Review / 200 Words Or Less
Vanessa Van Basten
Vanessa Van Basten (Reissue)

KNVBI (2008) Michael

Vanessa Van Basten – Vanessa  Van Basten (Reissue) cover artwork
Vanessa Van Basten – Vanessa Van Basten (Reissue) — KNVBI, 2008

Fortunately for all, Vanessa Van Basten is not the name of the latest female pop diva. Instead, they are a two-piece instrumental duo from Italy that draws heavily from the worlds of post-rock, metal, and shoegaze. This recording is the band's debut EP reissued on a stunning two-tone colored 12" LP. The album was previously only available as CD-R in their homeland, but now the album is available here in the U.S. for the first time.

The six tracks that comprise this recording bring together a variety of influences. While most noticeable is the duo's influence from the world of post-rock and metal hybrids, there are also elements of others found throughout. The band makes their way through song after song of guitar-driven instrumentals by dabbling in ambient guitar noodling as well as heavier dense metal chugs. Intertwined amongst the music are electronic gadgetry and samples from notable films - Dune, Mulholland Drive, Zerkalo - in Italian of course.

Listening to Vanessa Van Basten was a relaxing and enjoyable experience. By the time the record and been flipped and played through I was itching to hear more. Fortunately the band has a few other recordings to wet my appetite.

7.5 / 10Michael • May 2, 2008

Vanessa Van Basten – Vanessa  Van Basten (Reissue) cover artwork
Vanessa Van Basten – Vanessa Van Basten (Reissue) — KNVBI, 2008

Recently-posted album reviews

Økse

Økse
Backwoodz Recordz (2024)

Økse is a gathering of brilliant, creative minds. The project's roster is pristine, with avant-jazz phenoms Mette Rasmussen on saxophone, Savannah Harris on drums, and Petter Eldh on bass/synths/samplers joining electronic artist and multidisciplinery extraordinaire Val Jeanty (of the fantastic Turning Jewels Into Water project.) The result is a multi-faceted work that stands on top of multiple sonic pillars, as … Read more

Final

What We Don't See
Room40 (2024)

Justin K. Broadrick's prolific output keeps giving, and may it never stop! The latest release is one of Broadrick's earliest projects, Final, which started in the power electronics tradition but since its resurrection in the early '90s, it is solidly standing in the ambient realm. Final's new full-length What We Don't See continues on the same trajectory, relishing drone's minimalistic … Read more

Bambies

Snotty Angels
Spaghetty Town Records, Wanda Records (2024)

The digital files I’ve been listening to as I write this review are all tagged to begin with the band name, e.g. “Bambies Teenage Night,” “Bambies Love Bite,” etc. It seems like a fitting metaphor. The Bambies play the kind of Ramones-adjacent garage-punk that’s often self-referential and in on their own joke. The Bambies play leather jacket-clad, straight-forward punky songs … Read more