Review / 200 Words Or Less
Young Fathers
Cocoa Sugar

Ninja Tune (2018) Brendan Hilliard

Young Fathers – Cocoa Sugar cover artwork
Young Fathers – Cocoa Sugar — Ninja Tune, 2018

Every once and a while there will be an album that pretty much levels the musical plane, one that becomes an earworm in the most serious of ways, rendering everything else kind of secondary. For me, right now, that is Cocoa Sugar by Young Fathers.

It’s hard to classify exactly what genre the Edinburgh, Scotland-based group are, because they encompass so many different ones at once. It’s a little hip-hop, it’s a little indie rock, and then there’s some weird touches of R&B. They won the Mercury Prize in 2014 for their debut album Dead and were featured prominently on last year’s Trainspotting 2 soundtrack. Cocoa Sugar is a densely layered collection melding Gospel choirs, skitter-stop raps and Radiohead-inspired sound beds.

I keep coming back to it time and time again because I’m always hearing something a little different each time. There’s not really any sort of comparison I can make for it from anywhere. Listen to “In My View” for some burnout balladry, the buzzing aria of “Lord” or the narcotic daze of “Wow”. It all changes from song to song and it couldn’t come from anywhere else. Don’t sit on this record or this group. It’s an excellent record which centers them on the cusp of greatness. They’re building a hell of a case for it.

Young Fathers – Cocoa Sugar cover artwork
Young Fathers – Cocoa Sugar — Ninja Tune, 2018

Recently-posted album reviews

Lethal Limits

Elevate EP
GhettoBlaster Productions (2025)

The archival hunt for the "missing links" of first-wave California punk usually leads through a trail of grainy handbill Xeroxes and tape traders' overdubbed copies. But with The Flyboys, the story has always been a bit more elegant—and a lot more colourful. Long before they were swept into the gravity of the Hollywood scene, frontman John Curry was already performing … Read more

The S.E.T.

Self Evident Truth
Flatspot Records (2026)

Hardcore doesn’t need reinventing; just needs conviction. On Self Evident Truth, Baltimore’s The S.E.T. come out swinging with a debut EP that’s built on exactly that. It’s got groove, urgency, and a clear sense of purpose. Clocking in at around fifteen minutes, the EP wastes no time establishing its identity. From the opening moments of “This Chain,” it’s all forward … Read more

Dashed

Self Titled
Independent (2026)

When a band describes themselves as surf punk, it usually conjures a certain image. Reverb drenched guitars, sunburnt melodies, maybe even a sense of looseness that leans more carefree than chaotic. Dashed doesn’t really fit that mold. On their self-titled LP, they take those familiar elements and run them through something colder, sharper, and far less predictable. Across eleven tracks, … Read more