Review
Vial
Burnout

Get Better Records (2024) Loren

Vial – Burnout cover artwork
Vial – Burnout — Get Better Records, 2024

They’re calling Vial indie-punk on the press releases I’m seeing. That’s probably as fair a description as any, as the DIY punk band covers a lot of sonic ground. What’s impressive is that on burnout, their second record, that varied sound all feels unified. The 10 songs here go from indie rock to angry punk to grungy to bouncy but, however it shifts from song to song, it manages the same core aesthetic. I’d simply call it punk, with strong influence from the riot grrl movement, but just as much interest in fun, party tunes as they have in loud, angry jams. If I have to namedrop, I found myself thinking of BratmobileGrumpsterKitten Forever, and even the Dwarves and ‘70s disco pomp at different times.

They also seem to hate Capital Letters.

“two-faced” seems like a perfect title to introduce the multi-dimensional sound. As the lead track, it uses an angry riff for a straight-up punk ripper with some slowed down dynamic shifts and a big choral “Fuck you / And fuck you too” refrain. It sets a tone, especially if you consider that there are also song titles like “just fine” and “apathy” on this album. There is a downer, burnt out theme, even if they sometimes veer in new, very different directions.

“falling short” is a pop-punk singalong and then “bottle blonde” and “ur dad” are something of character studies. The songs about secondary characters are especially captivating, because they cover both angles. Even if it’s poking fun, you get a sense of humanity. And right when you think you have it all figured out, “broth song” sounds like a touching love song, until you listen to the lyrics. Yes, it’s about soup. There’s a unified story in all of this. I hear, in a sense, a chaotic and highly dramatic party and the ensuing hangover filled with regret and remorse – all set to song.

Honestly, the songs here go by so fast that this feels more like an EP than LP to me, as a couple of one-minute jams feel more like transitional half-songs (that I still dig). The band also utilizes a fair amount of spoken word that’s borderline overdone. I like it in small doses, but they go back to the technique a little more often than this ear prefers. Ultimately though, “burn out” makes me feel energized instead of sick of it all. Well done, Vial.

8.0 / 10Loren • March 29, 2024

Vial – Burnout cover artwork
Vial – Burnout — Get Better Records, 2024

Related news

burnout from Vial

Posted in Records on January 20, 2024

Vial is "just fine," thank you

Posted in MP3s on October 19, 2023

Recently-posted album reviews

Økse

Økse
Backwoodz Recordz (2024)

Økse is a gathering of brilliant, creative minds. The project's roster is pristine, with avant-jazz phenoms Mette Rasmussen on saxophone, Savannah Harris on drums, and Petter Eldh on bass/synths/samplers joining electronic artist and multidisciplinery extraordinaire Val Jeanty (of the fantastic Turning Jewels Into Water project.) The result is a multi-faceted work that stands on top of multiple sonic pillars, as … Read more

Final

What We Don't See
Room40 (2024)

Justin K. Broadrick's prolific output keeps giving, and may it never stop! The latest release is one of Broadrick's earliest projects, Final, which started in the power electronics tradition but since its resurrection in the early '90s, it is solidly standing in the ambient realm. Final's new full-length What We Don't See continues on the same trajectory, relishing drone's minimalistic … Read more

Bambies

Snotty Angels
Spaghetty Town Records, Wanda Records (2024)

The digital files I’ve been listening to as I write this review are all tagged to begin with the band name, e.g. “Bambies Teenage Night,” “Bambies Love Bite,” etc. It seems like a fitting metaphor. The Bambies play the kind of Ramones-adjacent garage-punk that’s often self-referential and in on their own joke. The Bambies play leather jacket-clad, straight-forward punky songs … Read more