Review
Wang Wen
Invisible City

PELAGIC RECORDS (2018) Cheryl

Wang Wen – Invisible City cover artwork
Wang Wen – Invisible City — PELAGIC RECORDS, 2018

China isn’t the first country you think of when it comes to rock music but over the last two decades, Wang Wen has been placing their home on the musical map and in Invisible City the band brings a range of new emotion to their instrumental work. 

Wanting to record something warmer than the previous record, Sweet Home, Go!, the band decamped to Iceland to bring their vision to life. It’s not immediately obvious where the warmth is within this new album but “Mail from the River” uses its closing moments to boost the sound and gives fuzzed out feedback a dominant space within what is otherwise a fairly gentle song. “Lost in Train Station” and the incredible movement of “Silenced Dalian” build towards gorgeous melodies and that hazy gauze that Wang Wen are wont to do so often. 

There are moments, however, where the music meanders somewhat and this is something that Wang Wen have not yet managed to rein in within their music. Where songs feel that they could be over, the band continue to play with the rhythms for far longer than is necessary and this gives Invisible City a disappointing edge. There are definite highlights to be found here but Wang Wen’s self-control is not one of them. 

6.0 / 10Cheryl • March 25, 2019

Wang Wen – Invisible City cover artwork
Wang Wen – Invisible City — PELAGIC RECORDS, 2018

Related news

New from Wang Wen

Posted in Records on November 26, 2022

Wang Wen's 11th album

Posted in Records on July 24, 2021

SPB exclusive: Wang Wen's Sweet Home, Go!

Posted in Records on October 4, 2016

Recently-posted album reviews

The S.E.T.

Self Evident Truth
Flatspot Records (2026)

Hardcore doesn’t need reinventing; just needs conviction. On Self Evident Truth, Baltimore’s The S.E.T. come out swinging with a debut EP that’s built on exactly that. It’s got groove, urgency, and a clear sense of purpose. Clocking in at around fifteen minutes, the EP wastes no time establishing its identity. From the opening moments of “This Chain,” it’s all forward … Read more

Dashed

Self Titled
Independent (2026)

When a band describes themselves as surf punk, it usually conjures a certain image. Reverb drenched guitars, sunburnt melodies, maybe even a sense of looseness that leans more carefree than chaotic. Dashed doesn’t really fit that mold. On their self-titled LP, they take those familiar elements and run them through something colder, sharper, and far less predictable. Across eleven tracks, … Read more

The Sleeveens

National Anthem
Goner (2026)

National Anthem is the second album from The Sleeveens, a Nashville, TN band fronted by an Irishman. The band play that perfect mix of protopunk and classic rock 'n' roll that's built on a verse/chorus/verse structure and melody without any frills. It's leather jacket music for the common folk. The debut grabbed me by my collar and spun me around … Read more