occult doom act The Devil's Blood. Having released two very good albums so far, in Interbellum and No Image, they are now carrying down on the same dark path with Optimist. GOLD is a notoriously …
Thalassa – Bonds of Prosperity
Review — June 19, 2017
Formless and endless. When dealing with drone music, these are two elements you need to take into consideration. With a deep understanding and experience of the genre and experimental music, Aaron Turner, of SUMAC and a myriad other projects, and William Fowler Collins collaborate in the avant-drone project Thalassa. Taking …
Do Make Say Think – Stubborn Persistent Illusions
Review — June 26, 2017
Do Make Say Think have left their stamp on the post-rock scene, starting from their debut, self-titled album, released in 1998, to the excellent Other Truths in 2009. It was with Other Truths that the band decided to take a break, never officially breaking up, but rather the individual members …
Jessica Moss – Pools of Light
Review — July 3, 2017
Jessica Moss is a prominent member of the Canadian experimental scene, most known for her participation in the Thee Silver Mt. Zion Orchestra & Tra-La-La-Band collective, as well as being a founding member of Black Ox Orkestar. A performer known for her versatility, she has also appeared as a …
She Spread Sorrow – Mine
Review — July 10, 2017
Alice Kundalini is releasing the second album under the She Spread Sorrow monikier, following the her debut full-length, Rumspringa. Forged in the death industrial heritage of Cold Spring records, she continues to implement fierce power electronics over her bleak ambiance. The form she takes in Mine is a continuation …
Dale Cooper Quartet & The Dictaphones – Astrild Astrild
Review — July 10, 2017
At some point in the '90s a strange scene begun to form, spawning from the adventurous nature of Gore and their follow-up project Bohren & der Club of Gore and expanded by the likes of Asunta and Phantom City. Taking the cool jazz structures, artists begun performing alchemical experiments …
John Frum – A Stirring in the Noos
Review — July 17, 2017
Technicality in death metal is a very common treat, and it has been present within the genre since its beginnings. Through time this idea has evolved, moving from the likes of Death and Suffocation to acts like Artificial Brain and Ulcerate. John Frum is a new entry in this …
Buck Gooter – 100 Bells
Review — July 24, 2017
Bizarro punk/noise/rock duo Buck Gooter are releasing their 17th album in the span of 12 years. During all that time and through all the releases, Buck Gooter, now returning with 100 Bells, has not missed a beat. Their music radiates with the same energy as it did on the …
Sun Ra/Merzbow – Strange City
Review — July 24, 2017
Big kudos are due to Justin Mitchell of Cold Spring for making this release possible, and bringing to life one of the strangest meeting of the minds. Irwin Chusid of the Sun Ra estate released a few rare and unreleased tracks from the great artist, which would be remixed by …
Daniel Menche – Sleeper
Review — July 31, 2017
With a career spanning for almost three decades, Daniel Menche is a distinguished experimental artist. Implementing abstract themes within a minimal setting, applying noise to build an asphyxiating environment, his music takes on a physical manifestation to the listener. Creating an illusion of claustrophobia and anxiety, taking away the warmth …
Ex Eye – Ex Eye
Review — July 31, 2017
Colin Stetson, a fantastic saxophone player, came into prominence due to his collaboration with various indie rock bands, in the likes of Arcade Fire and Bon Iver. However, his interests lie further away from the confinements of indie rock, and into the experimental realm, where jazz, avant-garde and …
