Review
Year Of The Goat
Angels' Necropolis

Ván (2012) — Cheryl

Year Of The Goat – Angels' Necropolis cover artwork
Year Of The Goat – Angels' Necropolis — Ván, 2012

Year of the Goat haven’t had the best of starts in life – injury, great upheaval, internal friction and possibly more has meant that the Swedish quintet have had to push back the release of their debut Angels’ Necropolis further than they imagined. Praise Satan then, that the record finally sees the darkness of their retro sound birthed into the shadows with classic tones and occultic structures. It’s been a funny old year for the Devil, bands have risen from the depths of Hell to glorify His name in many different ways yet the standard for mystical movements has been deeply rooted in the vibrations of the 1960s/70s landscapes. It’s curious that this type of music has somehow completely reinvented how we see bands calling on the Unholy one and its bands like Year of the Goat that have spurred on such a terrifying aspect of the dark side. The Devil’s Blood, Ancient VVisdom, and Sabbath Assembly are all groups that invoke the dank mysteries of the lower abyss and Year of the Goat owe as much to such peers as they do to the more metallic side of the spectrum – see Watain, Secrets of the Moon et al for comparison and the obvious nods to the masters Black Sabbath.

Angels’ Necropolis is a record of obvious darkness told with a traditional narrative and clean infectious melody – “A Circle of Serpents” - and the title track throws in some nifty vocal lines from Thomas Sabbathi that veer towards the hypnotic and before long you’re completely entranced before you even realise how far you’ve fallen. “Voice of a Dragon” breathes with the flame of terror whilst the guitars stir the fires of a passion for the unknown, climbing towards an ever moving entity of the most blasphemous nature.

It’s delightfully mesmerising and Year of the Goat are enthralling in the most deviously sinister way. They trick and treat their way through Angels’ Necropolis with such style and devilish grace that it’s difficult to tear yourself away even when you’re left wondering just how far down the rabbit hole you’ve gone, and whether there’ll be something following you for all the rest of your days. Watching. And waiting.

8.5 / 10 — Cheryl • January 7, 2013

Year Of The Goat – Angels' Necropolis cover artwork
Year Of The Goat – Angels' Necropolis — Ván, 2012

Related news

2015 - Year of the Goatsnake

Posted in Bands on October 27, 2014

Recently-posted album reviews

Contention

Nuclear Summer
Daze (2026)

Contention, I would argue, has spent the last few years at or near the top of the heap of the return to 90's styled Straight Edge Metalcore. I am being specific because there is no mistaking Contention's influences nor their message. This is a STRAIGHT EDGE band that is far more indebted to Morning Again that anything that uses a … Read more

A Secret Revealed

The Ruin I Summoned Forth
Lifeforce (2026)

There are albums that use heaviness as an assault and others that use it to create an atmosphere. On The Ruin I Summoned Forth, A Secret Revealed manage to does both. The German quintet’s fourth full-length is an enormous, bleak piece of post-metal, but calling it post-metal only gets you part of the way there. Black metal cuts through its … Read more

Time Spent Driving

Lost Leaves
Thirty Something Records (2026)

There's a particular challenge facing bands that came out of the late '90s and early '00s emo scene. You can recreate the sound people remember and risk becoming your own nostalgia act, or you can abandon it entirely and risk losing whatever made the band matter in the first place. Time Spent Driving choose neither on Lost Leaves. More than … Read more