Review
With Honor / The Distance
Split

Martyr (2004) Garth

With Honor / The Distance – Split cover artwork
With Honor / The Distance – Split — Martyr, 2004

Two of the best bands in Connecticut doing a split together? "Sign me up!" I think to myself, and how right am I after listening to this? Dead on.

With Honor and The Distance both contribute three tracks each to this split, and both bands show growth from their previous efforts. With Honor starts with "Gun for Hire", a song that not only showcases the With Honor style, but also introduces us to Todd's new singing style, which I definitely label myself a fan. The other two songs expand their already signature style of melodic hardcore. I personally, unlike others, like a band who takes the basic hardcore style and add things that stray from the norm such as interesting time signatures, double bass (although more of a standard occurrence now), and melodic singing. The group vocals/sing-along part mix on the second song ("It's A Long Way

Down") also is another new idea brought to life that I hope they will continue to excise on their upcoming full length.

The Distance shows the most change and growth on this CD with them shedding the "mini Carry On" status and defining their own sound. The three songs on here are definitely my favorite Distance songs and with every release this band climbs the list of my favorite bands. The third song in particular, "We're All Here. Alive and Unwell.," gets my thumbs up with guest vocals from Kevin Baker of The Hope Conspiracy and Bars, with his part of "lifeless body I die/itch to peel away this skin/until there is nothing left of me." Jay Reason's vocals on these songs sound even more strained and angry; like he's tearing out the insides of the studio they recorded the three songs.

I couldn't end this review without talking about the packaging as I am a packaging nerd. A four panel digi-pack is definitely a bold and expensive statement for just an EP. Most record labels wouldn't spend that much on a full-length, but I'm glad they spent the extra money. The artwork was done by Jeremy Wabizczewicz of Monsters in Disguise and he's definitely become one of my favorite artists right now. While the artwork doesn't really convey an overall theme of the release, it definitely reminds me of indie comic artist Craig Thompson.

Frankly, most splits don't do anything for me because usually it's just two bands slapped together on a release with no relationship. This, thankfully, isn't the case with this release and for someone that hasn't heard either band, this is an excellent way to introduce yourself to both bands.

8.5 / 10Garth • March 22, 2005

With Honor / The Distance – Split cover artwork
With Honor / The Distance – Split — Martyr, 2004

Recently-posted album reviews

Opus Kink

The Sweet Goodbye
So Recordings (2026)

ALBUM HIGHLIGHTS – “Come Over, Do Me Wrong”, “The Sweet Goodbye”, “I Have to Shine My Sunday Shoes”, “Crucify!” Opus Kink sound like nobody else. To call them “jazz punk” is to massively oversimplify it. In fact, there’s not much traditionally “punk” about them. If anything, it’s “noise rock”, but with traces of almost every other genre you could name. … Read more

Sludgeworth

Second Time Around
Red Scare Industries (2026)

I never got very into Screeching Weasel and the extended family tree. Ignoring the politics of the matter, the music never really hit that sweet spot for me either. But Sludgeworth were an exception. The band released just one album, that I discovered at least 10years after its release, but seemingly disappeared -- only to resurface after a 2022 reissue … Read more

Social Distortion

Born to Kill
Epitaph (2026)

Rating: 🍸🍸🍸🍸🍸🍸🍸🍸🚬 / 10 (8 Tipped Martini Glasses and a Cigarette) Remember that movie Fantastic Voyage, where a miniaturized submarine gets inserted into a person's bloodstream on a mission to clear a blood clot in the brain? Well, consider yourself in luck: I’m infiltrating your brain with my own fantastic journey with Social Distortion, which goes all the way back … Read more