Review
We're All Broken
Blacktop Cry

Devildance (2009) Corey S.

We're All Broken – Blacktop Cry cover artwork
We're All Broken – Blacktop Cry — Devildance, 2009

We're All Broken's name may sound familiar to you because they've opened for a lot of big names like Thursday, Minus the Bear, and The Gaslight Anthem over the years. This five-piece have just undergone a bit of a change in style with their new EP, Blacktop Cry. Their former post-hardcore stylings have been abandoned in favor of a more straight-forward rock approach. The band's take on rock n' roll is showcased with huge choruses, vocalist/guitarist Joe Wilson's soulful singing voice, and overall anthemic sound. It's an instant hook at first, but it only lasts for so long.

The most appealing quality of this band is Wilson's singing. His heartfelt, soulful voice is what really drew me into this band at first. It's hard not to really enjoy his smooth style and it fits well with band's new approach. Check out the chorus of "Without a Sound" to see Wilson really stretch his limits vocally. We're All Broken's rhythm section is very tight as the guitars power songs like "The Working Life" and "Blacktop Cry." "The Fraud" also features a bit of a folk tinge with the harmonica included in the outro. One minor complaint about the musicianship is bassist Joe Sudano because he is barely heard.

Blacktop Cry spans only six songs long but unfortunately, it gets kind of tiring listening to the whole thing. The band's new formula is great, and they really hit it home on "The Working Life," the title track, and "Without a Sound" but after those stellar first three songs, things kind of die down. It's not that the final three songs aren't good, but after how well of a start Blacktop Cry gets off to, the rest of the EP doesn't live up to it.

That aside, Blacktop Cry is an enjoyable EP from a band who could have a big future ahead of them. This new straightforward rock style really works for them and it gives Wilson a chance to exercise his vocal chords even further on later releases. This band has loads of potential and we'll just have to wait and see how they use it on the upcoming full-length. Until then, we have this little EP to keep us busy for a little while.

7.0 / 10Corey S. • June 28, 2009

We're All Broken – Blacktop Cry cover artwork
We're All Broken – Blacktop Cry — Devildance, 2009

Related news

We're All Broken Prep EP

Posted in Records on March 23, 2009

Recently-posted album reviews

Painkiller

The Great God Pan
Tzadik (2025)

Painkiller, the trio of John Zorn, Bill Laswell, and Mick Harris shows no signs of slowing down. The Great God Pan is their third full-length, since their reunion in 2024, and in many ways it is an unexpected offering. In keeping with their interests in the metaphysical realm, Painkiller find inspiration from the famed Arthur Machen horror novella. Here, the … Read more

Painkiller

The Equinox
Tzadik (2025)

Painkiller sees three absolute masters of extreme music join forces. John Zorn of Naked City and a billion other projects, Mick Harris who transcended from Napalm Death drummer to illbient guru with Scorn, and producer extraordinaire Bill Laswell. Their first two records, Guts of a Virgin and Buried Secrets are strange meditations traversing between free-jazz, grindcore and dub. Still hungry … Read more

Dauber

Falling Down
Dromedary Records, Recess (2025)

The lazy approach would be to call Dauber "ex-Screaming Females," but that barely scratches the surface. If I had to pick one band to namedrop a comparison to, it would be labelmates Night Court. They play a familiar style but with a lot of quirks that set it apart from the genre standard-bearers. It's driving and energetic -- more importantly, … Read more