Review
Touche Amore
Parting The Sea Between Brightness And Me

Deathwish Inc. (2011) Adam Houtekamer

Touche Amore – Parting The Sea Between Brightness And Me cover artwork
Touche Amore – Parting The Sea Between Brightness And Me — Deathwish Inc., 2011

Touche Amore have made a name for themselves in the hardcore scene with the release of their past record To The Beat Of A Dead Horse and a slough of 7inches and splits. While some Internet drama has led to a backlash against the band, this new full length Parting the Sea Between Brightness and Me can be held as a pinnacle in the post hardcore genre with a beautiful combination of passionate lyrics, gritty riffs and powerful interludes, all of which comes together to be one of the best releases of 2011.

The thirteen songs on the record come to just over twenty minutes and they flow between one another seamlessly making a listen from begging to end painless. The reoccurring idea of the record is one of coming to terms with problems in your life, understanding them and working towards making them better. Jeremy Bolm’s lyrics, while not very straightforward, are both smart and memorable full of lines that stick with you and make you think. The listener will always believe where the words come from and the pain behind them, something that is very hard to do. The album is by no means heavy, leaning farther towards strong melodies and this will turn people away from the band, however this does not prevent the music from getting hectic with at times busy complex percussion that help keep the pace up and the listener interested.

The record is excellent as a whole and stand out tracks are hard to pin. “~ (Tilde)” is one of the best opening songs on a record I have ever heard starting off peaceful and easing into a strong energy that is seen throughout the record. “Amends” the closing track is both short and sweet leading the record out with immense power. The thirteen tracks are overall consistent and it’s the catchy one-liners and strong melodies that will keep the listener coming back.

The melodic post hardcore genre has seen resurgence as of late with other bands like Defeater, La Dispute and Pianos Become the Teeth getting hype. Parting the Sea Between Brightness and Me is a record that sets the standard for the genre. I don’t need to tell you to go listen to it because someone else probably already has.

See also

toucheamore.com

Touche Amore – Parting The Sea Between Brightness And Me cover artwork
Touche Amore – Parting The Sea Between Brightness And Me — Deathwish Inc., 2011

Related features

Touche Amore

Interviews • June 19, 2012

Related news

Wrong Man Deathwish

Posted in Records on July 7, 2026

10 years after Stage Four (Touché Amoré)

Posted in Records on March 4, 2026

Touché Amoré sign to new label

Posted in Records on July 25, 2024

Recently-posted album reviews

Onelinedrawing

RAINBOWMACHINE
Iodine (2026)

I grew up listening to the acoustic side of onelinedrawing. Those stripped-down Jonah Matranga songs had a way of making everything else disappear, often needing little more than a guitar, a voice, and an honest melody to completely pull you in. That's still the version of onelinedrawing that immediately comes to mind for me, so with Matranga having been relatively … Read more

Professor and the Madman

Dreamworld
FullerTone Records (2026)

ALBUM HIGHLIGHTS – “Brand New World”, “12 Strings and Tambourines”, “Adams Street”, “Temple of Madness” It’s rare to find these days. A band (or maybe supergroup, in this case) that defies all genre boundaries and just…creates. Alfie Agnew (Adolescents, D.I.) and Sean Elliott (D.I., Mind Over Four) are familiar names from Orange County’s early 80s hardcore and psych-punk scenes, but … Read more

Chat Pile

Who Loves The Sun
Flenser (2026)

If Chat Pile were a film, they would be a dark thriller. The kind that builds tension until the end and, once we reach the third act, still might not ever show the killer. It's plodding and intense and, while I just pulled out a genre reference, the best thing about the band is how much they defy conventional musical … Read more