Review / 200 Words Or Less
Wall Of Water
Promo 2015

Independent (2015) Andy Armageddon

Wall Of Water – Promo 2015 cover artwork
Wall Of Water – Promo 2015 — Independent, 2015

The deliciously gloomy album art on Wall of Water's two-track Promo 2015 features what seems to be a long-abandoned roller coaster rotting away in the elements, an image that seems to jive with the downbeat but arresting style of music played by band members Cullen Toner (multi-instrumentalist and vocalist) and Shawn Eldridge (drummer). Keyboard adds to the occasionally almost theatrical effect of opener “Exposure,” a work that alternately delivers clean or growled vocals alongside almost robotic eruptions of kick and snare, while the lengthy “Clairvoyance” meanders through a slowed-down post-rock opening before kicking into overdrive during a pounding middle stretch. The doomy final third of the piece finds agonized vocal and haunting air raid guitar sending things out on an appropriately uneasy note. Full of interesting, continually shifting rhythms and demonstrating a surprisingly dramatic, musically-satisfying compositional style that regularly cycles through various motifs, this stands as an exhilarating and worthwhile debut release that displays a substantial amount of sonic power and fury, presaging good things to come from the duo responsible for it.

Wall Of Water – Promo 2015 cover artwork
Wall Of Water – Promo 2015 — Independent, 2015

Recently-posted album reviews

Lethal Limits

Elevate EP
GhettoBlaster Productions (2025)

The archival hunt for the "missing links" of first-wave California punk usually leads through a trail of grainy handbill Xeroxes and tape traders' overdubbed copies. But with The Flyboys, the story has always been a bit more elegant—and a lot more colourful. Long before they were swept into the gravity of the Hollywood scene, frontman John Curry was already performing … Read more

The S.E.T.

Self Evident Truth
Flatspot Records (2026)

Hardcore doesn’t need reinventing; just needs conviction. On Self Evident Truth, Baltimore’s The S.E.T. come out swinging with a debut EP that’s built on exactly that. It’s got groove, urgency, and a clear sense of purpose. Clocking in at around fifteen minutes, the EP wastes no time establishing its identity. From the opening moments of “This Chain,” it’s all forward … Read more

Dashed

Self Titled
Independent (2026)

When a band describes themselves as surf punk, it usually conjures a certain image. Reverb drenched guitars, sunburnt melodies, maybe even a sense of looseness that leans more carefree than chaotic. Dashed doesn’t really fit that mold. On their self-titled LP, they take those familiar elements and run them through something colder, sharper, and far less predictable. Across eleven tracks, … Read more