Review
Where the Land Meets the Sea
Listen for the Gulls

Independent (2009) Bob

Where the Land Meets the Sea – Listen for the Gulls cover artwork
Where the Land Meets the Sea – Listen for the Gulls — Independent, 2009

It surely takes balls to release your own record nowadays (not that it didn't back in the day), but some bands do believe in what they are doing enough to take such a plunge. Where the Land Meets the Sea offer Listen for the Gulls as proof that some bands, be it punk or not, still breath some life into the DIY aesthetic. A four-piece indie rock outfit from Massachusetts, Where the Land Meets the Sea descends from a multitude of bands, including but not exclusive to Smoke or Fire, to create a blend of pop indie rock with some post-hardcore leanings. The five songs that comprise the EP, Listen for the Gulls offer a bit of peak into just what the band has to offer listeners.

The initial moments of the opening track prove to be a nice sleight of hand trick on the part of the band because the music that succeeds this is nothing like it, but rather what does come is dueling male and female vocals laying over pop punk beats, clanging guitars, and keyboards which provide a definite textural quality to the music. Nikki Dessingue's vocals are quite charming, particularly when the band slows down a bit, and provide quite a hook to draw listeners into Listen for the Gulls. Even though there are some nagging similarities with what Where the Land Meets the Sea musically accomplishes (at times I think of a more hyper version of Minus the Bear while listening to this EP, particularly "All is Soft"), the band does concoct a fairly unique sounding mixture.

For a debut EP, Listen for the Gulls does deliver in several ways, which is a pleasant surprise for these sometimes jaded ears. Where the Land Meets the Sea provide a more or less upbeat sounding record that tempers the sometimes darker mood that the lyrics can convey, but this interesting dichotomy only adds to the experience of the EP. On a personal level, I find myself enjoying the slower fare that the band produces, and these deliver when they occur. But the fast moments do keep the record from getting old quick. Check this out because you too might be pleasantly surprised by the five songs on Listen for the Gulls; I am glad that I heard this and will be waiting to hear more from Where the Land Meets the Sea.

7.0 / 10Bob • November 12, 2009

Where the Land Meets the Sea – Listen for the Gulls cover artwork
Where the Land Meets the Sea – Listen for the Gulls — Independent, 2009

Recently-posted album reviews

Crystal Lake

The Weight Of Sound
Century Media (2025)

Formed in Tokyo in 2002, Crystal Lake have spent more than two decades shaping their own high-velocity hybrid of metalcore, hardcore, and atmospheric chaos. Few bands of their era survived the genre’s shifts with their identity intact, and even fewer survived a complete vocalist change. But instead of slowing down, Crystal Lake sharpened. Now fronted by John Robert Centorrino, the … Read more

Tired Radio

Hope In The Haze
Red Scare Industries (2025)

I knew of Tired Radio, but I didn't really know the band's work. When Red Scare announced they'd signed the band, I figured it was a good excuse to dive in -- and I'm glad I did. Hope in the Haze is the title of their Red Scare debut and that title kind of sums up their general vibe too. … Read more

The Resinators

Recorded In 2005 By Jay Reatard
Independent (2024)

Interesting little slab we got sent to SPB by a Mr. Ed Young. Two originals and a cover, recorded in Jay Reatard’s living room back in 2005 as the title suggests. So that would be around the time of The Reatards’ Not Fucked Enough for anyone keeping track. Jay had apparently just switched from analog to digital recording but it … Read more