Review
Wavelets
Athaletics

Tiny Engines (2012) Adam Houtekamer

Wavelets – Athaletics cover artwork
Wavelets – Athaletics — Tiny Engines, 2012

The term emo is an overused and wrongly purposed adjective in today’s music culture, often used to describe overbearing metalcore. To this young writer “emo” music comes from bands of the nineties that are in the vein of Sunny Day Real Estate and The Promise Ring, characterized by a healthy balance of vocal strain and heartfelt lyrics, not sick breakdowns and heavy growls. Athletics–the debut full length from Wavelets—pays excellent homage to the genre while remaining progressive enough to be both current and a breath of fresh air in a dying scene.

Hailing from the notorious Gainesville, Florida (location of The FEST, in case you didn’t know) makes it no easy task for a band to make an impact. The five-piece has self-released a few digital EPs and a split with Senders. They have now been picked up by the newer label Tiny Engines for the release of this full-length, recorded at Black Bear Studios, showing that they are doing something right.

The 9 songs only come to a modest 23-and-a-half minutes and, while the overall experience is enjoyable, this record feels as if it is over far too soon – as if the engine is just getting started before it runs out of gas. Filled with excellent vocal strain from front man Steven Gray and comforting melodic riffs complimented by easy percussion, the album definitely gets the job done. The vocals have rasp that will deter some listeners who – for reasons unknown to me – feel like that have to “get over” them to truly enjoy the music, and the songs never come across harsh because of it. Everything comes across very smoothly and a full listen is both soothing and enjoyable. Eventually the listener will begin to notice that the lyrics are both smart and meaningful. The album carries a great energy that sets it apart from the genre norm of slow and ambient and, while the album has its share of chorus chants, they are infrequent enough that it doesn’t get annoying.

This record is a nostalgia trip to when you were in high school and this music was an escape. It never loses this feel of bringing you back and keeps this keeps you spinning the record time again. While its brevity leaves me wanting more (and I will wait patiently) I am entirely content at the same time due to how well it is done, breathing life into a genre that has grown cold.

Wavelets – Athaletics cover artwork
Wavelets – Athaletics — Tiny Engines, 2012

Recently-posted album reviews

Witness Chamber

Bronze Gates
Brain Floss (2025)

Straight out of Boise’s unforgiving hardcore pipeline, the band Witness Chamber returns with Bronze Gates, their most suffocating and sharpened release yet. Seven tracks with zero breathing room. If you’ve followed the band since 2021’s Paradise Awaits EP or the 2023’s True Delusion, you already know they’ve never been subtle. However, this time the punishment feels sacramental. It’s straight edge … Read more

Home Front

Watch It Die
La Vida Es Un Mus Discos Punk (2025)

There's a song on Watch It Die called "Dancing With Anxiety," a title that wraps up Home Front's style quite well. Because I like to beat metaphors to a pulp, maybe also consider "Between The Waves" as another title that captures how they straddle the punk and new wave worlds. Home Front plays street punk with a lot of synth … Read more

PitchBlack

Walking on Burning Ground
Producciones Paganas (2025)

Formed in the mid-2000s, PitchBlack have always been one of Danish metal’s most overlooked heavy hitters. A band is sitting between old-school melodeath grit and European thrash aggression, building a reputation on intensity instead of trends. They debuted with Designed to Dislike in 2007, followed it with The Devilty in 2011 (which landed them spots at Copenhell and Download UK), … Read more