Review
We're All Broken
Blacktop Cry

Devildance (2009) Corey S.

We're All Broken – Blacktop Cry cover artwork
We're All Broken – Blacktop Cry — Devildance, 2009

We're All Broken's name may sound familiar to you because they've opened for a lot of big names like Thursday, Minus the Bear, and The Gaslight Anthem over the years. This five-piece have just undergone a bit of a change in style with their new EP, Blacktop Cry. Their former post-hardcore stylings have been abandoned in favor of a more straight-forward rock approach. The band's take on rock n' roll is showcased with huge choruses, vocalist/guitarist Joe Wilson's soulful singing voice, and overall anthemic sound. It's an instant hook at first, but it only lasts for so long.

The most appealing quality of this band is Wilson's singing. His heartfelt, soulful voice is what really drew me into this band at first. It's hard not to really enjoy his smooth style and it fits well with band's new approach. Check out the chorus of "Without a Sound" to see Wilson really stretch his limits vocally. We're All Broken's rhythm section is very tight as the guitars power songs like "The Working Life" and "Blacktop Cry." "The Fraud" also features a bit of a folk tinge with the harmonica included in the outro. One minor complaint about the musicianship is bassist Joe Sudano because he is barely heard.

Blacktop Cry spans only six songs long but unfortunately, it gets kind of tiring listening to the whole thing. The band's new formula is great, and they really hit it home on "The Working Life," the title track, and "Without a Sound" but after those stellar first three songs, things kind of die down. It's not that the final three songs aren't good, but after how well of a start Blacktop Cry gets off to, the rest of the EP doesn't live up to it.

That aside, Blacktop Cry is an enjoyable EP from a band who could have a big future ahead of them. This new straightforward rock style really works for them and it gives Wilson a chance to exercise his vocal chords even further on later releases. This band has loads of potential and we'll just have to wait and see how they use it on the upcoming full-length. Until then, we have this little EP to keep us busy for a little while.

7.0 / 10Corey S. • June 28, 2009

We're All Broken – Blacktop Cry cover artwork
We're All Broken – Blacktop Cry — Devildance, 2009

Related news

We're All Broken Prep EP

Posted in Records on March 23, 2009

Recently-posted album reviews

The Goslings

Plexuses, Planes
Independent (2025)

For experimental rock artists torn between noise-rock abrasion and torturous drone immersion, one side usually wins. It is either a certain sentimental and ethereal quality or an oppressive noise dimension that prevails. But there are some acts that can balance between these worlds. Names like The Angelic Process, and of course Low exemplify this strange balance in different ways. A … Read more

Bee Bee Sea

Stanzini Can Be Allright
Wild Honey Records (2025)

I believe the first I heard of this album was when Wild Honey released the limited edition It’s All About The Music concept 7” EP back in July. Exclusively released for the Punk Rock Raduno festival, IAATM is a three song 7” but only sort of? The concept: one garage-rock anthem, three versions- one is slowed down, one is regular … Read more

Second Harbour

Coalesce EP
Sharptone (2025)

Formed around the tight-knit chemistry of brothers Xavier and Vincent Morency with drummer John Muggianu, Canada’s Second Harbour are that rare modern post-hardcore band that sound equally comfortable bleeding and building. Their new four-song EP, Coalesce, marks both their SharpTone Records debut and their clearest creative statement yet. The title isn’t just poetic, it’s literal. This is where the band’s … Read more