Review
The Magnetic Fields
I

Nonesuch (2004) Ryan

The Magnetic Fields – I cover artwork
The Magnetic Fields – I — Nonesuch, 2004

Disclaimer: I am not actually going to write much about this album itself because I don't have too much to say about it, and I feel I'm entitled to at least one snarky review here. Christ, I've grown to hate the self-conscious style of writing that's so easily employed to take a way out of a review or any other kind of meaningful peace of writing. Yet, I think I might use this device as a way out of this review. End disclaimer.

When I first wanted to write here, I was all "oh man, I'm going to tear shit apart, and it's going to be way funny, and I can't wait, and oh man it's just going to be awesome." Then I started reviewing stuff, and although it's only been like four reviews, I still haven't found anything I truly hated. The Magnetic Fields' newest release I is no exception.

Of course everyone knows the Magnetic Fields from their ambitious previous work, 69 Love Songs, but this follow up album is decidedly much more small scale and intimate. Taking a slightly annoying gimmick of naming the album I, then proceeding to title all of the songs beginning with the letter "I," lead singer, Stephin Merritt and his cohorts do manage to produce a very well rounded chamber pop album.

Merritt's homosexuality is explicitly defined in many of the album's songs, including "I Don't Really Love You Anymore," and "I Thought You Were My Boyfriend." Now here comes an obvious statement from me: despite the songs being gay in orientation, they are all situations that anyone can appreciate for their songwriting and brilliantly produced merits (oh god, sorry). "I thought I was just the guy for you and it would never end./I thought we were supposed to be like glue,/I thought you were my boyfriend." Merritt sings these lines with almost a hopeless tone. One in which it seems as though it's happened before, and he expects it to happen again. The lyrics speak to the same thing that everyone feels in a time of romantic dissolution or ecstasy.

Well, despite a rocky start, this review didn't turn out to be as bad as I thought it would be. I mean I did kind of harp on one thing for a while, though, didn't I? Oh well. The album is certainly worthwhile; it's a nice little album with very heartfelt lyrics and excellent production values. Merritt's song writing abilities, while sometimes heavy handed are often very earnest and poignant.

7.5 / 10Ryan • June 14, 2004

The Magnetic Fields – I cover artwork
The Magnetic Fields – I — Nonesuch, 2004

Recently-posted album reviews

SUB/SHOP

Democatessen
Independent (2025)

Richmond, VA has always had a way of bending punk into something sharper and stranger, and Sub/Shop feels like a direct product of that tradition. Their EP democatessen isn’t a debut in the wide-eyed sense but a statement from musicians who’ve already spent years inside heavy, confrontational music and are now choosing precision over spectacle. Across six tracks, Sub/Shop delivers … Read more

Guerilla Teens

I Cyclops / Pride of the Savanna-7"
Heavy Medication Records (2024)

One-eyed wind-up dancing eyeballs boppin' and weavin' with Scott "Deluxe" Drake and Jeff Fieldhouse from the one and only and never replicated the almighty "The Humpers". I was lucky to see them back in the 90's in Toronto at a hot, sweaty club in the dead of summer, back when there was a blue hue of cigarette smoke, a faint … Read more

Joyce Manor

I Used To Go To This Bar
Epitaph (2026)

Surely by now, you’ve heard their name. Joyce Manor have been writing soundtracks for heartbreaks and hangovers for nearly two decades now. They create short songs with their hearts on their sleeves, while sticking to that distinct Southern California mix of self-deprecation and sincerity. From the lo-fi charm of their 2011 debut to Never Hungover Again’s cult-classic status and the … Read more