The Mall plays post-hardcore with aspects of screamo and indie rock. But the most identifiable characteristic of their music is the use of keys. The have an 8-bit feel at times, and definitely dominate the musical landscape of the songs. Without the use of keys I would say that there is really nothing about these songs that stand out. I suppose you could liken The Mall to a more discordant and mathy version of Murder City Devils. A more current equivalent would be These Arms are Snakes.
Split records have always worked best when they feel intentional rather than convenient, and Bombs Away! lands firmly in the former category. Bringing together East Bay veterans Tsunami Bomb and Oakland’s The Hammerbombs, this six-track split (three songs per band) doesn’t just unite two names but captures two complementary approaches to Bay Area punk that still feel vital decades into … Read more
Sarasota, Florida’s Floating Boy have been grinding for seven years, quietly shaping themselves into a band that lives and breathes the ethics of Fugazi (if you couldn’t tell by their track inspired name) and the emotional chaos of DIY punk. Their debut full-length, Perfect Place, is the culmination of that time. There are ten tracks of anxious, politically charged emo-punk/post-hardcore … Read more
I've reviewed a lot of Brokedowns records over the years. First, I'll say I love the band and I honestly feel like they keep getting better. Second, I'll say that this record threw a couple of surprises at me. The band play multi-vocalist poppish punk in the school of Dillinger Four or Errth, albeit more on the angry side. There … Read more
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