Review
Wavelets
Athaletics

Tiny Engines (2012) Adam Houtekamer

Wavelets – Athaletics cover artwork
Wavelets – Athaletics — Tiny Engines, 2012

The term emo is an overused and wrongly purposed adjective in today’s music culture, often used to describe overbearing metalcore. To this young writer “emo” music comes from bands of the nineties that are in the vein of Sunny Day Real Estate and The Promise Ring, characterized by a healthy balance of vocal strain and heartfelt lyrics, not sick breakdowns and heavy growls. Athletics–the debut full length from Wavelets—pays excellent homage to the genre while remaining progressive enough to be both current and a breath of fresh air in a dying scene.

Hailing from the notorious Gainesville, Florida (location of The FEST, in case you didn’t know) makes it no easy task for a band to make an impact. The five-piece has self-released a few digital EPs and a split with Senders. They have now been picked up by the newer label Tiny Engines for the release of this full-length, recorded at Black Bear Studios, showing that they are doing something right.

The 9 songs only come to a modest 23-and-a-half minutes and, while the overall experience is enjoyable, this record feels as if it is over far too soon – as if the engine is just getting started before it runs out of gas. Filled with excellent vocal strain from front man Steven Gray and comforting melodic riffs complimented by easy percussion, the album definitely gets the job done. The vocals have rasp that will deter some listeners who – for reasons unknown to me – feel like that have to “get over” them to truly enjoy the music, and the songs never come across harsh because of it. Everything comes across very smoothly and a full listen is both soothing and enjoyable. Eventually the listener will begin to notice that the lyrics are both smart and meaningful. The album carries a great energy that sets it apart from the genre norm of slow and ambient and, while the album has its share of chorus chants, they are infrequent enough that it doesn’t get annoying.

This record is a nostalgia trip to when you were in high school and this music was an escape. It never loses this feel of bringing you back and keeps this keeps you spinning the record time again. While its brevity leaves me wanting more (and I will wait patiently) I am entirely content at the same time due to how well it is done, breathing life into a genre that has grown cold.

Wavelets – Athaletics cover artwork
Wavelets – Athaletics — Tiny Engines, 2012

Recently-posted album reviews

Six Going on Seven

Human Tears
Spartan Records (2026)

Late 90s post hardcore and emo feels impossible to recreate now. That’s not because the sound itself is gone, but because the tension behind it was so specific to that era. Six Going on Seven’s Human Tears, their first full length in roughly twenty-four years, captures that feeling perfectly. Having a wonderful history by having done a split with Hot … Read more

The Bug Club

Every Single Muscle
Sub Pop (2026)

  I got kind of obsessed with reviewing this record after I heard the first single “Watching The Omnibus” which they released digitally earlier this year. I could probably just write a whole thing about how hard it was to get an advance download of it for review, but I try to keep my reviews positive so I will steer clear … Read more

The Cascadian Divide

To the Sky
Independent (2026)

The Cascadian Divide is a Washington state based melodic skate punk band that formed during the infamous COVID lockdown. Although it started as an experiment, it soon became a passion project for the band members. The band has seen its share of line up changes over the years, but the commitment to maintaining the sound and integrity of the band … Read more