Review / 200 Words Or Less
War of Ages
Fire from the Tomb

Facedown (2007) Michael

War of Ages – Fire from the Tomb cover artwork
War of Ages – Fire from the Tomb — Facedown, 2007

Erie has a long-standing tradition of hardcore: xDisciplex A.D., Brothers Keeper, Shockwave, and Abnegation. Continuing that tradition is War of Ages, though they definitely mix their hardcore influences with a significant amount of metal riffage.

Fire from the Tomb is actually a re-recording of the band's debut effort. Some might question the band's decision to go back and re-do their debut offering, but given the album's OOP status and the band's growing popularity, it makes perfect sense. War of Ages rip through twelve songs of blazing metalcore that outshines their peers in Killswitch Engage, As I Lay Dying, etc. While the rest of the metalcore world has become stagnant, these youngsters have found a way to sound fresh. Lyrically, vocalist Leroy Hamp finds strength in his faith in God, and uses that to triumph in face of adversity and self-doubt. Even if you're not of the Christian faith, or religious in any form, you can't help but admire his determination.

Fire from the Tomb and the band's previous LP, Pride of the Wicked, partnered with an unrelenting touring schedule (these dudes take less days than the clerk at my 7-11) will easily catapult them to forefront of the metal scene.

6.5 / 10Michael • September 9, 2007

War of Ages – Fire from the Tomb cover artwork
War of Ages – Fire from the Tomb — Facedown, 2007

Related news

War Of Ages Shooting Video In Hometown

Posted in Videos on January 7, 2009

War Of Ages - "Through The Flames" Video

Posted in Videos on October 10, 2008

War Of Ages Post New Song

Posted in MP3s on July 14, 2008

Recently-posted album reviews

Lethal Limits

Elevate EP
GhettoBlaster Productions (2025)

The archival hunt for the "missing links" of first-wave California punk usually leads through a trail of grainy handbill Xeroxes and tape traders' overdubbed copies. But with The Flyboys, the story has always been a bit more elegant—and a lot more colourful. Long before they were swept into the gravity of the Hollywood scene, frontman John Curry was already performing … Read more

The S.E.T.

Self Evident Truth
Flatspot Records (2026)

Hardcore doesn’t need reinventing; just needs conviction. On Self Evident Truth, Baltimore’s The S.E.T. come out swinging with a debut EP that’s built on exactly that. It’s got groove, urgency, and a clear sense of purpose. Clocking in at around fifteen minutes, the EP wastes no time establishing its identity. From the opening moments of “This Chain,” it’s all forward … Read more

Dashed

Self Titled
Independent (2026)

When a band describes themselves as surf punk, it usually conjures a certain image. Reverb drenched guitars, sunburnt melodies, maybe even a sense of looseness that leans more carefree than chaotic. Dashed doesn’t really fit that mold. On their self-titled LP, they take those familiar elements and run them through something colder, sharper, and far less predictable. Across eleven tracks, … Read more