Review
Wavelets
Athaletics

Tiny Engines (2012) Adam Houtekamer

Wavelets – Athaletics cover artwork
Wavelets – Athaletics — Tiny Engines, 2012

The term emo is an overused and wrongly purposed adjective in today’s music culture, often used to describe overbearing metalcore. To this young writer “emo” music comes from bands of the nineties that are in the vein of Sunny Day Real Estate and The Promise Ring, characterized by a healthy balance of vocal strain and heartfelt lyrics, not sick breakdowns and heavy growls. Athletics–the debut full length from Wavelets—pays excellent homage to the genre while remaining progressive enough to be both current and a breath of fresh air in a dying scene.

Hailing from the notorious Gainesville, Florida (location of The FEST, in case you didn’t know) makes it no easy task for a band to make an impact. The five-piece has self-released a few digital EPs and a split with Senders. They have now been picked up by the newer label Tiny Engines for the release of this full-length, recorded at Black Bear Studios, showing that they are doing something right.

The 9 songs only come to a modest 23-and-a-half minutes and, while the overall experience is enjoyable, this record feels as if it is over far too soon – as if the engine is just getting started before it runs out of gas. Filled with excellent vocal strain from front man Steven Gray and comforting melodic riffs complimented by easy percussion, the album definitely gets the job done. The vocals have rasp that will deter some listeners who – for reasons unknown to me – feel like that have to “get over” them to truly enjoy the music, and the songs never come across harsh because of it. Everything comes across very smoothly and a full listen is both soothing and enjoyable. Eventually the listener will begin to notice that the lyrics are both smart and meaningful. The album carries a great energy that sets it apart from the genre norm of slow and ambient and, while the album has its share of chorus chants, they are infrequent enough that it doesn’t get annoying.

This record is a nostalgia trip to when you were in high school and this music was an escape. It never loses this feel of bringing you back and keeps this keeps you spinning the record time again. While its brevity leaves me wanting more (and I will wait patiently) I am entirely content at the same time due to how well it is done, breathing life into a genre that has grown cold.

Wavelets – Athaletics cover artwork
Wavelets – Athaletics — Tiny Engines, 2012

Recently-posted album reviews

Pageant Mum

Finis Amoris Est
Red Tape Music (2026)

Breakup records usually announce themselves with a band. There is betrayal, shouting, and doors slamming shut. Finis Amoris Est, the new EP from UK post-hardcore outfit Pageant Mum, takes a different route. It’s a record about what happens after the blowup, when the noise dies down and you’re left alone with the quieter, harder questions. Across these four tracks, the … Read more

Pat Todd & The Rankoutsiders

After The Dolls
Heavy Medication Records (2026)

Pat Todd is a roots rock and roll incarnate — a relentless road dog, grinding it out night after night with his hot-as-buckshot band, The Rankoutsiders. His shows are raw, electric, and lived-in, a testament to decades on the road. With a career spanning over forty years, Todd has earned a reputation as one of the hardest-working men in the … Read more

Dewey

Summer On A Curb
Howlin’ Banana Records (2026)

If you like your pop melodies wrapped in fuzz, your shoegaze grounded in real songwriting, and your records best experienced front-to-back on a quiet night, Dewey’s debut is absolutely worth your time. There’s something disarmingly unpretentious about Summer On A Curb. Dewey don’t arrive with a manifesto, a scene-policing attitude, or a sense of calculated cool. Instead, this Parisian quartet … Read more