Review / 200 Words Or Less
Where it Ends
Resonate

Surprise Attack (2007) Michael

Where it Ends – Resonate cover artwork
Where it Ends – Resonate — Surprise Attack, 2007

When I listen to Resonate from South Carolina's Where it Ends I immediately think of individuals my own age that were spinning Strife and Trial records in their bedrooms ten years ago. It's obvious from these seven songs that the members of Where it Ends grew up on the metallic hardcore of the 1990's.

"Timeline" kicks things off and definitely evokes an In this Defiance-era Strife sound in the guitars and drumming. Vocally, Paul Glover operates with a straight yelling approach, not much straining but more coarse than a spoken-yell. Where it Ends fluctuates between two different types of songs: fast-paced and brooding. "Not Ready" starts off kind of slow but picks up the pace towards its second half and then set things off into a killer breakdown. "Who Can You Trust?" is one of the slower-moving brooding songs. "Destroyed by Man" completely smashes. "Endslaved" closes things out with some ultra chugging, almost paying homage to the likes of Undertow and Integrity.

Resonate is the first proper release from Where it Ends and it definitely shows a lot of promise. Keep tabs on these guys; you'll be hearing more from them in the future, you can bet on that.

7.5 / 10Michael • March 3, 2008

Where it Ends – Resonate cover artwork
Where it Ends – Resonate — Surprise Attack, 2007

Related news

Where It Ends Posts New Songs

Posted in MP3s on July 20, 2009

Where It Ends Posts New Song

Posted in MP3s on June 14, 2009

Recently-posted album reviews

Økse

Økse
Backwoodz Recordz (2024)

Økse is a gathering of brilliant, creative minds. The project's roster is pristine, with avant-jazz phenoms Mette Rasmussen on saxophone, Savannah Harris on drums, and Petter Eldh on bass/synths/samplers joining electronic artist and multidisciplinery extraordinaire Val Jeanty (of the fantastic Turning Jewels Into Water project.) The result is a multi-faceted work that stands on top of multiple sonic pillars, as … Read more

Final

What We Don't See
Room40 (2024)

Justin K. Broadrick's prolific output keeps giving, and may it never stop! The latest release is one of Broadrick's earliest projects, Final, which started in the power electronics tradition but since its resurrection in the early '90s, it is solidly standing in the ambient realm. Final's new full-length What We Don't See continues on the same trajectory, relishing drone's minimalistic … Read more

Bambies

Snotty Angels
Spaghetty Town Records, Wanda Records (2024)

The digital files I’ve been listening to as I write this review are all tagged to begin with the band name, e.g. “Bambies Teenage Night,” “Bambies Love Bite,” etc. It seems like a fitting metaphor. The Bambies play the kind of Ramones-adjacent garage-punk that’s often self-referential and in on their own joke. The Bambies play leather jacket-clad, straight-forward punky songs … Read more